Dead Poet's Society.

Catwalk Bitches Must Die!
by Carey Lenehan


Begone Oh Lofty Wenches to your Catwalks in the sky
Begone and take thine graven image from before mine eye
Stalk your way to paradise on six- inch, spike- heeled shoes
And prattle to the Maker about fashion's changing hues

Dent His ear eternally with gossip of rich men
Force Him to endure your endless tripe, and then
Reduce Him to a jellied heap with just one awesome stare
Before you slip your tops off to bombard Him with your 'pair'

Not those which He did give you, Oh No, dare I should jest!
But ones which have been tweaked and puffed, deflated and the rest
Show cheekbones which do arch, as none should ever do
Then divest of all your clothing just to see what else is new

To strut, to stalk, to pout, to pose, all this is everlasting
Until such day as we can be, of you, completely blasting
Get off our screens, out of our faces, begone before our eyes
To torture not imperfect souls, from heaven's fluffy skies

Depart at once, unto the all- eternal, divine- divide
And get thee hence from here before my lustful, desperate eyes
I wish to be as graceful, as tall and slim as thee
Yet as I can't, not now or ever, I wish thou not to be

I'd rather live a giant, in a world where all are small
Than live my life a dwarf, with all around me tall
And worst of all, false virgins reign, visions of ideals
To which I never will attain, a midget in high heels!
 
The Angry Man
by Phyllis McGinley

The other day I chanced to meet
An angry man upon the street —
A man of wrath, a man of war,
A man who truculently bore
Over his shoulder, like a lance,
A banner labeled “Tolerance.”
And when I asked him why he strode
Thus scowling down the human road,
Scowling, he answered, “I am he
Who champions total liberty —
Intolerance being, ma’am, a state
No tolerant man can tolerate.

“When I meet rogues,” he cried, “who choose
To cherish oppositional views,
Lady, like this, and in this manner,
I lay about me with my banner
Till they cry mercy, ma’am.” His blows
Rained proudly on prospective foes.

Fearful, I turned and left him there
Still muttering, as he thrashed the air,
“Let the Intolerant beware!”
 
"Hail, holy Ass!" the quiring angels sing;
"Priest of Unreason, and of Discords King!"
Great co-Creator, let Thy glory shine:
God made all else, the Mule, the Mule is thine!"
attributed to G.J. :rolleyes:
 
Wang Wei
ANSWERING VICE-PREFECT ZHANG

As the years go by, give me but peace,
Freedom from ten thousand matters.
I ask myself and always answer:
What can be better than coming home?
A wind from the pine-trees blows my sash,
And my lute is bright with the mountain moon.
You ask me about good and evil fortune?....
Hark, on the lake there's a fisherman singing!
 
Hamlet

HAMLET

A monologue from the play by William Shakespeare

HAMLET: To be, or not to be--that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune
Or to take arms against a sea of troubles
And by opposing end them. To die, to sleep--
No more--and by a sleep to say we end
The heartache, and the thousand natural shocks
That flesh is heir to. 'Tis a consummation
Devoutly to be wished. To die, to sleep--
To sleep--perchance to dream: ay, there's the rub,
For in that sleep of death what dreams may come
When we have shuffled off this mortal coil,
Must give us pause. There's the respect
That makes calamity of so long life.
For who would bear the whips and scorns of time,
Th' oppressor's wrong, the proud man's contumely
The pangs of despised love, the law's delay,
The insolence of office, and the spurns
That patient merit of th' unworthy takes,
When he himself might his quietus make
With a bare bodkin? Who would fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscovered country, from whose bourn
No traveller returns, puzzles the will,
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all,
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprise of great pitch and moment
With this regard their currents turn awry
And lose the name of action. -- Soft you now,
The fair Ophelia! -- Nymph, in thy orisons
Be all my sins remembered.
 
Buk on a soapbox

The Genius Of The Crowd


there is enough treachery, hatred violence absurdity in the average
human being to supply any given army on any given day
and the best at murder are those who preach against it
and the best at hate are those who preach love
and the best at war finally are those who preach peace
those who preach god, need god
those who preach peace do not have peace
those who preach peace do not have love
beware the preachers
beware the knowers
beware those who are always reading books
beware those who either detest poverty
or are proud of it
beware those quick to praise
for they need praise in return
beware those who are quick to censor
they are afraid of what they do not know

beware those who seek constant crowds for
they are nothing alone
beware the average man the average woman
beware their love, their love is average
seeks average
but there is genius in their hatred
there is enough genius in their hatred to kill you
to kill anybody
not wanting solitude
not understanding solitude
they will attempt to destroy anything
that differs from their own
not being able to create art
they will not understand art
they will consider their failure as creators
only as a failure of the world
not being able to love fully
they will believe your love incomplete
and then they will hate you
and their hatred will be perfect
like a shining diamond
like a knife
like a mountain
like a tiger
like hemlock
their finest art


Charles Bukowski
 
I Remember

By the first of August
the invisible beetles began
to snore and the grass was
as tough as hemp and was
no colour--no more than
the sand was a colour and
we had worn our bare feet
bare since the twentieth
of June and there were times
we forgot to wind up your
alarm clock and some nights
we took our gin warm and neat
from old jelly glasses while
the sun blew out of sight
like a red picture hat and
one day I tied my hair back
with a ribbon and you said
that I looked almost like
a puritan lady and what
I remember best is that
the door to your room was
the door to mine.

Anne Sexton (1928-74)
 
If by Rudyard Kipling

If

If you can keep your head when all about you
Are losing theirs and blaming it on you;
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or being lied about, don't deal in lies,
Or being hated, don't give way to hating,
And yet don't look too good, nor talk too wise:

If you can dream -- and not make dreams your master;
If you can think -- and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two imposters just the same;
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build 'em up with worn-out tools;

If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: "Hold on!"

If you can talk with crowds and keep your virtue,
Or walk with kings -- nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds' worth of distance run --
Yours is the Earth and everything that's in it,
And -- which is more -- you'll be a Man, my son!
***********
(and may I add...Woman, my daughter) :D
 
For a friend...

OOPs! Wrong thread....see Share a Poet thread instead.... :D
 
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The Arrival of the Bee Box
by Sylvia Plath

I ordered this, clean wood box
Square as a chair and almost too heavy to lift.
I would say it was the coffin of a midget
Or a square baby
Were there not such a din in it.

The box is locked, it is dangerous.
I have to live with it overnight
And I can't keep away from it.
There are no windows, so I can't see what is in there.
There is only a little grid, no exit.

I put my eye to the grid.
It is dark, dark,
With the swarmy feeling of African hands
Minute and shrunk for export,
Black on black, angrily clambering.

How can I let them out?
It is the noise that appalls me most of all,
The unintelligible syllables.
It is like a Roman mob,
Small, taken one by one, but my god, together!

I lay my ear to furious Latin.
I am not a Caesar.
I have simply ordered a box of maniacs.
They can be sent back.
They can die, I need feed them nothing, I am the owner.

I wonder how hungry they are.
I wonder if they would forget me
If I just undid the locks and stood back and turned into a tree.
There is the laburnum, its blond colonnades,
And the petticoats of the cherry.

They might ignore me immediately
In my moon suit and funeral veil.
I am no source of honey
So why should they turn on me?
Tomorrow I will be sweet God, I will set them free.

The box is only temporary.
 
Machines by Michael Donaghy

Dearest, note how these two are alike:
This harpsicord pavane by Purcell
And the racer's twelve-speed bike.

The machinery of grace is always simple.
This chrome trapezoid, one wheel connected
To another of concentric gears,
Which Ptolemy dreamt of and Schwinn perfected,
Is gone. The cyclist, not the cycle, steers.
And in the playing, Purcell's chords are played away.

So this talk, or touch if I were there,
Should work its effortless gadgetry of love,
Like Dante's heaven, and melt into the air.

If it doesn't, of course, I've fallen. So much is chance,
So much agility, desire, and feverish care,
As bicyclists and harpsicordists prove

Who only by moving can balance,
Only by balancing move.
 
The Man Watching

by Rainer Maria Rilke

I can tell by the way the trees beat, after
so many dull days, on my worried windowpanes
that a storm is coming,
and I hear the far-off fields say things
I can't bear without a friend,
I can't love without a sister

The storm, the shifter of shapes, drives on
across the woods and across time,
and the world looks as if it had no age:
the landscape like a line in the psalm book,
is seriousness and weight and eternity.

What we choose to fight is so tiny!
What fights us is so great!
If only we would let ourselves be dominated
as things do by some immense storm,
we would become strong too, and not need names.

When we win it's with small things,
and the triumph itself makes us small.
What is extraordinary and eternal
does not want to be bent by us.
I mean the Angel who appeared
to the wrestlers of the Old Testament:
when the wrestler's sinews
grew long like metal strings,
he felt them under his fingers
like chords of deep music.

Whoever was beaten by this Angel
(who often simply declined the fight)
went away proud and strengthened
and great from that harsh hand,
that kneaded him as if to change his shape.
Winning does not tempt that man.
This is how he grows: by being defeated, decisively,
by constantly greater beings.
 
Cinderella by Olga Broumas

...the joy that isn't shared
I heard, dies young.

Anne Sexton, 1928-1974


Apart from my sisters, estranged
from my mother, I am a woman alone
in a house of men
who secretly
call themselves princes, alone
with me usually, under cover of dark. I am the one allowed in

to the royal chambers, whose small foot conveniently
fills the slipper of glass. The woman writer, the lady
umpire, the madam chairman, anyone's wife.
I know what I know.
And I once was glad
of the chance to use it, even alone
in a strange castle, doing overtime on my own, cracking
the royal code. The princes spoke
in their fathers' language, were eager to praise me
my nimble tongue. I am a woman in a state of seige, alone

as one piece of laundry, strung on a windy clothesline a
mile long. A woman co-opted by promises: the lure
of a job, the ruse of a choice, a woman forced
to bear witness, falsely
against my kind, as each
other sister was judged inadequate, bitchy, incompetent,
jealous, too thin, too fat. I know what I know.
What sweet bread I make
for myself in this prosperous house
is dirty, what good soup I boil turns
in my mouth to mud. Give
me my ashes. A cold stove, a cinder-block pillow, wet
canvas shoes in my sisters', my sisters' hut. Or I swear

I'll die young
like those favored before me, hand-picked each one
for her joyful heart.
 
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To A Cat
by John Keats

Cat! who hast pass'd thy grand cliacteric,
How many mice and rats hast in thy days
Destroy'd? - How many tit bits stolen? Gaze
With those bright languid segments green, and prick
Those velvet ears - but pr'ythee do not stick
Thy latent talons in me - and upraise
Thy gentle mew - and tell me all thy frays
Of fish and mice, and rats and tender chick.
Nay, look not down, nor lick thy dainty wrists -
For all the wheezy asthma, - and for all
Thy tail's tip is nick'd off - and though the fists
Of many a maid have given thee many a mail,
Still is that fur as soft as when the lists
In youth thou enter'dst on glass bottled wall.
 
Drunk as Drunk

Translated from the Spanish by Christopher Logue

Drunk as drunk on turpentine
From your open kisses,
Your wet body wedged
Between my wet body and the strake
Of our boat that is made of flowers,
Feasted, we guide it - our fingers
Like tallows adorned with yellow metal -
Over the sky's hot rim,
The day's last breath in our sails.

Pinned by the sun between solstice
And equinox, drowsy and tangled together
We drifted for months and woke
With the bitter taste of land on our lips,
Eyelids all sticky, and we longed for lime
And the sound of a rope
Lowering a bucket down its well. Then,
We came by night to the Fortunate Isles,
And lay like fish
Under the net of our kisses.

Pablo Neruda
 
wildsweetone said:
And lay like fish
Under the net of our kisses.

Pablo Neruda

One of my favorite lines in all of poetry. Thank you.

...................................................................................


Seawater
begs the pearl to break its shell.

And the lily, how passionately
it needs some wild darling!

At night, I open the window and ask
the moon to come and press its
face against mine.

Breathe into me.

Close the language-door and
open the love window.
The moon
won't use the door, only the window.

Rumi
 
you're welcome dear... sorry in advance, but i'm kinda hooked on him today.

Nothing But Death

There are cemeteries that are lonely,
graves full of bones that do not make a sound,
the heart moving through a tunnel,
in it darkness, darkness, darkness,
like a shipwreck we die going into ourselves,
as though we were drowning inside our hearts,
as though we lived falling out of the skin into the soul.

And there are corpses,
feet made of cold and sticky clay,
death is inside the bones,
like a barking where there are no dogs,
coming out from bells somewhere, from graves somewhere,
growing in the damp air like tears of rain.

Sometimes I see alone
coffins under sail,
embarking with the pale dead, with women that have dead hair,
with bakers who are as white as angels,
and pensive young girls married to notary publics,
caskets sailing up the vertical river of the dead,
the river of dark purple,
moving upstream with sails filled out by the sound of death,
filled by the sound of death which is silence.

Death arrives among all that sound
like a shoe with no foot in it, like a suit with no man in it,
comes and knocks, using a ring with no stone in it, with no
finger in it,
comes and shouts with no mouth, with no tongue, with no
throat.
Nevertheless its steps can be heard
and its clothing makes a hushed sound, like a tree.

I'm not sure, I understand only a little, I can hardly see,
but it seems to me that its singing has the color of damp violets,
of violets that are at home in the earth,
because the face of death is green,
and the look death gives is green,
with the penetrating dampness of a violet leaf
and the somber color of embittered winter.

But death also goes through the world dressed as a broom,
lapping the floor, looking for dead bodies,
death is inside the broom,
the broom is the tongue of death looking for corpses,
it is the needle of death looking for thread.

Death is inside the folding cots:
it spends its life sleeping on the slow mattresses,
in the black blankets, and suddenly breathes out:
it blows out a mournful sound that swells the sheets,
and the beds go sailing toward a port
where death is waiting, dressed like an admiral.


Translated by Robert Bly

Pablo Neruda
 
“I have sworn... eternal hostility against every form of tyranny over the mind of man” (Thomas Jefferson).
 
The Light Wraps You

The light wraps you in its mortal flame.
Abstracted pale mourner, standing that way
against the old propellers of the twighlight
that revolves around you.

Speechless, my friend,
alone in the loneliness of this hour of the dead
and filled with the lives of fire,
pure heir of the ruined day.

A bough of fruit falls from the sun on your dark garment.
The great roots of night
grow suddenly from your soul,
and the things that hide in you come out again
so that a blue and palled people
your newly born, takes nourishment.

Oh magnificent and fecund and magnetic slave
of the circle that moves in turn through black and gold:
rise, lead and possess a creation
so rich in life that its flowers perish
and it is full of sadness.

Pablo Neruda


somebody's going to have to bump me away from this guy, soon.
 
Dreams
by Langston Hughes

Hold fast to dreams
For if dreams die
Life is a broken-winged bird
That cannot fly.

Hold fast to dreams
For when dreams go
Life is a barren field
Frozen with snow.
 
Theme for English B
by Langston Hughes

The instructor said,



Go home and write

a page tonight.

And let that page come out of you--

Then, it will be true.



I wonder if it's that simple?

I am twenty-two, colored, born in Winston-Salem.

I went to school there, then Durham, then here

to this college on the hill above Harlem.

I am the only colored student in my class.

The steps from the hill lead down into Harlem,

through a park, then I cross St. Nicholas,

Eighth Avenue, Seventh, and I come to the Y,

the Harlem Branch Y, where I take the elevator

up to my room, sit down, and write this page:



It's not easy to know what is true for you or me

at twenty-two, my age. But I guess I'm what

I feel and see and hear, Harlem, I hear you:

hear you, hear me--we two--you, me, talk on this page.

(I hear New York, too.) Me--who?

Well, I like to eat, sleep, drink, and be in love.

I like to work, read, learn, and understand life.

I like a pipe for a Christmas present,

or records--Bessie, bop, or Bach.

I guess being colored doesn't make me not like

the same things other folks like who are other races.

So will my page be colored that I write?



Being me, it will not be white.

But it will be

a part of you, instructor.

You are white--

yet a part of me, as I am a part of you.

That's American.

Sometimes perhaps you don't want to be a part of me.

Nor do I often want to be a part of you.

But we are, that's true!

As I learn from you,

I guess you learn from me--

although you're older--and white--

and somewhat more free.



This is my page for English B.
 
Feeling Fucked Up
by Etheridge Knight

Lord she's gone done left me done packed / up and split
and I with no way to make her
come back and everywhere the world is bare
bright bone white crystal sand glistens
dope death dead dying and jiving drove
her away made her take her laughter and her smiles
and her softness and her midnight sighs—

Fuck Coltrane and music and clouds drifting in the sky
fuck the sea and trees and the sky and birds
and alligators and all the animals that roam the earth
fuck marx and mao fuck fidel and nkrumah and
democracy and communism fuck smack and pot
and red ripe tomatoes fuck joseph and mary fuck
god jesus and all the disciples fuck fanon nixon
and malcolm fuck the revolution fuck freedom fuck
the whole muthafucking thing
all i want now is my woman back
so my soul can sing
 
Sex&Death said:
Feeling Fucked Up
by Etheridge Knight

Lord she's gone done left me done packed / up and split
and I with no way to make her
come back and everywhere the world is bare
bright bone white crystal sand glistens
dope death dead dying and jiving drove
her away made her take her laughter and her smiles
and her softness and her midnight sighs—

Fuck Coltrane and music and clouds drifting in the sky
fuck the sea and trees and the sky and birds
and alligators and all the animals that roam the earth
fuck marx and mao fuck fidel and nkrumah and
democracy and communism fuck smack and pot
and red ripe tomatoes fuck joseph and mary fuck
god jesus and all the disciples fuck fanon nixon
and malcolm fuck the revolution fuck freedom fuck
the whole muthafucking thing
all i want now is my woman back
so my soul can sing


well that's a hell of a poem.

;)

i guess there's many ways of writing about love.
 
wildsweetone said:
well that's a hell of a poem.

;)

i guess there's many ways of writing about love.


Hughes and Knight. Can you have one without the other?


And the Walls Came Tumblin’ Down
by S&D (who is not a dead poet)

In my younger days,
when so much was unlearned,
instead of unknown,
I would often overplay
and warp the number 4 reed
on the blow plate
of my Hohner Blues Harp.

The wooden comb of that harp
was whiskey barrel mellow
and the vibration of bending
that number 4 blow note resonated
root chakra deep and low
over the back of my tongue.

I couldn't afford a new harp every time
I blew out that note, so when I didn't
overplay, and I hit it sweet with a low
tremelo, Rev’n Joe Fuller, the man
I learned harp from first, would tell me,

Das da sound'll make yo’ wife
wanna take 'er cloves off.


And when I did blow that note out
and had to play without it until
I could save the nineteen and change
for another harp, he would tell me,

Dat sho'nuff sound like Lang'son
Hughves widout Effridge Knight.




.
 
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