"Those who believe in telekinetics, raise my hand."
If I could have but a moment
of time to sit and comprehend
blue-skinned sirens on a chilly
moon and why our God doesn't care;
I'd spend it with you and play
Heller's Catch 22. We must
be crazy to want to fly
and of course, we're normal
to want to finish the job
and just go home.
Billy Pilgrim did- to my delight
and satisfied his hunger
with a box of Wheaties,
and sex. Don't forget the sex.
Even the celibate think on it.
All those memories of a moment
when your captors held you up
as a human sheild and you lived
on, despite the efforts
of a stranger wanting to kill you.
Damn him, God wins and you -
wise and irreverant you -
depart and leave us the thought - "We could have saved the Earth
but we were too damned cheap."
In salute to Kurt Vonnegut (November 11, 1922 - April 12, 2007)
the sky is glass
a billion gleaming shards
wink through the tinted window
when it rains, it pours
sending crystalized stars
like true arrows
straight through a hardened heart
taxidermy for dummies and
scarring 101 are
not a lot of credit hours.
They dance, avoid each other publically
to the point of near ignorance.
With tongues temporarily stilled,
minds dart forward to clear the dark,
blasting away bats
caught in cobwebs.
They circle in the black,
the combatants,
eyes tuned to the other,
wary and waiting for a first move,
that tentative closer step.
I have a tattered copy of Slaughter House Five
it's read when I feel sick
Kurt died but is being born some other time
I hope to meet him sometime on the road
when he has the K. Trout coat on
maybe we could get drunk and piss on
bar napkin poems
So it goes. HI HO.
He leaned back on that barstool,
tipping till it nearly fell over.
He spouted a tale for every inattentive
ear to hear, should a stray syllable fall
into its drum.
It seemed for most to be
just another humdrum story
of unrequited love;
but the lone barkeep--
who had heard this tale
more than once before--
finally saw that greater picture
that he had missed during every other recital.
The keystone portion of the yarn
wasn't about the love struck boy or girl.
Nor the story, time or place,
it was hidden within the narrator himself.
Perhaps, to the bartender,
the story only gained its grandeur
when punctuated by the fact
that the author spent endless nights
repeating it at the tavern.
woke up on the horizon
everybody waiting for me to rise
look in my ray bag
finding a poem for each phase of the
moon
How the fuck did that happen?
thirsty I grab an ink well
"i aint seen nothing yet"
intermutation hitching
these two parts
together like chain links
coated in tar
the tang of something
dead, a fulsome noseful
seeps into a scar
stinging like salt
make the most of this
officious offering, take
this extended stay
remain here today
continue to be
the out for me,
the passe partout
the skeleton key.
The sea reflects
the landscape
as if it were too beautiful to pass by
without that second glance.
The mirror,
without cracks or aged silver,
shows me streets where I walked,
windows in white buildings
where I looked out,
squinting to discern the difference
between the sea and sky
that have melded fast.
It shows me an un-rippled reflection,
a photograph upturned,
a dare to return, to walk
and wrap myself in the history
doubled for my pleasure.
And there she sits pensive,
alluring and more interested
in Manet, who paints
just over there, than what
stirs in M'sieu's
pantalons and why the crop
is gripped so securely
at his side.
two constant digits,
consistent in their repetition in my life.
twenty-four, a birthright and birth date.
twenty-four at midnight exactly,
the only hour of progress.
twenty-four failings,
i count each digit on a digit
in turn.
i run out of fingers and toes at twenty,
but i know there are still four.
they wait to surface,
hoping i spawn further thumbs on which to be tallied.
Scott, a wandering photographer
from somewhere between New
York and Tel Aviv, scopes out
the horizon with his pair of Nikon
binoculars. Gunships drone.
An elderly fortune teller stroke
part time Rabbi (as if the two
could ever be compatible, puh-lease)
told him through a hole
in the Wailing Wall a vision
of a place where Moses
once took a leak in the desert.
He'd left behind a sandal and if someone
found it, well, you can imagine.
It was supposed to be near
Mount Hebron. Digging at a spot
determined by boredom, he found
nothing but an old piranha skeleton,
shards of broken crystal balls
and melted down lead ingots.
Later that night, an old man parted
the river of his wallet. Scott declared
the event in the morning as a sign.
Scorpions waited on the other side
of the mountain. Donkeys laughed.
Fate always lies, his father told him.
The man had prosthetic lips. It was difficult
for him to know whether he was telling
the truth.
breakfast diners
and broken concrete,
houses of worship.
in these nameless
two-dollars-a-plate kitchens
the downtrodden pray
to spotted eating utensils,
and ancient off-white collection plates
carry omelets.
windows, yellowed over time
from countless cigarettes
are our stained glass imagery.
this suit is frayed,
tie is stained,
shoes are scuffed,
face is scruffed:
Sunday's finest.
Another Roadside Left Revisited
I did it, I went back to them
Where mentholated goodness overpowers the harshness
And the smell reminds me of friends no longer visited
Of life in happiness, without the strife of today
Like a night of angry sex with someone you used to love
sleeping to a disney
i find my moment
of reprieve, believe me
they feel to few
and far between these
unpoetic days
and lonesome nights
this life, this try again
at something more
or right, has the power
to dub me powerless
over and again, which
is just perfect
right?
yep.