Homburg
Daring greatly
- Joined
- Aug 28, 2007
- Posts
- 13,578
Here's what I don't understand, though. (Not saying you're wrong, I'm saying - literally - I'm confused about how to define a "top" without referencing either service or control.)
What is topping, without a response to/from the external?
I'm trying to think of what that would be, and the only answer I've got is: me, in my backyard, with my bullwhip and scarecrow.
That's not really topping, to me. That's playing with toys.
As I see it, the whole point of topping is to elicit a reaction. It's either a reaction that the bottom wants, or the reaction you want the bottom to have, or some combination thereof. But you're not just swinging for nothing. Know what I mean?
The top enjoys the reaction the same way a dominant does. I would assume that a top likes that yelp, squeal, squirm, etc. Response from external is not what I was getting to in that sense. It is response to external motivation vis a vis the service top.
Drawing a line between top and dominant is tough, but, looking at sweeping generalities here, the wants to be "on top" in the scene, and doesn't particularly care outside the scene. The dominant wants control, period. Broad generalities, of course, but how I see the fine distinction being drawn, and, in scene, they're probably going to look similar.
In both cases, the top and dominant are engaged in toppy activities due to their own internal motivations. The service top is motivated by the needs of the bottom.
And there's also the performance aspect. Sometimes do what they do for the show, and thus get toppy, or bottomy, in front of an audience. It is a role, nothing more. In that case, they're not swinging for the reactions of the bottom/ They're looking for the reactions from the audience.