Dead Poet's Society.

An Interview

An interview with my favorite poet, William Stafford:

William Stafford Interview, 1971

Excerpt:
"It is a dangerous thing to want to be a writer and to have to press so hard that in poem after poem, in page after page, you are asserting something, you are pressing to establish something. Instead you have to go venturing along, to be willing to give it up, to give up all kinds of assertions in favor of some inner thing I can't quite identify here."
~William Stafford

S&D
 
Last edited:
Sex&Death said:
An interview with my favorite poet, William Stafford:

William Stafford Interview, 1971

Excerpt:
"It is a dangerous thing to want to be a writer and to have to press so hard that in poem after poem, in page after page, you are asserting something, you are pressing to establish something. Instead you have to go venturing along, to be willing to give it up, to give up all kinds of assertions in favor of some inner thing I can't quite identify here."
~William Stafford

S&D

I read a few poems by this poet and found this one that I liked... thanks

~~~~~~~~~~~~`

Just Thinking


Got up on a cool morning. Leaned out a window.
No cloud, no wind. Air that flowers held
for awhile. Some dove somewhere.

Been on probation most of my life. And
the rest of my life been condemned. So these moments
count for a lot--peace, you know.

Let the bucket of memory down into the well,
bring it up. Cool, cool minutes. No one
stirring, no plans. Just being there.

This is what the whole thing is about.

William Stafford
 
The Eagle



He clasps the crag with crooked hands;
Close to the sun in lonely lands,
Ring'd with the azure world, he stands.



The wrinkled sea beneath him crawls;
He watches from his mountain walls,
And like a thunderbolt he falls.



—Alfred, Lord Tennyson
 
Emily Dickinson

'T was just this time last year I died.
I know I heard the corn,
When I was carried by the farms,—
It had the tassels on.

I thought how yellow it would look
When Richard went to mill;
And then I wanted to get out,
But something held my will.

I thought just how red apples wedged
The stubble’s joints between;
And carts went stooping round the fields
To take the pumpkins in.

I wondered which would miss me least,
And when Thanksgiving came,
If father’d multiply the plates
To make an even sum.

And if my stocking hung too high,
Would it blur the Christmas glee,
That not a Santa Claus could reach
The altitude of me?

But this sort grieved myself, and so
I thought how it would be
When just this time, some perfect year,
Themselves should come to me.
 
Byron In Exile said:
'T was just this time last year I died.
I know I heard the corn,
When I was carried by the farms,—
It had the tassels on.

I thought how yellow it would look
When Richard went to mill;
And then I wanted to get out,
But something held my will.

I thought just how red apples wedged
The stubble’s joints between;
And carts went stooping round the fields
To take the pumpkins in.

I wondered which would miss me least,
And when Thanksgiving came,
If father’d multiply the plates
To make an even sum.

And if my stocking hung too high,
Would it blur the Christmas glee,
That not a Santa Claus could reach
The altitude of me?

But this sort grieved myself, and so
I thought how it would be
When just this time, some perfect year,
Themselves should come to me.


wow, I like this, I see it as the vision of what will come on their day of burial?
 
Full Moon


Above the tower -- a lone, twice-sized moon.
On the cold river passing night-filled homes,
It scatters restless gold across the waves.
On mats, it shines richer than silken gauze.

Empty peaks, silence: among sparse stars,
Not yet flawed, it drifts. Pine and cinnamon
Spreading in my old garden . . . All light,
All ten thousand miles at once in its light!

Tu Fu
 
ANONYMOUS (1100-1945)

A flea and a fly in a flue


A flea and a fly in a flue
Were imprisoned, so what could they do?
Said the fly: `Let us flee'
Said the flea: `Let us fly!'
So they flew through a flaw in the flue.
 
On a Fine Morning by Thomas Hardy

Whence comes Solace?--Not from seeing
What is doing, suffering, being,
Not from noting Life's conditions,
Nor from heeding Time's monitions;
But in cleaving to the Dream,
And in gazing at the gleam
Whereby gray things golden seem.

II

Thus do I this heyday, holding
Shadows but as lights unfolding,
As no specious show this moment
With its irised embowment;
But as nothing other than
Part of a benignant plan;
Proof that earth was made for man.
 
Death is not extinguishing the light;
it is putting out the lamp because the dawn has come.

- Rabindranath Tagore
 
Poem lyrics of Auguries Of Innocence by William Blake.
To see a World in a Grain of Sand
And a Heaven in a Wild Flower,
Hold Infinity in the palm of your hand
And Eternity in an hour.
A Robin Red breast in a Cage
Puts all Heaven in a Rage.
A dove house fill'd with doves & Pigeons
Shudders Hell thro' all its regions.
A dog starv'd at his Master's Gate
Predicts the ruin of the State.
A Horse misus'd upon the Road
Calls to Heaven for Human blood.
Each outcry of the hunted Hare
A fibre from the Brain does tear.
A Skylark wounded in the wing,
A Cherubim does cease to sing.
The Game Cock clipp'd and arm'd for fight
Does the Rising Sun affright.
Every Wolf's & Lion's howl
Raises from Hell a Human Soul.
The wild deer, wand'ring here & there,
Keeps the Human Soul from Care.
The Lamb misus'd breeds public strife
And yet forgives the Butcher's Knife.
The Bat that flits at close of Eve
Has left the Brain that won't believe.
The Owl that calls upon the Night
Speaks the Unbeliever's fright.
He who shall hurt the little Wren
Shall never be belov'd by Men.
He who the Ox to wrath has mov'd
Shall never be by Woman lov'd.
The wanton Boy that kills the Fly
Shall feel the Spider's enmity.
He who torments the Chafer's sprite
Weaves a Bower in endless Night.
The Catterpillar on the Leaf
Repeats to thee thy Mother's grief.
Kill not the Moth nor Butterfly,
For the Last Judgement draweth nigh.
He who shall train the Horse to War
Shall never pass the Polar Bar.
The Beggar's Dog & Widow's Cat,
Feed them & thou wilt grow fat.
The Gnat that sings his Summer's song
Poison gets from Slander's tongue.
The poison of the Snake & Newt
Is the sweat of Envy's Foot.
The poison of the Honey Bee
Is the Artist's Jealousy.
The Prince's Robes & Beggars' Rags
Are Toadstools on the Miser's Bags.
A truth that's told with bad intent
Beats all the Lies you can invent.
It is right it should be so;
Man was made for Joy & Woe;
And when this we rightly know
Thro' the World we safely go.
Joy & Woe are woven fine,
A Clothing for the Soul divine;
Under every grief & pine
Runs a joy with silken twine.
The Babe is more than swadling Bands;
Throughout all these Human Lands
Tools were made, & born were hands,
Every Farmer Understands.
Every Tear from Every Eye
Becomes a Babe in Eternity.
This is caught by Females bright
And return'd to its own delight.
The Bleat, the Bark, Bellow & Roar
Are Waves that Beat on Heaven's Shore.
The Babe that weeps the Rod beneath
Writes Revenge in realms of death.
The Beggar's Rags, fluttering in Air,
Does to Rags the Heavens tear.
The Soldier arm'd with Sword & Gun,
Palsied strikes the Summer's Sun.
The poor Man's Farthing is worth more
Than all the Gold on Afric's Shore.
One Mite wrung from the Labrer's hands
Shall buy & sell the Miser's lands:
Or, if protected from on high,
Does that whole Nation sell & buy.
He who mocks the Infant's Faith
Shall be mock'd in Age & Death.
He who shall teach the Child to Doubt
The rotting Grave shall ne'er get out.
He who respects the Infant's faith
Triumph's over Hell & Death.
The Child's Toys & the Old Man's Reasons
Are the Fruits of the Two seasons.
The Questioner, who sits so sly,
Shall never know how to Reply.
He who replies to words of Doubt
Doth put the Light of Knowledge out.
The Strongest Poison ever known
Came from Caesar's Laurel Crown.
Nought can deform the Human Race
Like the Armour's iron brace.
When Gold & Gems adorn the Plow
To peaceful Arts shall Envy Bow.
A Riddle or the Cricket's Cry
Is to Doubt a fit Reply.
The Emmet's Inch & Eagle's Mile
Make Lame Philosophy to smile.
He who Doubts from what he sees
Will ne'er believe, do what you Please.
If the Sun & Moon should doubt
They'd immediately Go out.
To be in a Passion you Good may do,
But no Good if a Passion is in you.
The Whore & Gambler, by the State
Licenc'd, build that Nation's Fate.
The Harlot's cry from Street to Street
Shall weave Old England's winding Sheet.
The Winner's Shout, the Loser's Curse,
Dance before dead England's Hearse.
Every Night & every Morn
Some to Misery are Born.
Every Morn & every Night
Some are Born to sweet Delight.
Some ar Born to sweet Delight,
Some are born to Endless Night.
We are led to Believe a Lie
When we see not Thro' the Eye
Which was Born in a Night to Perish in a Night
When the Soul Slept in Beams of Light.
God Appears & God is Light
To those poor Souls who dwell in the Night,
But does a Human Form Display
To those who Dwell in Realms of day.
 
by Dylan Thomas

DO NOT GO GENTLE INTO THAT GOOD NIGHT


Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.
 
Knocked Up


I'm lyin' on the barren ground that's baked and cracked with drought,
And dunno if my legs or back or heart is most wore out;
I've got no spirits left to rise and smooth me achin' brow --
I'm too knocked up to light a fire and bile the billy now.

Oh it's trampin', trampin', tra-a-mpin', in flies an' dust an' heat,
Or it's trampin' trampin' tra-a-a-mpin'
through mud and slush 'n sleet;
It's tramp an' tramp for tucker -- one everlastin' strife,
An' wearin' out yer boots an' heart in the wastin' of yer life.

They whine o' lost an' wasted lives in idleness and crime --
I've wasted mine for twenty years, and grafted all the time
And never drunk the stuff I earned, nor gambled when I shore --
But somehow when yer on the track yer life seems wasted more.

A long dry stretch of thirty miles I've tramped this broilin' day,
All for the off-chance of a job a hundred miles away;
There's twenty hungry beggars wild for any job this year,
An' fifty might be at the shed while I am lyin' here.

The sinews in my legs seem drawn, red-hot -- 'n that's the truth;
I seem to weigh a ton, and ache like one tremendous tooth;
I'm stung between my shoulder-blades -- my blessed back seems broke;
I'm too knocked out to eat a bite -- I'm too knocked up to smoke.

The blessed rain is comin' too -- there's oceans in the sky,
An' I suppose I must get up and rig the blessed fly;
The heat is bad, the water's bad, the flies a crimson curse,
The grub is bad, mosquitoes damned -- but rheumatism's worse.

I wonder why poor blokes like me will stick so fast ter breath,
Though Shakespeare says it is the fear of somethin' after death;
But though Eternity be cursed with God's almighty curse --
What ever that same somethin' is I swear it can't be worse.

For it's trampin', trampin', tra-a-mpin' thro' hell across the plain,
And it's trampin' trampin' tra-a-mpin' thro' slush 'n mud 'n rain --
A livin' worse than any dog -- without a home 'n wife,
A-wearin' out yer heart 'n soul in the wastin' of yer life.

Henry Lawson

:D i like this one!
 
William Barnes (1801-1886)

Woak Hill


1 When sycamore leaves wer a-spreadèn
2 Green-ruddy in hedges,
3 Bezide the red doust o' the ridges,
4 A-dried at Woak Hill;


5 I packed up my goods all a sheenèn
6 Wi' long years o' handlèn,
7 On dousty red wheel ov a waggon,
8 To ride at Woak Hill.


9 The brown thatchen ruf o' the dwellèn,
10 I then wer a-leävèn,
11 Had shelter'd the sleek head o' Meäry,
12 My bride at Woak Hill.


13 But now vor zome years, her light voot-vall
14 'S a-lost vrom the vloorèn.
15 Too soon vor my ja{"y} an' my childern,
16 She died at Woak Hill.


17 But still I do think that, in soul,
18 She do hover about us;
19 To ho vor her motherless childern,
20 Her pride at Woak Hill.


21 Zoo--lest she should tell me hereafter
22 I stole off 'ithout her,
23 An' left her, uncall'd at house-riddèn,
24 To bide at Woak Hill--


25 I call'd her so fondly, wi' lippèns
26 All soundless to others,
27 An' took her wi' aïr-reachèn hand,
28 To my zide at Woak Hill.


29 On the road I did look round, a-talkèn
30 To light at my shoulder,
31 An' then led her in at the doorway,
32 Miles wide vrom Woak Hill.


33 An' that's why vo'k thought, vor a season,
34 My mind wer a-wandrèn
35 Wi' sorrow, when I wer so sorely
36 A-tried at Woak Hill.


37 But no; that my Meäry mid never
38 Behold herzelf slighted,
39I wanted to think that I guided
40 My guide vrom Woak Hill.


is this sic poetry? or did he not know how to spell <grin maybe they are from the same country as SJ <bigrin
 
The Poe-et's Nightmare
by H. P. Lovecraft

A Fable

Luxus tumultus semper causa est.

Lucullus Languish, student of the skies,
And connoisseur of rarebits and mince pies,
A bard by choice, a grocer's clerk by trade,
(Grown pessimist through honours long delay'd)
A secret yearning bore, that he might shine
In breathing numbers, and in song divine.
Each day his fountain pen was wont to drop
An ode or dirge or two about the shop,
Yet naught could strike the chord within his heart
That throbb'd for poesy, and cry'd for art.
Each eve he sought his bashful Muse to wake
With overdoses of ice cream and cake,
But though th'ambitious youth a dreamer grew,
Th' Aonian Nymph delcin'd to come to view.

Something at dusk he scour'd the heav'ns afar
Searching for raptures in the evening star;
One night he strove to catch a tale untold
In crystal deeps - but only caught a cold.
So pin'd Lucullus with his lofty woe,
Till one drear day he bought a set of Poe:
Charm'd with the cheerful horrors there display's,
He vow'd with gloom to woo the Heav'nly Maid.
Of Auber's Tarn and Yaanek's slope he dreams,
And weaves an hundred Ravens in his schemes.
Not far from our young hero's peaceful home,
Lies the fair grove wherein he loves to roam.
Though but a stunted copse in vacant lot,
He dubs it Temp-e, and adores the spot;
When shallow puddles dot the wooded plain,
And brim o'er muddy banks with muddy rain,
He calls them limpid lakes or poison pools,
(Depending on which bard his fancy rules.)
'Tis here he comes with Heliconian fire
On Sundays when he smites the Attic lyre;
And here one afternoon he brought his gloom,
Resolv'd to chant a poet's lay of doom.
Roget's Thesaurus, and a book of rhymes,
Provide the rungs whereon his spirit climbs:
With this grave retinue he trod the grove
And pray'd the Fauns he might a Poe-et prove.
But sad to tell, ere Pegasus flew high,
The not unrelish'd supper hour drew nigh;
Our tuneful swain th'imperious call attends,
And soon above the groaning table bends.
Though it were too prosaic to relate
Th' exact particulars of what he ate,
(Such long-drawn lists the hasty reader skips,
Like Homer's well-known catalogue of ships)
This much we swear: that as adjournment near'd,
A monstrous lot of cake had disappear'd!
Soon to his chamber the young bard repairs,
And courts soft Somnus with sweet Lydian airs;
Through open casement scans the star-strown deep,
And 'neath Orion's beams sinks off to sleep.

Now start from airy dell the elfin train
That dance each midnight o'er the sleeping plain,
To bless the just, or cast a warning spell
On those who dine not wisely, but too well.
First Deacon Smith they plague, whose nasal glow
Comes from what Holmes hath call'd "Elixir Pro";
Group'd round the couch his visage they deride,
Whilst through his dreams unnumber'd serpents glide.
Next troop the little folk into the room
Where snore our young Endymion, swath'd in gloom:
A smile lights up his boyish face, whilst he
Dreams of the moon - or what he ate at tea.
The chieftain elf th' unconscious youth surveys,
and on his form a strange enchantment lays:
Those lips, that lately trill'd with frosted cake,
Uneasy sounds in slumbrous fashion make;
At length their owner's fancies they rehearse,
And lisp this awesome Poe-em in blank verse:

Aletheia Phrikodes
Omnia risus et omnia pulvis et omnia nihil.

Demoniac clouds, up-pil'd in chasmy reach
Of soundless heav'n, smother'd the brooding night;
Nor came the wonted whisp'rings of the swamp,
Nor voice of autumn wind along the moor,
Nor mutter'd noises of th' insomnious grove
Whose black recesses never saw the sun.
Within that grove a hideous hollow lies,
Half bare of trees; a pool in centre lurks
That none dares sound; a tarn of murky face,
(Though naught can prove its hue, since light of day,
Affrighted, shuns the forest-shadow's banks.)
Hard by, a yawning hillside grotto breathes
From deeps unvisited, a dull, dank air
That sears the leaves on certain stunted trees
Which stand about, clawing the spectral gloom
With evil boughs. To this accursed dell
Come woodland creatures, seldom to depart:
Once I behold, upon a crumbling stone
Set altar-like before the cave, a thing
I saw not clearly, yet from glimpsing, fled.
In this half-dusk I meditate alone
At many a weary noontide, when without
A world forgets me in its sun-blest mirth.
Here howls by night the werewolves, and the souls
Of those that knew me well in other days.
Yet on this night the grove spake not to me;
Nor spake the swamp, nor wind along the moor
Nor moan'd the wind about the lonely eaves
Of the bleak, haunted pile wherein I lay.
I was afraid to sleep, or quench the spark
Of the low-burning taper by my couch.
I was afraid when through the vaulted space
Of the old tow'r, the clock-ticks died away
Into a silence so profound and chill
That my teeth chatter'd - giving yet no sound.
Then flicker'd low the light, and all dissolv'd
Leaving me floating in the hellish grasp
Of body'd blackness, from whose beating wings
Came ghoulish blasts of charnel-scented mist.
things vague, unseen, unfashion'd, and unnam'd
Jostled each other in the seething void
That gap'd, chaotic, downward to a sea
Of speechless horror, foul with writhing thoughts.
All this I felt, and felt the mocking eyes
Of the curs's universe upon my soul;
Yet naught I saw nor heard, till flash'd a beam
Of lurid lustre through the rotting heav'ns,
Playing on scenes I labour'd not to see.
Methought the nameless tarn, alight at last,
Reflected shapes, and more reveal'd within
Those shocking depths that ne'er were seen before;
Methought from out the cave a demon train,
Grinning and smirking, reel'd in fiendish rout;
Bearing within their reeking paws a load
Of carrion viands for an impious feast.
Methought the stunted trees with hungry arms
Grop'd greedily for things I dare not name;
The while a stifling, wraith-like noisomeness
Fill'd all the dale, and spoke a larger life
Of uncorporeal hideousness awake
In the half-sentient wholeness of the spot.
Now glow'd the ground, and tarn, and cave, and trees,
And moving forms, and things not spoken of,
With such a phosphorescence as men glimpse
In the putrescent thickets of the swamp
Where logs decaying lie, and rankness reigns.
Methought a fire-mist drap'd with lucent fold
The well-remember'd features of the grove,
Whilst whirling ether bore in eddying streams
The hot, unfinish'd stuff of nascent worlds
Hither and thither through infinity
Of light and darkness, strangely intermix'd;
Wherein all entity had consciousness,
Without th' accustom'd outward shape of life.
Of these swift circling currents was my soul,
Free from the flesh, a true constituent part;
Nor felt I less myself, for want of form.
Then clear'd the mist, and o'er a star-strown scene
Divine and measureless, I gaz'd in awe.
Alone in space, I view'd a feeble fleck
Of silvern light, marking the narrow ken
Which mortals call the boundless universe.
On ev'ry side, each as a tiny star,
Shone more creations, vaster than our own,
And teeming with unnumber'd forms of life;
Though we as life would recognize it not,
Being bound to earthy thoughts of human mould.
As on a moonless night the Milky Way
In solid sheen displays its countless orbs
To weak terrestrial eyes, each orb a sun;
So beam'd the prospect on my wond'ring soul;
A spangled curtain, rich with twinkling gems,
Yet each a mighty universe of suns.
But as I gaz'd, I sens'd a spirit voice
In speech didactic, though no voice it was,
Save as it carried thought. It bade me mark
That all the universes in my view
Form'd but an atom in infinity;
Whose reaches pass the ether-laden realms
Of heat and light, extending to far fields
Where flourish worlds invisible and vague,
Fill'd with strange wisdom and uncanny life,
And yet beyond; to myriad spheres of light,
To spheres of darkness, to abysmal voids
That know the pulses of disorder'd force.
Big with these musings, I survey'd the surge
Of boundless being, yet I us'd not eyes,
For spirit leans not on the props of sense.
The docent presence swell'd my strength of soul;
All things I knew, but knew with mind alone.
Time's endless vista spread before my thought
With its vast pageant of unceasing change
And sempiternal strife of force and will;
I saw the ages flow in stately stream
Past rise and fall of universe and life;
I saw the birth of suns and worlds, their death,
Their transmutation into limpid flame,
Their second birth and second death, their course
Perpetual through the aeons' termless flight,
Never the same, yet born again to serve
The varying purpose of omnipotence.
And whilst I watch'd, I knew each second's space
Was greater than the lifetime of our world.
Then turn'd my musings to that speck of dust
Whereon my form corporeal took its rise;
That speck, born but a second, which must die
In one brief second more; that fragile earth;
That crude experiment; that cosmic sport
Which holds our proud, aspiring race of mites
And moral vermin; those presuming mites
Whom ignorance with empty pomp adorns,
And misinstructs in specious dignity;
Those mites who, reas'ning outward, vaunt themselves
As the chief work of Nature, and enjoy
In fatuous fancy the particular care
Of all her mystic, super-regnant pow'r.
And as I strove to vision the sad sphere
Which lurk'd, lost in ethereal vortices;
Methough my soul, tun'd to the infinite,
Refus'd to glimpse that poor atomic blight;
That misbegotten accident of space;
That globe of insignificance, whereon
(My guide celestial told me) dwells no part
Of empyreal virtue, but where breed
The coarse corruptions of divine disease;
The fest'ring ailments of infinity;
The morbid matter by itself call'd man:
Such matter (said my guide) as oft breaks forth
On broad Creation's fabric, to annoy
For a brief instant, ere assuaging death
Heal up the malady its birth provok'd.
Sicken'd, I turn'd my heavy thoughts away.
Then spake th' ethereal guide with mocking mien,
Upbraiding me for searching after Truth;
Visiting on my mind the searing scorn
Of mind superior; laughing at the woe
Which rent the vital essence of my soul.
Methought he brought remembrance of the time
When from my fellows to the grove I stray'd,
In solitude and dusk to meditate
On things forbidden, and to pierce the veil
Of seeming good and seeming beauteousness
That covers o'er the tragedy of Truth,
Helping mankind forget his sorry lot,
And raising Hope where Truth would crush it down.
He spake, and as he ceas'd, methought the flames
Of fuming Heav'n revolv'd in torments dire;
Whirling in maelstroms of revellious might,
Yet ever bound by laws I fathom'd not.
Cycles and epicycles of such girth
That each a cosmos seem'd, dazzled my gaze
Till all a wild phantasmal flow became.
Now burst athwart the fulgent formlessness
A rift of purer sheen, a sight supernal,
Broader that all the void conceiv'd by man,
Yet narrow here. A glimpse of heav'ns beyond;
Of weird creations so remote and great
That ev'n my guide assum'd a tone of awe.
Borne on the wings of stark immensity,
A touch of rhythm celestial reach'd my soul;
Thrilling me more with horror than with joy.
Again the spirit mock'd my human pangs,
And deep revil'd me for presumptuous thoughts;
Yet changing now his mien, he bade me scan
The wid'ning rift that clave the walls of space;
He bade me search it for the ultimate;
He bade me find the truth I sought so long;
He bade me brave th' unutterable Thing,
The final Truth of moving entity.
All this he bade and offer'd - but my soul,
Clinging to life, fled without aim or knowledge,
Shrieking in silence through the gibbering deeps.

* * * * * *
Thus shriek'd the young Lucullus, as he fled
Through gibbering deeps - and tumbled out of bed;
Within the room the morning sunshine gleams,
Whilst the poor youth recalls his troubled dreams.
He feels his aching limbs, whose woeful pain
Informs his soul his body lives again,
And thanks his stars - or cosmoses - or such -
That he survives the noxious nightmare's clutch.
Thrill'd with the music of th' eternal spheres,
(Or is it the alarm-clock that he hears?)
He vows to all the Pantheon, high and low,
No more to feed on cake, or pie, or Poe.
And now his gloomy spirits seem to rise,
As he the world beholds with clearer eyes;
The cup he thought too full of dregs to quaff,
Affords him wine enough to raise a laugh.
(All this is metaphor - you must not think
Our late Endymion prone to stronger drink!)
With brighter visage and with lighter heart,
He turns his fancies to the grocer's mart;
And strange to say, at last he seems to find
His daily duties worthy of his mind.
Since Truth prov'd such a high and dang'rous goal,
Our bard seeks one less trying to his soul;
With deep-drawn breath he flouts his dreary woes,
And a good clerk from a bad poet grows!
Now close attend my lay, ye scribbling crew

That bay the moon in numbers strange and new;
That madly for the spark celestial bawl
In metres short or long, or none at all;
Curb your rash force, in numbers or at tea,
Nor over-zealous for high fancies be;
Reflect, ere ye the draught Pierian take,
What worthy clerks or plumbers ye might make;
Wax not too frenzied in the leaping line
That neither sense nor measure can confine,
Lest ye, like young Lucullus Launguish, groan
Beneath Poe-etic nightmares of your own!
 
Harold Monro (1879-1932)

Milk for the Cat


1When the tea is brought at five o’clock,
2And all the neat curtains are drawn with care,
3The little black cat with bright green eyes
4Is suddenly purring there.


5At first she pretends, having nothing to do,
6She has come in merely to blink by the grate,
7But, though tea may be late or the milk may be sour,
8She is never late.


9And presently her agate eyes
10Take a soft large milky haze,
11And her independent casual glance
12Becomes a stiff hard gaze.


13Then she stamps her claws or lifts her ears
14Or twists her tail and begins to stir,
15Till suddenly all her lithe body becomes
16One breathing trembling purr.


17The children eat and wriggle and laugh;
18The two old ladies stroke their silk:
19But the cat is grown small and thin with desire,
20Transformed to a creeping lust for milk.


21The white saucer like some full moon descends
22At last from the clouds of the table above;
23She sighs and dreams and thrills and glows,
24Transfigured with love.


25She nestles over the shining rim,
26Buries her chin in the creamy sea;
27Her tail hangs loose; each drowsy paw
28Is doubled under each bending knee.


29A long dim ecstasy holds her life;
30Her world is an infinite shapeless white,
31Till her tongue has curled the last holy drop,
32Then she sinks back into the night.


33Draws and dips her body to heap
34Her sleepy nerves in the great arm-chair,
35Lies defeated and buried deep
36Three or four hours unconscious there.
 
With a lantern that wouldn’t burn
In too frail a buggy we drove
Behind too heavy a horse
Through a pitch-dark limitless grove.

And a man came out of the trees
And took our horse by the head
And reaching back to his ribs
Deliberately stabbed him dead.

The ponderous beast went down
With a crack of a broken shaft.
And the night drew through the trees
In one long invidious draft.

The most unquestioning pair
That ever accepted fate
And the least disposed to ascribe
Any more than we had to hate,

We assumed that the man himself
Or someone he had to obey
Wanted us to get down
And walk the rest of the way.

John T. Ogilvie
 
Worm Either Way

If you live along with all the other people
and are just like them, and conform, and are nice
you're just a worm --

and if you live with all the other people
and you don't like them and won't be like them and won't conform
then you're just the worm that has turned,
in either case, a worm.

The conforming worm stays just inside the skin
respectably unseen, and cheerfully gnaws away at the heart of life,
making it all rotten inside.

The unconforming worm -- that is, the worm that has turned --
gnaws just the same, gnawing the substance out of life,
but he insists on gnawing a little hole in the social epidermis
and poking his head out and waving himself
and saying: Look at me, I am not respectable,
I do all the things the bourgeois daren't do,
I booze and fornicate and use foul language and despise your honest man.--

But why should the worm that has turned protest so much?
The bonnie bonnie bourgeois goes a-whoring up back streets just the same.
The busy busy bourgeois imbibes his little share
just the same
if not more.
The pretty pretty bourgeois pinks his language just as pink
if not pinker,
and in private boasts his exploits even louder, if you ask me,
than the other.
While as to honesty, Oh look where the money lies!

So I can't see where the worm that has turned puts anything over
the worm that is too cunning to turn.
On the contrary, he merely gives himself away.
The turned worm shouts. I bravely booze!
the other says. Have one with me!
The turned worm boasts: I copulate!
the unturned says: You look it.
You're a d----- b----- b----- p----- bb-----, says the worm that's turned.
Quite! says the other. Cuckoo!

DH Lawrence
 
Autumn Song

Know'st thou not at the fall of the leaf
How the heart feels a languid grief
Laid on it for a covering,
And how sleep seems a goodly thing
In Autumn at the fall of the leaf?

And how the swift beat of the brain
Falters because it is in vain,
In Autumn at the fall of the leaf
Knowest thou not? and how the chief
Of joys seems--not to suffer pain?

Know'st thou not at the fall of the leaf
How the soul feels like a dried sheaf
Bound up at length for harvesting,
And how death seems a comely thing
In Autumn at the fall of the leaf?

Dante Gabriel Rossetti
 
wildsweetone said:
Autumn Song

Know'st thou not at the fall of the leaf
How the heart feels a languid grief
Laid on it for a covering,
And how sleep seems a goodly thing
In Autumn at the fall of the leaf?

And how the swift beat of the brain
Falters because it is in vain,
In Autumn at the fall of the leaf
Knowest thou not? and how the chief
Of joys seems--not to suffer pain?

Know'st thou not at the fall of the leaf
How the soul feels like a dried sheaf
Bound up at length for harvesting,
And how death seems a comely thing
In Autumn at the fall of the leaf?

Dante Gabriel Rossetti


Where The Mind is Without Fear



Where the mind is without fear and the head is held high;
Where knowledge is free;
Where the world has not been broken up into fragments by narrow domestic walls;
Where words come out from the depth of truth;
Where tireless striving stretches its arms towards perfection:
Where the clear stream of reason has not lost its way into the dreary desert sand of dead habit;
Where the mind is lead forward by thee into ever-widening thought and action—
Into that heaven of freedom, my Father, let my country awake.



—from Gitanjali by Rabindranath Tagore
 
Dearest Reader
by Michael Palmer


He painted the mountain over and over again
from his place in the cave, agape
at the light, its absence, the mantled
skull with blue-tinted hollows, wren-
like bird plucking berries from the fire
her hair alight and so on
lemon grass in cafe in clear glass.
Dearest reader there were trees
formed of wire, broad entryways
beneath balconies beneath spires
youthful head come to rest in meadow
beside bend in gravel road, still
body of milky liquid
her hair alight and so on
successive halls, flowered carpets and doors
or the photograph of nothing but pigeons
and grackles by the shadow of a fountain.
 
In The Forest

Out of the mid-wood's twilight
Into the meadow's dawn,
Ivory limbed and brown-eyed,
Flashes my Faun!

He skips through the copses singing,
And his shadow dances along,
And I know not which I should follow,
Shadow or song!

O Hunter, snare me his shadow!
O Nightingale, catch me his strain!
Else moonstruck with music and madness
I track him in vain!

Oscar Wilde
 
We Wear the Mask

We wear the mask that grins and lies,
It hides our cheeks and shades our eyes,--
This debt we pay to human guile;
With torn and bleeding hearts we smile,
And mouth with myriad subtleties.

Why should the world be overwise,
In counting all our tears and sighs?
Nay, let them only see us, while
We wear the mask.

We smile, but, O great Christ, our cries
To thee from tortured souls arise.
We sing, but oh the clay is vile
Beneath our feet, and long the mile;
But let the world dream otherwise,
We wear the mask!

Paul Laurence Dunbar

(putting this in the mask thread too)
 
EMILY DICKINSON
by Linda Pastan

We think of hidden in a white dress
among the folded linens and sachets
of well-kept cupboards, or just out of sight
sending jellies and notes with no address
to all the wondering Amherst neighbors.
Eccentric as New England weather
the stiff wind of her mind, stinging or gentle,
blew two half imagined lovers off.
Yet legend won't explain the sheer sanity
of vision, the serious mischief
of language, the economy of pain.
 
Robert Burns (1759-1796)

For a' That and a' That


1Is there, for honest poverty,
2 That hings his head, an' a' that?
3The coward slave, we pass him by,
4 We dare be poor for a' that!
5 For a' that, an' a' that,
6 Our toils obscure, an' a' that;
7 The rank is but the guinea's stamp;
8 The man's the gowd for a' that,


9What tho' on hamely fare we dine,
10 Wear hoddin-gray, an' a' that;
11Gie fools their silks, and knaves their wine,
12 A man's a man for a' that.
13 For a' that, an' a' that,
14 Their tinsel show an' a' that;
15 The honest man, tho' e'er sae poor,
16 Is king o' men for a' that.


17Ye see yon birkie, ca'd a lord
18 Wha struts, an' stares, an' a' that;
19Tho' hundreds worship at his word,
20 He's but a coof for a' that:
21 For a' that, an' a' that,
22 His riband, star, an' a' that,
23 The man o' independent mind,
24 He looks and laughs at a' that.


25A prince can mak a belted knight,
26 A marquis, duke, an' a' that;
27But an honest man's aboon his might,
28 Guid faith he mauna fa' that!
29 For a' that, an' a' that,
30 Their dignities, an' a' that,
31 The pith o' sense, an' pride o' worth,
32 Are higher rank than a' that.


33Then let us pray that come it may,
34 As come it will for a' that,
35That sense and worth, o'er a' the earth,
36 May bear the gree, an' a' that.
37 For a' that, an' a' that,
38 It's coming yet, for a' that,
39 That man to man, the warld o'er,
40 Shall brothers be for a' that.
 
Arthur Conan Doyle (1859-1930)

A Parable


1The cheese-mites asked how the cheese got there,
2 And warmly debated the matter;
3The Orthodox said that it came from the air,
4 And the Heretics said from the platter.
5They argued it long and they argued it strong,
6 And I hear they are arguing now;
7But of all the choice spirits who lived in the cheese,
8 Not one of them thought of a cow.
 
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