unpredictablebijou
Peril!
- Joined
- Apr 21, 2007
- Posts
- 5,507
May #9
Counterpoint
Grown to be a spouse, another half,
your foil and balance point
the fulcrum of your power,
a widower by seventeen, a son
of eight-limbed creatures, what you sought
was also mythical, a basilisk.
Now neither you nor other
and neither god nor brother
to your name, you're cast from Eden,
from the world of harmless women
to the teeth of orphanage, the split
like firewood, of self from self,
a couplet unresolved, a chord
left hanging, one end of a line.
We live, you and I, with invisible ghosts,
a space which has defined us,
a departure from which we mark time,
a turning point. These shadows,
these refractions are the foil, the frame
in which we are set and balanced.
We know pain in pleasure and death in love;
we are familiar with the tune of bones,
the bass hum of the frame
on which we're hung, the low drone
of blood and skeleton beneath
the bright and fleeting chatter of the mind.
And always, so, we seek the other half,
the un-thing, that which fills the space,
and all the metaphors of unity
forgotten in the rush to match
ourselves against some new pursuit.
You held it in your hand for all this time,
you hold it yet – a simple truth:
the symmetry of self in counterpoint
to self, of balance in the feet and eyes
of yin and yang contained
and singing harmonies.
Counterpoint
Grown to be a spouse, another half,
your foil and balance point
the fulcrum of your power,
a widower by seventeen, a son
of eight-limbed creatures, what you sought
was also mythical, a basilisk.
Now neither you nor other
and neither god nor brother
to your name, you're cast from Eden,
from the world of harmless women
to the teeth of orphanage, the split
like firewood, of self from self,
a couplet unresolved, a chord
left hanging, one end of a line.
We live, you and I, with invisible ghosts,
a space which has defined us,
a departure from which we mark time,
a turning point. These shadows,
these refractions are the foil, the frame
in which we are set and balanced.
We know pain in pleasure and death in love;
we are familiar with the tune of bones,
the bass hum of the frame
on which we're hung, the low drone
of blood and skeleton beneath
the bright and fleeting chatter of the mind.
And always, so, we seek the other half,
the un-thing, that which fills the space,
and all the metaphors of unity
forgotten in the rush to match
ourselves against some new pursuit.
You held it in your hand for all this time,
you hold it yet – a simple truth:
the symmetry of self in counterpoint
to self, of balance in the feet and eyes
of yin and yang contained
and singing harmonies.