In dreams,
The sea carries me far
Across miles and miles
To places and faces never seen
In waking hours.
In dreams,
The sailboat carries me
To uncharted places
Yet to be discovered,
To unknown people
Yet to be understood
Never to be encountered
In waking hours.
In dreams,
The road before me disappears
Over a distant hill,
Into a beautiful valley
Of narcissus, tulips, and poppies,
As far as the eye can see,
With a fragrance so intense
As to never be perceived
In waking hours.
In dreams,
The woman before me smiles
Takes my hand in hers
Wipes away my tears,
Scatters away my fears,
Brings me back to life
But even then not like the one
In waking hours.
i.
truth is a tango of known integers
curled into strands and lit for holiday
he can sort them like tetris blocks
I feel them line up and clear
sparking a path to nirvana
ii.
crush of spearmint and basil
loam in the fingers
braid of light through the trees
tea with lemon
iii.
yes is what they whisper
Crowley's cards turned
hierophant ready
to tell his story
lights his lamp
iv.
vertigo demands appeasement
at the memory of wingbeat
in my ear
yes I blame the vertigo
when I panic
there is a bird in my house
v.
we stand on each other's feet
lay hip to hip
remembering this I curl
my toes into the grass hoping he feels them
I don't know but I believe
he slips bribes to the sandman
After years of seeing no reason
I have finally found one.
This is the answer to the
enigma in the order of things
exactly as said by the wise,
just souls of the past.
Thus I now believe in God
and Jesus, and the whole saintly
assemblage; I believe in Mary
and something called the Holy
Ghost — and it does not matter
that I do not know what that is.
I believe in all this for no other reason
than that there will then be
a Heaven and a Hell.
Why does this matter, you ask,
and I see you trying to suppress a smile,
as you often do when you think
that I have been hurt.
I want this for no other reason than
that the place will then exist —
so that you can burn in Hell forever
for what you have done.
The bruises on mother's skin make her seem
more watercolor than woman,
gold stipples wildflower patina under pale
frail from the hot house with cool floors
and pastel walls because white
is out of fashion
even in hospitals. She wears death beautifully
as a stamen, her neck long and throat open, resigned
but not ready. Thick hair spills over
the pillow, gray twined with russet. I paint her nails
champagne. Her brief time awake is suffering
yet she will not push the button for relief
as long as she counts hours
with family who sit in shifts
to witness her death:
the son, the daughter,
the sister, the mother,
first husband who comes in the last hours
when she can no longer answer him,
eyeing the pillow-- how it would quiet
those eyes for good.
He leaves crying, bellowing I don't smoke at the woman
who asks for a light for her cigarette
but he wants one. She looks old
to him. All the women here look old.
He doesn't dare
turn on the radio because every song
has played on honkey tonk's jukebox
where he danced with women
not his own.
when you pull your hands apart slowly enough
feel the resistance of the unseen taffy between them
particles of me pulling further apart across the small span
that is me holding your hand
coating you in starshine
can you feel the tingle
you are sharp enough to cut me open
layer by layer but it will last longer
if instead you dance with me and rub
me open if instead you
let me submit to your casual wear and tear
thinning the membrane, shaping me
like a suit
And an eternity rises through
the gales of ash and wind
and has its own light
and its own way of kissing
your lips from a great distance
since, for it, nothing
can be that far.
I see it in the red of sunsets
wiping the blood from the world
the always blind blood of
the singers of pain
as they fall through the net
that doesn't hold.
I will fold this paper into a second
eternity, since it is
lonely to be so large with a
meaning that
cannot be understood all
at once
but takes a life to grasp a
single syllable in a star
at the moment the dark says never.
I would love to tell you that I have the answer
because, to an extent, I may. But the instructions
for the machine are in sanskrit, and the interface
is frustrating, counter-intuitive. Believe in nothing, I whisper, but
this also is in sanskrit
and does not mean what you think it does.
What about the moment, I say
the color of that flower, the gratitude
for red wheelbarrows?
Whatever. Of course, a poet's mind
is full of daisies and seascapes
and the universal significance
of brushing one another's arms
accidentally, during the movie.
It's too simplistic,
like me,
to keep you busy, really.
Shrugging it off like a vestigal
tail, that ee has nonetheless remained
and when I hear it tacked on
to the end of my name I want to scream
I am not I am not I am not a little
girl. I am not the cookie thieving
garden wrecking daughter
called indoors for a scolding.
Even as I cringe I know it is ridiculous,
only a phoneme, a brief sound
that nonetheless picks me up
by the scruff and throws me in
to the wash
screaming as I feel myself shrinking
down small.
afterward
after the pain, the hanging
How deep it is, the way I love you
how perfect to lay you down
across my lap and whisper
over your wounds
blessed
you have saved me again
again tonight.
For my petty angers
you have offered your flesh
treasure of god, hound
and son and gift of god, your
head falls weakly, ragged
and you hang, till I take
you broken down
and give you water, the breast
the soft winding cloth
and the redemption
poor body, broken for my sake
in black sweet blindness
gentle snapped gift, One I love
more than life at this moment
more
more than life.
The alchemy of fertility
demands and he gives
to her, burying the old
dry leaves, breathing out
intoxications of words,
a loam of tender beauties
coaxing open earth's belly.
He takes care as he feeds
her so that the seed
will not burn. So that the furrow
will accept his gifts and give better back,
more, and more. This is not a day affair.
The viticulturist remains in dark night,
master of waters. Calls down the stream,
marking its secret journey,
pulling open its delicate mouth
for the vines to tendril out.
And again, he returns, constant
of ardor, weaving the trellis,
branching psalms into arbors that cradle
earth's young against the wrath
of Heaven. He has built
a rhythm of leading the wild earth into dance,
has pulled down its hungry deer and stripped
her clean. He will fill her fuller
than she could fill herself.
He warms her slowly and pours in more
to ferment. She will not crack from new wine
but will stretch
to hold the fragrant potency of his gifts.
The wine
glowed in your hands
that night
Your face was
a fierce moon, a storm cloud
dangerous with lightning
power, you said
I could be so close
I could be holding it
I can already feel it
You stretched out your hand
the moon in your palm
meant death, and something
brighter: the meteor
the fall of a bright comet.
Your hair behind you
stretched across the pillow
a dwindling tail, black
and white
I watch you sleep
like watching the moon
through a telescope
shifting, so close
untouchable
round like a dial
you and I mark time.
how can light
be the same as death
how can the blue glow
of your hip, moon lit
and curved under my hand
be the face of a watch
which will stop
soon
Prove how love cures the whispered cancer
prove how your own heartbeat can now
redefine the flesh
prove how light can kill or heal
Open the curtain to the glowing face
bone-white, sleep-velveted
I reach to the radium
of your dangerous waking.