Virtual_Burlesque
Former Ecdysiast
- Joined
- Mar 31, 2004
- Posts
- 4,083
Fake orgasms should be put in subscript if its a woman, in superscript if its a man.perdita said:Fake orgasms should be put in italics. Perdita
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Fake orgasms should be put in subscript if its a woman, in superscript if its a man.perdita said:Fake orgasms should be put in italics. Perdita
cantdog said:I see the single quote thing put forth here a lot. It seems revisionist and modern to me, but I'm fifty. I can't think of a book I've ever bought with singles used for interior monologue.
How widely used is this idea with the single quotes, anyhow?
Virtual_Burlesque said:Fake orgasms should be put in subscript if its a woman, in superscript if its a man.
perdita said:Fake orgasms should be put in italics.
Perdita
Weird Harold said:
It was in the mid-90's or so that Strunk & White and the Chicago Manual of Style were revised to adopt the "no special punctution" standard. (a standard I personallly dislike from a reader's standpoint because it makes internal dialogue hard to distinguish from narration at times.)
Using Italics is the "old rule" and will be understood my most readers -- where Italics are supported it is, IMHO, the best choice; even if you're prone to writing four page flashbacks as thoughts.
Science Fiction and Fantsy has generally informally adopted an asterisk for punctuating telepathic communications, although it's often combined with Italics -- *Can you hear me now?* -- to emphasaize the non-verbal nature of Telepathy.
Quiet_Cool said:And I wouldn't bank that people are aware of that last part, the * and italics thing. I've read both, though not throoughly, and I would't have recognized it unless it was made clear in the print beforehand.
The meaning is usually clear from the context.