Share A Poet
- Thread starter Merrymaker
- Start date
Dorothy Parker, Heck Yeah.
http://www.youtube.com/watch?v=8etQtlu9i5s&feature=related
However, a poet reading their work often dims the luster of said work, unfortunately.
I agree. It's often better for us, the readers, to read it in our own voice. But she was good. Very, very good.
http://www.youtube.com/watch?v=fKxssXHKoLM
When I am old, and comforted,
And done with this desire,
With Memory to share my bed
And Peace to share my fire,
I'll comb my hair in scalloped bands
Beneath my laundered cap,
And watch my cool and fragile hands
Lie light upon my lap.
And I will have a sprigged gown
With lace to kiss my throat;
I'll draw my curtain to the town,
And hum a purring note.
And I'll forget the way of tears,
And rock, and stir my tea.
But oh, I wish those blessed years
Were further than they be!
Last edited:
vrosej10
Questioning your sanity??
- Joined
- Feb 24, 2009
- Posts
- 6,167
The Moon Is Always Female
Marge Piercy
The moon is always female and so
am I although often in this vale
of razorblades I have wished I could
put on and take off my sex like a dress
and why not? Do men always wear their sex
always? The priest, the doctor, the teacher
all tell us they come to their professions
neuter as clams and the truth is
when I work I am pure as an angel
tiger and clear is my eye and hot
my brain and silent all the whining
grunting piglets of the appetites.
For we were priests to the goddesses
to whom were fashioned the first altars
of clumsy stone on stone and leaping animal
in the wombdark caves, long before men
put on skirts and masks to scare babies.
For we were healers with herbs and poultices
with our milk and careful fingers
long before they began learning to cut up
the living by making jokes at corpses.
For we were making sounds from our throats
and lips to warn and encourage the helpless
young long before schools were built
to teach boys to obey and be bored and kill.
I wake in a strange slack empty bed
of a motel, shaking like dry leaves
the wind rips loose, and in my head
is bound a girl of twelve whose female
organs all but the numb womb are being
cut from her with a knife. Clitoridectomy,
whatever Latin name you call it, in a quarter
of the world girl children are so maimed
and I think of her and I cannot stop.
And I think of her and I cannot stop.
If you are a woman you feel the knife in the words.
If you are a man, then at age four or else
at twelve you are seized and held down
and your penis is cut off. You are left
your testicles but they are sewed to your
crotch. When your spouse buys you, you
are torn or cut open so that your precious
semen can be siphoned out, but of course
you feel nothing. But pain. But pain.
For the uses of men we have been butchered
and crippled and shut up and carved open
under the moon that swells and shines
and shrinks again into nothingness, pregnant
and then waning toward its little monthly
death. The moon is always female but the sun
is female only in lands where females
are let into the sun to run and climb.
A woman is screaming and I hear her.
A woman is bleeding and I see her
bleeding from the mouth, the womb, the breasts
in a fountain of dark blood of dismal
daily tedious sorrow quite palatable
to the taste of the mighty and taken for granted
that the bread of domesticity be baked
of our flesh, that the hearth be built
of our bones of animals kept for meat and milk,
that we open and lie under and weep.
I want to say over the names of my mothers
like the stones of a path I am climbing
rock by slippery rock into the mists.
Never even at knife point have I wanted
or been willing to be or become a man.
I want only to be myself and free.
I am waiting for the moon to rise. Here
I squat, the whole country with its steel
mills and its coal mines and its prisons
at my back and the continent tilting
up into mountains and torn by shining lakes
all behind me on this scythe of straw,
a sand bar cast on the ocean waves, and I
wait for the moon to rise red and heavy
in my eyes. Chilled, cranky, fearful
in the dark I wait and I am all the time
climbing slippery rocks in a mist while
far below the waves crash in the sea caves;
I am descending a stairway under the groaning
sea while the black waters buffet me
like rockweed to and fro.
I have swum the upper waters leaping
in dolphin's skin for joy equally into the nec-
cessary air and the tumult of the powerful wave.
I am entering the chambers I have visited.
I have floated through them sleeping and sleep-
walking and waking, drowning in passion
festooned with green bladderwrack of misery.
I have wandered these chambers in the rock
where the moon freezes the air and all hair
is black or silver. Now I will tell you
what I have learned lying under the moon
naked as women do: now I will tell you
the changes of the high and lower moon.
Out of necessity's hard stones we suck
what water we can and so we have survived,
women born of women. There is knowing
with the teeth as well as knowing with
the tongue and knowing with the fingertips
as well as knowing with words and with all
the fine flickering hungers of the brain.
This poem is a perfect example of how to do a tough subject without getting preachy. I found this and though of those of us who are trying the vulture poem challenge.
Marge Piercy
The moon is always female and so
am I although often in this vale
of razorblades I have wished I could
put on and take off my sex like a dress
and why not? Do men always wear their sex
always? The priest, the doctor, the teacher
all tell us they come to their professions
neuter as clams and the truth is
when I work I am pure as an angel
tiger and clear is my eye and hot
my brain and silent all the whining
grunting piglets of the appetites.
For we were priests to the goddesses
to whom were fashioned the first altars
of clumsy stone on stone and leaping animal
in the wombdark caves, long before men
put on skirts and masks to scare babies.
For we were healers with herbs and poultices
with our milk and careful fingers
long before they began learning to cut up
the living by making jokes at corpses.
For we were making sounds from our throats
and lips to warn and encourage the helpless
young long before schools were built
to teach boys to obey and be bored and kill.
I wake in a strange slack empty bed
of a motel, shaking like dry leaves
the wind rips loose, and in my head
is bound a girl of twelve whose female
organs all but the numb womb are being
cut from her with a knife. Clitoridectomy,
whatever Latin name you call it, in a quarter
of the world girl children are so maimed
and I think of her and I cannot stop.
And I think of her and I cannot stop.
If you are a woman you feel the knife in the words.
If you are a man, then at age four or else
at twelve you are seized and held down
and your penis is cut off. You are left
your testicles but they are sewed to your
crotch. When your spouse buys you, you
are torn or cut open so that your precious
semen can be siphoned out, but of course
you feel nothing. But pain. But pain.
For the uses of men we have been butchered
and crippled and shut up and carved open
under the moon that swells and shines
and shrinks again into nothingness, pregnant
and then waning toward its little monthly
death. The moon is always female but the sun
is female only in lands where females
are let into the sun to run and climb.
A woman is screaming and I hear her.
A woman is bleeding and I see her
bleeding from the mouth, the womb, the breasts
in a fountain of dark blood of dismal
daily tedious sorrow quite palatable
to the taste of the mighty and taken for granted
that the bread of domesticity be baked
of our flesh, that the hearth be built
of our bones of animals kept for meat and milk,
that we open and lie under and weep.
I want to say over the names of my mothers
like the stones of a path I am climbing
rock by slippery rock into the mists.
Never even at knife point have I wanted
or been willing to be or become a man.
I want only to be myself and free.
I am waiting for the moon to rise. Here
I squat, the whole country with its steel
mills and its coal mines and its prisons
at my back and the continent tilting
up into mountains and torn by shining lakes
all behind me on this scythe of straw,
a sand bar cast on the ocean waves, and I
wait for the moon to rise red and heavy
in my eyes. Chilled, cranky, fearful
in the dark I wait and I am all the time
climbing slippery rocks in a mist while
far below the waves crash in the sea caves;
I am descending a stairway under the groaning
sea while the black waters buffet me
like rockweed to and fro.
I have swum the upper waters leaping
in dolphin's skin for joy equally into the nec-
cessary air and the tumult of the powerful wave.
I am entering the chambers I have visited.
I have floated through them sleeping and sleep-
walking and waking, drowning in passion
festooned with green bladderwrack of misery.
I have wandered these chambers in the rock
where the moon freezes the air and all hair
is black or silver. Now I will tell you
what I have learned lying under the moon
naked as women do: now I will tell you
the changes of the high and lower moon.
Out of necessity's hard stones we suck
what water we can and so we have survived,
women born of women. There is knowing
with the teeth as well as knowing with
the tongue and knowing with the fingertips
as well as knowing with words and with all
the fine flickering hungers of the brain.
This poem is a perfect example of how to do a tough subject without getting preachy. I found this and though of those of us who are trying the vulture poem challenge.
Angeline
Poet Chick
- Joined
- Mar 11, 2002
- Posts
- 27,173
Thanks for posting this Vee.
I love Marge Piercy, her poems and her novels. Her Gone to Soldiers is one of my favorite novels.
vrosej10
Questioning your sanity??
- Joined
- Feb 24, 2009
- Posts
- 6,167
A Rabbit As King Of The Ghosts
The difficulty to think at the end of day,
When the shapeless shadow covers the sun
And nothing is left except light on your fur—
There was the cat slopping its milk all day,
Fat cat, red tongue, green mind, white milk
And August the most peaceful month.
To be, in the grass, in the peacefullest time,
Without that monument of cat,
The cat forgotten in the moon;
And to feel that the light is a rabbit-light,
In which everything is meant for you
And nothing need be explained;
Then there is nothing to think of. It comes of itself;
And east rushes west and west rushes down,
No matter. The grass is full
And full of yourself. The trees around are for you,
The whole of the wideness of night is for you,
A self that touches all edges,
You become a self that fills the four corners of night.
The red cat hides away in the fur-light
And there you are humped high, humped up,
You are humped higher and higher, black as stone—
You sit with your head like a carving in space
And the little green cat is a bug in the grass.
Wallace Stevens
I like the quasimystical feel of this poem and the Watership Downy feeling. I couldn't find a copy online but I'd also recommend a poem called The Lamb by Mary Oliver.
The difficulty to think at the end of day,
When the shapeless shadow covers the sun
And nothing is left except light on your fur—
There was the cat slopping its milk all day,
Fat cat, red tongue, green mind, white milk
And August the most peaceful month.
To be, in the grass, in the peacefullest time,
Without that monument of cat,
The cat forgotten in the moon;
And to feel that the light is a rabbit-light,
In which everything is meant for you
And nothing need be explained;
Then there is nothing to think of. It comes of itself;
And east rushes west and west rushes down,
No matter. The grass is full
And full of yourself. The trees around are for you,
The whole of the wideness of night is for you,
A self that touches all edges,
You become a self that fills the four corners of night.
The red cat hides away in the fur-light
And there you are humped high, humped up,
You are humped higher and higher, black as stone—
You sit with your head like a carving in space
And the little green cat is a bug in the grass.
Wallace Stevens
I like the quasimystical feel of this poem and the Watership Downy feeling. I couldn't find a copy online but I'd also recommend a poem called The Lamb by Mary Oliver.
vrosej10
Questioning your sanity??
- Joined
- Feb 24, 2009
- Posts
- 6,167
The Man Splitting Wood in the Daybreak
The man splitting wood in the daybreak
looks strong, as though, if one weakened,
one could turn to him and he would help.
Gus Newland was strong. When he split wood
he struck hard, flashing the bright steel
through the air so hard the hard maple
leapt apart, as it's feared marriages will do
in countries reluctant to permit divorce,
and even willow, which, though stacked
to dry a full year, on being split
actually weeps—totem wood, therefore,
to the married-until-death—sunders
with many little lip-wetting gasp-noises.
But Gus is dead. We could turn to our fathers,
but they help us only by the unperplexed
looking-back of the numerals cut into headstones.
Or to our mothers, whose love, so devastated,
can't, even in spring, break through the hard earth.
Our spouses weaken at the same rate we do.
We have to hold our children up to lean on them.
Everyone who could help goes or hasn't arrived.
What about the man splitting wood in the daybreak,
who looked strong? That was years ago. That was me.
Galway Kinnell
I love this poem because it appears to be about one thing but is actually about another. This guy is worth digging up. He's very cool.
The man splitting wood in the daybreak
looks strong, as though, if one weakened,
one could turn to him and he would help.
Gus Newland was strong. When he split wood
he struck hard, flashing the bright steel
through the air so hard the hard maple
leapt apart, as it's feared marriages will do
in countries reluctant to permit divorce,
and even willow, which, though stacked
to dry a full year, on being split
actually weeps—totem wood, therefore,
to the married-until-death—sunders
with many little lip-wetting gasp-noises.
But Gus is dead. We could turn to our fathers,
but they help us only by the unperplexed
looking-back of the numerals cut into headstones.
Or to our mothers, whose love, so devastated,
can't, even in spring, break through the hard earth.
Our spouses weaken at the same rate we do.
We have to hold our children up to lean on them.
Everyone who could help goes or hasn't arrived.
What about the man splitting wood in the daybreak,
who looked strong? That was years ago. That was me.
Galway Kinnell
I love this poem because it appears to be about one thing but is actually about another. This guy is worth digging up. He's very cool.
vrosej10
Questioning your sanity??
- Joined
- Feb 24, 2009
- Posts
- 6,167
AT THE BACK OF PROGRESS
The fellow who sits in the air-conditioned office
is the one who in his youth raped
a dozen or so young girls,
and, at cocktail parties, is secretly stricken with lust,
fastening his eyes on lovelies' bellybuttons.
In five-star hotels,
he tries out his different sexual tastes
with a variety of women,
then returns home and beats his wife
because of an over-ironed handkerchief or shirt collar.
In his office Mr. Big puffs on a cigarette,
shuffles through files,
rings for his employee
shouts,
demands tea,
drinks,
and returns to writing people's character references.
His employee speaks in such a low voice
that no one would ever suspect
how, at home, he also raises his voice,
is vile to his family
but with his buddies on the porch or at a movie
indulges in loud harangues on politics,
art, literature, and how some female -
his mother, grandmother, or great-grandmother -
committed suicide.
Bidding goodbye to his buddies,
he returns home,
beats his wife
over a bar of soap
or the baby's pneumonia.
Next day, at work, he pleasantly brings the tea,
keeps the lighter in his pocket,
receives a tip of a couple of taka,
and tells no one that he divorced his first wife for her sterility,
his second for giving birth to a daughter,
his third for not bringing a sufficient dowry.
Now, with wife number four, he again has someone:
To beat over a green chili or a handful of rice.
Taslima Nasrin
This amazing poet has been a voice for women's rights in her home of Bangladesh, so much so that she had to flee to Sweden for fear of being killed by Muslim extremists.
http://en.wikipedia.org/wiki/Taslima_Nasrin
The fellow who sits in the air-conditioned office
is the one who in his youth raped
a dozen or so young girls,
and, at cocktail parties, is secretly stricken with lust,
fastening his eyes on lovelies' bellybuttons.
In five-star hotels,
he tries out his different sexual tastes
with a variety of women,
then returns home and beats his wife
because of an over-ironed handkerchief or shirt collar.
In his office Mr. Big puffs on a cigarette,
shuffles through files,
rings for his employee
shouts,
demands tea,
drinks,
and returns to writing people's character references.
His employee speaks in such a low voice
that no one would ever suspect
how, at home, he also raises his voice,
is vile to his family
but with his buddies on the porch or at a movie
indulges in loud harangues on politics,
art, literature, and how some female -
his mother, grandmother, or great-grandmother -
committed suicide.
Bidding goodbye to his buddies,
he returns home,
beats his wife
over a bar of soap
or the baby's pneumonia.
Next day, at work, he pleasantly brings the tea,
keeps the lighter in his pocket,
receives a tip of a couple of taka,
and tells no one that he divorced his first wife for her sterility,
his second for giving birth to a daughter,
his third for not bringing a sufficient dowry.
Now, with wife number four, he again has someone:
To beat over a green chili or a handful of rice.
Taslima Nasrin
This amazing poet has been a voice for women's rights in her home of Bangladesh, so much so that she had to flee to Sweden for fear of being killed by Muslim extremists.
http://en.wikipedia.org/wiki/Taslima_Nasrin
Were I Pygmalion or God
I would make you exactly as you are ... in all dimensions.
From your warm hair to your intimate toes would you be
wholly in your own image. I would change nothing, add or take away.
The same full red flower would model for your mouth —
and from the same seashore
would I bring the small translucent earshapes of your ears.
O the lovely throat that I could duplicate!
The tender arms!
I would shape your breasts the shape of the hungry little faces
they are now ... and tip them with the same quick mouths.
I could not make your eyes deeper than they are —
nor softer to look into ... nor could I turn your hips, your thighs,
your belly in a sweeter curve: nor indent the hollows
of your loins more tenderly — or store more honey there or fire.
How would I name you ... need you ask? You know. By the scarlet
and the blue you wear when love is upon you, by the yellow
tongues — by the warm white fragrance ... by the slender leaves.
- Walter Benton
I would make you exactly as you are ... in all dimensions.
From your warm hair to your intimate toes would you be
wholly in your own image. I would change nothing, add or take away.
The same full red flower would model for your mouth —
and from the same seashore
would I bring the small translucent earshapes of your ears.
O the lovely throat that I could duplicate!
The tender arms!
I would shape your breasts the shape of the hungry little faces
they are now ... and tip them with the same quick mouths.
I could not make your eyes deeper than they are —
nor softer to look into ... nor could I turn your hips, your thighs,
your belly in a sweeter curve: nor indent the hollows
of your loins more tenderly — or store more honey there or fire.
How would I name you ... need you ask? You know. By the scarlet
and the blue you wear when love is upon you, by the yellow
tongues — by the warm white fragrance ... by the slender leaves.
- Walter Benton
twelveoone
ground zero
- Joined
- Mar 13, 2004
- Posts
- 5,882
La Cloche fêlée
II est amer et doux, pendant les nuits d'hiver,
D'écouter, près du feu qui palpite et qui fume,
Les souvenirs lointains lentement s'élever
Au bruit des carillons qui chantent dans la brume.
Bienheureuse la cloche au gosier vigoureux
Qui, malgré sa vieillesse, alerte et bien portante,
Jette fidèlement son cri religieux,
Ainsi qu'un vieux soldat qui veille sous la tente!
Moi, mon âme est fêlée, et lorsqu'en ses ennuis
Elle veut de ses chants peupler l'air froid des nuits,
II arrive souvent que sa voix affaiblie
Semble le râle épais d'un blessé qu'on oublie
Au bord d'un lac de sang, sous un grand tas de morts
Et qui meurt, sans bouger, dans d'immenses efforts.
— Charles Baudelaire
take your choice
II est amer et doux, pendant les nuits d'hiver,
D'écouter, près du feu qui palpite et qui fume,
Les souvenirs lointains lentement s'élever
Au bruit des carillons qui chantent dans la brume.
Bienheureuse la cloche au gosier vigoureux
Qui, malgré sa vieillesse, alerte et bien portante,
Jette fidèlement son cri religieux,
Ainsi qu'un vieux soldat qui veille sous la tente!
Moi, mon âme est fêlée, et lorsqu'en ses ennuis
Elle veut de ses chants peupler l'air froid des nuits,
II arrive souvent que sa voix affaiblie
Semble le râle épais d'un blessé qu'on oublie
Au bord d'un lac de sang, sous un grand tas de morts
Et qui meurt, sans bouger, dans d'immenses efforts.
— Charles Baudelaire
take your choice
greenmountaineer
Literotica Guru
- Joined
- Nov 28, 2008
- Posts
- 2,442
Reason
Said, Pull her a bit will you, Mac, I want to unload there.
Said, Pull her up my rear end, first come first serve.
Said, Give her the gun, Bud, he needs a taste of his own bumper.
Then the usher came out and got into the act:
Said, Pull her up, pull her up a bit, we need this space, sir.
Said, For God's sake, is this still a free country or what?
You go back and take care of Gary Cooper's horse
And leave me handle my own car.
Saw them unloading the lame old lady,
Ducked out under the wheel and gave her an elbow,
Said, All you needed to do was just explain;
Reason, Reason is my middle name.
Josephine Miles
I thought that the elimination of "just" in the next to last line would have brought the poem to its conclusion better, but in the poet's own words:
"...I like the idea of speech--not images, not ideas, not music, but people talking--as the material from which poetry is made."
I can't say I agree absolutely with that (I bristle at anything that sounds like dogma), but I do like the poem.
Said, Pull her a bit will you, Mac, I want to unload there.
Said, Pull her up my rear end, first come first serve.
Said, Give her the gun, Bud, he needs a taste of his own bumper.
Then the usher came out and got into the act:
Said, Pull her up, pull her up a bit, we need this space, sir.
Said, For God's sake, is this still a free country or what?
You go back and take care of Gary Cooper's horse
And leave me handle my own car.
Saw them unloading the lame old lady,
Ducked out under the wheel and gave her an elbow,
Said, All you needed to do was just explain;
Reason, Reason is my middle name.
Josephine Miles
I thought that the elimination of "just" in the next to last line would have brought the poem to its conclusion better, but in the poet's own words:
"...I like the idea of speech--not images, not ideas, not music, but people talking--as the material from which poetry is made."
I can't say I agree absolutely with that (I bristle at anything that sounds like dogma), but I do like the poem.
Black13
Literotica Guru
- Joined
- Jan 26, 2011
- Posts
- 836
Love is not all: it is not meat nor drink
Nor slumber nor a roof against the rain;
Nor yet a floating spar to men that sink
And rise and sink and rise and sink again;
Love can not fill the thickened lung with breath,
Nor clean the blood, nor set the fractured bone;
Yet many a man is making friends with death
Even as I speak, for lack of love alone.
It well may be that in a difficult hour,
Pinned down by pain and moaning for release,
Or nagged by want past resolution's power,
I might be driven to sell your love for peace,
Or trade the memory of this night for food.
It well may be. I do not think I would.
Edna St. Vincent Millay
Nor slumber nor a roof against the rain;
Nor yet a floating spar to men that sink
And rise and sink and rise and sink again;
Love can not fill the thickened lung with breath,
Nor clean the blood, nor set the fractured bone;
Yet many a man is making friends with death
Even as I speak, for lack of love alone.
It well may be that in a difficult hour,
Pinned down by pain and moaning for release,
Or nagged by want past resolution's power,
I might be driven to sell your love for peace,
Or trade the memory of this night for food.
It well may be. I do not think I would.
Edna St. Vincent Millay
More Shakespeare
Sonnet XCI
Some glory in their birth, some in their skill,
Some in their wealth, some in their bodies' force,
Some in their garments, though new-fangled ill,
Some in their hawks and hounds, some in their horse;
And every humour hath his adjunct pleasure,
Wherein it finds a joy above the rest:
But these particulars are not my measure;
All these I better in one general best.
Thy love is better than high birth to me,
Richer than wealth, prouder than garments' cost,
Of more delight than hawks or horses be;
And having thee, of all men's pride I boast:
Wretched in this alone, that thou mayst take
All this away and me most wretched make.
Sonnet XCI
Some glory in their birth, some in their skill,
Some in their wealth, some in their bodies' force,
Some in their garments, though new-fangled ill,
Some in their hawks and hounds, some in their horse;
And every humour hath his adjunct pleasure,
Wherein it finds a joy above the rest:
But these particulars are not my measure;
All these I better in one general best.
Thy love is better than high birth to me,
Richer than wealth, prouder than garments' cost,
Of more delight than hawks or horses be;
And having thee, of all men's pride I boast:
Wretched in this alone, that thou mayst take
All this away and me most wretched make.
The Daffodils
I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.
Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.
The waves beside them danced; but they
Outdid the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed - and gazed - but little thought
What wealth the show to me had brought:
For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude:
And then my heart with pleasure fills,
And dances with daffodils.
By William Wordsworth
I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.
Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.
The waves beside them danced; but they
Outdid the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed - and gazed - but little thought
What wealth the show to me had brought:
For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude:
And then my heart with pleasure fills,
And dances with daffodils.
By William Wordsworth
Angeline
Poet Chick
- Joined
- Mar 11, 2002
- Posts
- 27,173
My Father's Love Letters
Yusef Komunyakaa
On Fridays he'd open a can of Jax
After coming home from the mill,
& ask me to write a letter to my mother
Who sent postcards of desert flowers
Taller than men. He would beg,
Promising to never beat her
Again. Somehow I was happy
She had gone, & sometimes wanted
To slip in a reminder, how Mary Lou
Williams' "Polka Dots & Moonbeams"
Never made the swelling go down.
His carpenter's apron always bulged
With old nails, a claw hammer
Looped at his side & extension cords
Coiled around his feet.
Words rolled from under the pressure
Of my ballpoint: Love,
Baby, Honey, Please.
We sat in the quiet brutality
Of voltage meters & pipe threaders,
Lost between sentences . . .
The gleam of a five-pound wedge
On the concrete floor
Pulled a sunset
Through the doorway of his toolshed.
I wondered if she laughed
& held them over a gas burner.
My father could only sign
His name, but he'd look at blueprints
& say how many bricks
Formed each wall. This man,
Who stole roses & hyacinth
For his yard, would stand there
With eyes closed & fists balled,
Laboring over a simple word, almost
Redeemed by what he tried to say.
Yusef Komunyakaa
On Fridays he'd open a can of Jax
After coming home from the mill,
& ask me to write a letter to my mother
Who sent postcards of desert flowers
Taller than men. He would beg,
Promising to never beat her
Again. Somehow I was happy
She had gone, & sometimes wanted
To slip in a reminder, how Mary Lou
Williams' "Polka Dots & Moonbeams"
Never made the swelling go down.
His carpenter's apron always bulged
With old nails, a claw hammer
Looped at his side & extension cords
Coiled around his feet.
Words rolled from under the pressure
Of my ballpoint: Love,
Baby, Honey, Please.
We sat in the quiet brutality
Of voltage meters & pipe threaders,
Lost between sentences . . .
The gleam of a five-pound wedge
On the concrete floor
Pulled a sunset
Through the doorway of his toolshed.
I wondered if she laughed
& held them over a gas burner.
My father could only sign
His name, but he'd look at blueprints
& say how many bricks
Formed each wall. This man,
Who stole roses & hyacinth
For his yard, would stand there
With eyes closed & fists balled,
Laboring over a simple word, almost
Redeemed by what he tried to say.
NeonSubtlety
I'm a guy. I promise.
- Joined
- May 16, 2010
- Posts
- 12,949
God, I love komunyakaa
vrosej10
Questioning your sanity??
- Joined
- Feb 24, 2009
- Posts
- 6,167
Winter Night by Charles Simic
The church is an iceberg.
It's the wind. It must be gusting tonight
Out of those galactic orchards.
Copernican pits and stones.
The monster created by mad Dr Frankenstein
Sailed for the New World.
And ended up some place like New Hampshire.
Actually, it's just a local drunk,
Knocking with a snow-shovel,
Wanting to go in and sit.
An Iceberg is a large, drifting
Piece of ice, broken off a glacier.
This one blew me away. I have never seen snow but it invoked a snowy night for me perfectly. I shivered.
The church is an iceberg.
It's the wind. It must be gusting tonight
Out of those galactic orchards.
Copernican pits and stones.
The monster created by mad Dr Frankenstein
Sailed for the New World.
And ended up some place like New Hampshire.
Actually, it's just a local drunk,
Knocking with a snow-shovel,
Wanting to go in and sit.
An Iceberg is a large, drifting
Piece of ice, broken off a glacier.
This one blew me away. I have never seen snow but it invoked a snowy night for me perfectly. I shivered.
Last edited:
butters
High on a Hill
- Joined
- Jul 2, 2009
- Posts
- 84,356
wow -
The gleam of a five-pound wedge
On the concrete floor
Pulled a sunset
Through the doorway of his toolshed.
so much to that poem. and it all balances on that single word almost...
twelveoone
ground zero
- Joined
- Mar 13, 2004
- Posts
- 5,882
Faith, Dogma, and Heresy
by Frank Stanford
It was Sunday, before dinner.
My uncles were listening to the opera.
O.Z. and I carried my brother in
And laid him on the table.
The women started screaming.
My brother raised up on his side
With dried blood on his hands,
We killed those goddamn Canale brothers
And nobody is ever going to touch us!
The men shut their eyes and danced.
We drank until morning
When everything was quiet.
They wiped their eyes, kissed us goodbye and left.
by Frank Stanford
It was Sunday, before dinner.
My uncles were listening to the opera.
O.Z. and I carried my brother in
And laid him on the table.
The women started screaming.
My brother raised up on his side
With dried blood on his hands,
We killed those goddamn Canale brothers
And nobody is ever going to touch us!
The men shut their eyes and danced.
We drank until morning
When everything was quiet.
They wiped their eyes, kissed us goodbye and left.
I'm not sure this is true, but it's something to ponder:
From Alfred Lord Tennyson's poem In Memoriam:27, 1850:
I hold it true, whate'er befall;
I feel it, when I sorrow most;
'Tis better to have loved and lost
Than never to have loved at all.
From Alfred Lord Tennyson's poem In Memoriam:27, 1850:
I hold it true, whate'er befall;
I feel it, when I sorrow most;
'Tis better to have loved and lost
Than never to have loved at all.
butters
High on a Hill
- Joined
- Jul 2, 2009
- Posts
- 84,356
by Robert Duncan
Poetry, a Natural Thing
Neither our vices nor our virtues
further the poem. “They came up
and died
just like they do every year
on the rocks.”
The poem
feeds upon thought, feeling, impulse,
to breed itself,
a spiritual urgency at the dark ladders leaping.
This beauty is an inner persistence
toward the source
striving against (within) down-rushet of the river,
a call we heard and answer
in the lateness of the world
primordial bellowings
from which the youngest world might spring,
salmon not in the well where the
hazelnut falls
but at the falls battling, inarticulate,
blindly making it.
This is one picture apt for the mind.
A second: a moose painted by Stubbs,
where last year’s extravagant antlers
lie on the ground.
The forlorn moosey-faced poem wears
new antler-buds,
the same,
“a little heavy, a little contrived”,
his only beauty to be
all moose.
Poetry, a Natural Thing
Neither our vices nor our virtues
further the poem. “They came up
and died
just like they do every year
on the rocks.”
The poem
feeds upon thought, feeling, impulse,
to breed itself,
a spiritual urgency at the dark ladders leaping.
This beauty is an inner persistence
toward the source
striving against (within) down-rushet of the river,
a call we heard and answer
in the lateness of the world
primordial bellowings
from which the youngest world might spring,
salmon not in the well where the
hazelnut falls
but at the falls battling, inarticulate,
blindly making it.
This is one picture apt for the mind.
A second: a moose painted by Stubbs,
where last year’s extravagant antlers
lie on the ground.
The forlorn moosey-faced poem wears
new antler-buds,
the same,
“a little heavy, a little contrived”,
his only beauty to be
all moose.
butters
High on a Hill
- Joined
- Jul 2, 2009
- Posts
- 84,356
A.R.Ammons
Classic
I sat by a stream in a
perfect -- except for willows --
emptiness
and the mountain that
was around,
scraggly with brush &
rock
said
I see you're scribbling again:
accustomed to mountains,
their cumbersome intrusions,
I said
well, yes, but in a fashion very
like the water here
uncapturable and vanishing:
but that
said the mountain does not
excuse the .. stance
or diction
and next if you're not careful
you'll be
arriving at ways
water survives its motions.
Classic
I sat by a stream in a
perfect -- except for willows --
emptiness
and the mountain that
was around,
scraggly with brush &
rock
said
I see you're scribbling again:
accustomed to mountains,
their cumbersome intrusions,
I said
well, yes, but in a fashion very
like the water here
uncapturable and vanishing:
but that
said the mountain does not
excuse the .. stance
or diction
and next if you're not careful
you'll be
arriving at ways
water survives its motions.
Last edited:
Angeline
Poet Chick
- Joined
- Mar 11, 2002
- Posts
- 27,173
I do too.
I think this one is wonderful.
Thanks
Yusef Komunyakaa
Thanks for the tree
between me & a sniper's bullet.
I don't know what made the grass
sway seconds before the Viet Cong
raised his soundless rifle.
Some voice always followed,
telling me which foot
to put down first.
Thanks for deflecting the ricochet
against that anarchy of dusk.
I was back in San Francisco
wrapped up in a woman's wild colors,
causing some dark bird's love call
to be shattered by daylight
when my hands reached up
& pulled a branch away
from my face. Thanks
for the vague white flower
that pointed to the gleaming metal
reflecting how it is to be broken
like mist over the grass,
as we played some deadly
game for blind gods.
What made me spot the monarch
writhing on a single thread
tied to a farmer's gate,
holding the day together
like an unfingered guitar string,
is beyond me. Maybe the hills
grew weary & leaned a little in the heat.
Again, thanks for the dud
hand grenade tossed at my feet
outside Chu Lai. I'm still
falling through its silence.
I don't know why the intrepid
sun touched the bayonet,
but I know that something
stood among those lost trees
& moved only when I moved.
butters
High on a Hill
- Joined
- Jul 2, 2009
- Posts
- 84,356
I do too.
I think this one is wonderful.
Thanks
Yusef Komunyakaa
Thanks for the tree
between me & a sniper's bullet.
I don't know what made the grass
sway seconds before the Viet Cong
raised his soundless rifle.
Some voice always followed,
telling me which foot
to put down first.
Thanks for deflecting the ricochet
against that anarchy of dusk.
I was back in San Francisco
wrapped up in a woman's wild colors,
causing some dark bird's love call
to be shattered by daylight
when my hands reached up
& pulled a branch away
from my face. Thanks
for the vague white flower
that pointed to the gleaming metal
reflecting how it is to be broken
like mist over the grass,
as we played some deadly
game for blind gods.
What made me spot the monarch
writhing on a single thread
tied to a farmer's gate,
holding the day together
like an unfingered guitar string,
is beyond me. Maybe the hills
grew weary & leaned a little in the heat.
Again, thanks for the dud
hand grenade tossed at my feet
outside Chu Lai. I'm still
falling through its silence.
I don't know why the intrepid
sun touched the bayonet,
but I know that something
stood among those lost trees
& moved only when I moved.
oh.... that is sublime. seems i must go find more by this poet. it
resonates
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