yowser
xpressive
- Joined
- May 5, 2014
- Posts
- 4,723
Consensus seems to indicate title and description make a decent difference to authors and their readership.
An interesting tangent off of this is a French Literary prize, the 'Prix de la page 112' which operates on the premise that any writer of any talent or imagination should be able to come up with an intriguing title (and first sentence or paragraph) that would draw in the reader.
But the real test of a writer's ability would be if you read a page later in the work (say p. 112). If there was still intrigue and interest then, well, now you had real measure of the writer's craft.
For Lit, (and this would take more work than most readers would be willing to do) a look at the beginning of page two (I believe the vast majority of stories is at least two pages long) would, under this premise, give an idea of how well the author delivers. If you've got a story with movement and interesting characters then, well, now we're talking.
Now I'll have to try this little experiment, maybe on the recent 'Love the one(s) you're with' contest ...
An interesting tangent off of this is a French Literary prize, the 'Prix de la page 112' which operates on the premise that any writer of any talent or imagination should be able to come up with an intriguing title (and first sentence or paragraph) that would draw in the reader.
But the real test of a writer's ability would be if you read a page later in the work (say p. 112). If there was still intrigue and interest then, well, now you had real measure of the writer's craft.
For Lit, (and this would take more work than most readers would be willing to do) a look at the beginning of page two (I believe the vast majority of stories is at least two pages long) would, under this premise, give an idea of how well the author delivers. If you've got a story with movement and interesting characters then, well, now we're talking.
Now I'll have to try this little experiment, maybe on the recent 'Love the one(s) you're with' contest ...