Huckleman2000
It was something I ate.
- Joined
- Aug 3, 2004
- Posts
- 4,400
In a previous life, I played Groucho for 42 weeks in a dinner theater, six or seven shows a week (I can't remember
). Also, the Woody Allen part in Play It Again, Sam - the seduction scene is really funny in that one. Plus lots of bit roles, mostly comic relief. I take great pride in being able to get a laugh at the same line consistently night after night.
Timing is surprisingly audience-dependent, and you only begin to understand it when your performance is sort of on auto-pilot. You know the lines, the movements, the inflections; all of that business is rote, and you can focus on the 'live-ness' of performing. You have to get everyone to 'get' the humor at about the same time, and you do that mostly by timing your reactions - the delivery of the line itself is the same each night, the timing is in the pauses. I find it's sort of an out-of-body experience when it's all working. You hold for the laughs just long enough for them to start to die, then hit them again, and again, and in a good sequence you can get sort of a roller-coaster of laughter going.
I'm a firm believer in the 'tension and release' theory of entertainment.
Timing is surprisingly audience-dependent, and you only begin to understand it when your performance is sort of on auto-pilot. You know the lines, the movements, the inflections; all of that business is rote, and you can focus on the 'live-ness' of performing. You have to get everyone to 'get' the humor at about the same time, and you do that mostly by timing your reactions - the delivery of the line itself is the same each night, the timing is in the pauses. I find it's sort of an out-of-body experience when it's all working. You hold for the laughs just long enough for them to start to die, then hit them again, and again, and in a good sequence you can get sort of a roller-coaster of laughter going.
I'm a firm believer in the 'tension and release' theory of entertainment.