BobbyBrandt
Virgin Wannabe
- Joined
- Apr 7, 2014
- Posts
- 1,591
I typically write novel (or at least novella) length stories with multiple characters so TPO is the most obvious perspective for the narration and the one I employ most frequently. While I always have an ending in mind before I begin writing a story, I am prone to get inspired by one or more of the side characters to already have an idea for another story where they will become the main characters. This allows me to tailor the ending of the story so that it provides a cliff-hanger or lead-in to the next one.
Side characters from "His Daddy's Car" became the main characters in "Change". Side characters from "Change" became main characters in "Searching". Side characters from "Searching" became main characters in "Elements"... and the list goes on.
When the premise of the story supports a more intimate erotic relationship between two characters, I will generally use FPP. These are always shorter stories with much more detail related to the relationship dynamics and physical interactions between the two main characters. I believe the narrative is more closely suited to a first person perspective.
Side characters from "His Daddy's Car" became the main characters in "Change". Side characters from "Change" became main characters in "Searching". Side characters from "Searching" became main characters in "Elements"... and the list goes on.
When the premise of the story supports a more intimate erotic relationship between two characters, I will generally use FPP. These are always shorter stories with much more detail related to the relationship dynamics and physical interactions between the two main characters. I believe the narrative is more closely suited to a first person perspective.