twelveoone
ground zero
- Joined
- Mar 13, 2004
- Posts
- 5,882
Blue, here I would start consolidating, toss out, or justify words, to frame a solid scene. A story from A to B to C.
i.e barren wasteland, neon skin, vigilant yet vacantI see no reason for barren in front of wasteland, see no reason for skin being neon. Explain how vigilant can be vacent.
This is a tough one, it largely lies outside the "hands" test. i.e can you touch it? The visuals are not common evocations.
These two sections are the most concrete, begin to work them out, build around them
to feel the hunger
and loose the
hands of her
stone cutter
once again she is a castaway
strewn to this barren wasteland
without the feathery touch of
his winged embrace
i.e what is the realtionship between stone cutter and pillars
i.e barren wasteland, neon skin, vigilant yet vacantI see no reason for barren in front of wasteland, see no reason for skin being neon. Explain how vigilant can be vacent.
This is a tough one, it largely lies outside the "hands" test. i.e can you touch it? The visuals are not common evocations.
These two sections are the most concrete, begin to work them out, build around them
to feel the hunger
and loose the
hands of her
stone cutter
once again she is a castaway
strewn to this barren wasteland
without the feathery touch of
his winged embrace
i.e what is the realtionship between stone cutter and pillars