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Guest
Guest
You're not alone, Jonathon_Swiftly. I do very little preplanning, because for the most part, it's largely a waste of time for me.
My original story ideas change radically before the final draft, so my style is to open up the word processor and record any initial thoughts I have for the storyline and rudimentary plot, then I let the editing process take over my soul from there. (Well, it's really my muse that forces me to write, when she wants to, demanding bitch , but I love her dearly.) After the skeleton of a plot is organized, I’ll create copious little notes to myself, like digital yellow and green Post-Its, then spend the vast majority of my writing time trying to convert those little scraps into themes, paragraphs, re-writes—or I'll toss them in the bit bucket.
Over the years, I have found I’m most satisfied “working” the editing phase, forcing the story and its parts into a fluid state of flux, creating many opportunities for revision, enhancement, and change (and I have to review everything with my muse). It is the point in the process I find myself the most inspired, in conflict, nervous, anxious, and driven—and I wouldn’t have it any other way.
My original story ideas change radically before the final draft, so my style is to open up the word processor and record any initial thoughts I have for the storyline and rudimentary plot, then I let the editing process take over my soul from there. (Well, it's really my muse that forces me to write, when she wants to, demanding bitch , but I love her dearly.) After the skeleton of a plot is organized, I’ll create copious little notes to myself, like digital yellow and green Post-Its, then spend the vast majority of my writing time trying to convert those little scraps into themes, paragraphs, re-writes—or I'll toss them in the bit bucket.
Over the years, I have found I’m most satisfied “working” the editing phase, forcing the story and its parts into a fluid state of flux, creating many opportunities for revision, enhancement, and change (and I have to review everything with my muse). It is the point in the process I find myself the most inspired, in conflict, nervous, anxious, and driven—and I wouldn’t have it any other way.