Magnetron
Deep Under Groundhog
- Joined
- Feb 12, 2014
- Posts
- 4,089
New whine in old bottles.
When it comes to picking up women in bars, you are The Barf Effect.
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New whine in old bottles.
When it comes to picking up women in bars, you are The Barf Effect.
Remembering Our Bubble -- a rispetto
Perhaps it would be wrong for me to dare
To hope to feel that lightning strike again --
So bright and pure, so free from gnawing care;
Was this the vacuum nature must disdain?
I cherish the remembrance, heaven-swept,
How nothing touched my consciousness, except
Our hungry bodies aching for release;
A perfect sphere of passion, and of peace.
Time and Motion Study
We have no need for clocks
while you, my lovely nude,
descend the staircase fluidly,
your eyes upon my passion rising
toward your slow motion hips.
It's as though you flow downhill
like a waterfall does in a rivulet
to soften bedrock into pebbles,
pebbles into sand
and suddenly I'm reminded
time is the mind's invention
while motion's all that matters.
Welcome to eternity, the joining
of woman and man.
I also think this is a terrific rewrite. Lovely poem!
No no no no no!!! Of course it isn't by Calli or Katie - it's written by a man. I'm going to guess again - Remec, perhaps? Or possibly Piscator.
No no no no no!!! Of course it isn't by Calli or Katie - it's written by a man. I'm going to guess again - Remec, perhaps? Or possibly Piscator.
Remembering Our Bubble -- a rispetto
Perhaps it would be wrong for me to dare
To hope to feel that lightning strike again --
So bright and pure, so free from gnawing care;
Was this the vacuum nature must disdain?
I cherish the remembrance, heaven-swept,
How nothing touched my consciousness, except
Our hungry bodies aching for release;
A perfect sphere of passion, and of peace.
Time and Motion Study
We have no need for clocks
while you, my lovely nude,descend the staircase fluidly,
your eyes upon my passion rising
toward your slow motion hips.
It's as though you flow downhill
like a waterfall does in a rivulet
to soften bedrock into pebbles,
pebbles into sand
and suddenly I'm reminded
time is the mind's invention
while motion's all that matters.
Welcome to eternity, the joining
of woman and man.
I miss the insouciance of "Come to bed, eternity." You can't please everybody.
Wow, that's like two entirely different poems.
The Barfly Effect
I couldn't spot any changes.
Oops -- Trix, did you just out yourself?
Another Icarus?
I feel that centering made a huge difference in the presentation, reinforcing the plunging effect.
A Tale of Little Tall Untold
It's longer now.
If it gets any longer I'm going to need a pee break.
I'm afraid I find this one a bit prosaic. The problem with re-telling a fantasy tale is that it seems like it doesn't leave much room for metaphor.
I'm afraid I find this one a bit prosaic. The problem with re-telling a fantasy tale is that it seems like it doesn't leave much room for metaphor.
Wouldn't the entire poem/story be a metaphor in itself regarding lesser evil syndrome?
AlwaysHungry said:So in your reading of the poem, does the wizard represent Hillary, or Trump?
Going out on a shaky limb here .....
The narrator had a near death experience after being struck by lightning and caught a glimpse of the greater Universe that we can't experience with our limited biological sensory capabilities; what physicists refer to as Dark Matter all around us.
"Was this the vacuum nature doesn't like?" sounds a bit flat compared to the language of the rest of the poem.
I suggest:
"Was this the vacuum nature can't abide?" I think that maintains the syllable count, and to me at least sounds better in context.
I was being playful with all those "to"s. I decided to keep them, although they may be a failed experiment.- In the first and second lines, the phrase "...to dare to hope to feel..." has too many to's. I understand the exigencies and tyrannies of syllable count, but it is an awkward construction, IMHO. Perhaps the author could work on an alternate?
- but what does heaven-swept mean?? Again, that tyrannical bitch, Rhyme, requires 'swept' rather than the more usual 'sent' in order to rhyme with 'except' in the next line. It does, however, bring to mind heaven as a broom, diligently sweeping away dust and debris into the circular file... (there's my own mixed metaphor). At least to me.
I was describing a memory, of something which happened in the past, but which I cherish in the present. That was vague in the original, so I put in "remembrance" to clarify.- In this phrase "I cherish every moment, heaven-swept,
Where nothing touched my consciousness" the tenses should match - presumably, changing cherish -> cherished would be the best option.
When someone is smitten, it can feel like a bolt of lighting. The last two lines can also suggest climax and afterglow.
Me, too.I'm pretty sure Mer wrote this.
I agree with AH, whom I suspected of being the author, but the changed piece feels more like Tzara to me.
...I'm going to guess again - Remec, perhaps? Or possibly Piscator.
Remembering Our Bubble -- a rispetto
Perhaps it would be wrong for me to dare
To hope to feel that lightning strike again --
So bright and pure, so free from gnawing care;
Was this the vacuum nature must disdain?
I cherish the remembrance, heaven-swept,
How nothing touched my consciousness, except
Our hungry bodies aching for release;
A perfect sphere of passion, and of peace.
It's longer now.
If it gets any longer I'm going to need a pee break.
A Tale of Little Tall Untold
....
inspired by Stephen King's Storm Of The Century mini-series
I feel that centering made a huge difference in the presentation, reinforcing the plunging effect.
I too like the centering of "Another Icarus" and agree with Magnetron it re-enforces the plunging effect.
Glad to see "flaming orb" was deleted. Unlike AH, I had a much more positive feeling about "soar!" in that it was so declarative and the Icarus myth is just the allusion. It's about the poet who will never give up.
I'm pretty sure Mer wrote this.
Me, too.
Despite Mags's suggestion having to do with the order of "woman and man" in the last line, I still think it is more likely to have been written by a man to a woman, partly because of:
"your eyes upon my passion rising
toward your slow motion hips."
And if you know nothing else about me, surely you know I have a dirty mind.