Poem-a-Thon

[Tathagata]

even when she walks...

Baudelaire

Even when she walks she seems to dance!
Her garments writhe and glisten like long snakes
obedient to the rhythm of the wands
by which a fakir wakens them to grace.


Like both the desert and the desert sky
insensible to human suffering,
and like the ocean's endless labyrinth
she shows her body with indifference.


Precious minerals are her polished eyes,
and in her strange symbolic nature
angel and sphinx unite,
where diamonds, gold, and steel dissolve into one light,
shining forever, useless as a star,
the sterile woman's icy majesty.

 

[Angeline]

Re: even when she walks...

Baudelaire

Even when she walks she seems to dance!
Her garments writhe and glisten like long snakes
obedient to the rhythm of the wands
by which a fakir wakens them to grace.


Like both the desert and the desert sky
insensible to human suffering,
and like the ocean's endless labyrinth
she shows her body with indifference.


Precious minerals are her polished eyes,
and in her strange symbolic nature
angel and sphinx unite,
where diamonds, gold, and steel dissolve into one light,
shining forever, useless as a star,
the sterile woman's icy majesty.

sigh. baudilaire. now I have to rush off and find some Rimbaud.

 

[Angeline]

et voila!

Sun and Flesh (Credo in Unam)
Arthur Rimbaud

The Sun, the hearth of affection and life,
Pours burning love on the delighted earth,
And when you lie down in the valley, you can smell
How the earth is nubile and very full-blooded ;
How its huge breast, heaved up by a soul,
Is, like God, made of love, and, like woman, of flesh,
And that it contains, big with sap and with sunlight,
The vast pullulation of all embryos !

And everything grows, and everything rises !

- O Venus, O Goddess !
I long for the days of antique youth,
Of lascivious satyrs, and animal fauns,
Gods who bit, mad with love, the bark of the boughs,
And among water-lilies kissed the Nymph with fair hair !
I long for the time when the sap of the world,
River water, the rose-coloured blood of green trees
Put into the veins of Pan a whole universe !
When the earth trembled, green,beneath his goat-feet ;
When, softly kissing the fair Syrinx, his lips formed
Under heaven the great hymn of love ;
When, standing on the plain, he heard round about him
Living Nature answer his call ;
When the silent trees cradling the singing bird,
Earth cradling mankind, and the whole blue Ocean,
And all living creatures loved, loved in God !

I long for the tile of great Cybele,
Who was said to travel, gigantically lovely,
In a great bronze chariot, through splendid cities ;
Her twin breasts poured, through the vast deeps,
The pure streams of infinite life.
Mankind sucked joyfully at her blessed nipple,
Like a small child playing on her knees.
- Because he was strong, Man was gentle and chaste.

Misfortune ! Now he says : I understand things,
And goes about with eyes shut and ears closed.
- And again, no more gods ! no more gods ! Man is King,
Man is God ! But the great faith is Love !
Oh ! if only man still drew sustenance from your nipple,
Great mother of gods and of men, Cybele ;
If only he had not forsaken immortal Astarte
Who long ago, rising in the tremendous brightness
Of blue waters, flower-flesh perfumed by the wave,
Showed her rosy navel, towards which the foam came snowing
And , being a goddess with the great conquering black eyes,
Made the nightingale sing in the woods and love in men's hearts

 

[Tathagata]

Re: Re: even when she walks...

sigh. baudilaire. now I have to rush off and find some Rimbaud.

Rimbaud is good when you're drunk
lol

 

[Guest]

Stage Fright

by Wislawa Szymborska

Poets and writers,
or so it is said,
so poets aren’t writers, then what are they –

Poets are poetry, writers are prose –

Prose can have anything, even poetry,
but poetry can have only poetry –

According to the poster announcing it
with a capital P in art nouveau filigree
written into the strings of a winged lyre,
I should have descended, not walked in –

And wouldn’t it be better barefoot,
than in these cheap shoes
clomping, squeaking,
an awkward substitute for an angel –

If only this dress were longer, trailed more,
and the poems pulled not out of the purse, but thin air,
all done for effect, a fest, a bell-ringing day,
ding to dong
a b a b b a –

And on the platform already lurks a séance
table, sort of, on gilded legs
and on the table a lone candle smolders -

Which means
I will have to read by candlelight
what I have written by common bulb
tap tap tap on the typewriter –

Not worried ahead of time
whether it’s poetry
or what kind of poetry –

Is it the kind where prose is inappropriate –
or the kind that’s appropriate in peose –

And what is the difference
visible only in half-darkness
against the crimson curtain
with purple fringe?

 

[Angeline]

Alicia Ostriker has done very well publishing in recent years. She was one of my professors in college--always loved her writing. I just found this poem of hers and really enjoyed it because it's evocative of a place I know well. I also thought I could see her influence on my writing style--something I'd never noticed before. Anyone ever have that experience--suddenly realizing a poet has influenced you?



May Rain, Princeton
Alicia Ostriker

Green, green, the maples preen themselves
Up and down Prospect Street, their cells plumping up
Like nervous freshmen before a dance,

The bird feeders need daily refilling, the hot
Azaleas enhance their orange and fuschia tints,
The rhododendrons puckered dryly inside

Their big buds have begun to force themselves out,
Apple blossoms lie in shallow pools
At the feet of their trunks. All afternoon

Relentless pouring rain soaks the ground,
Beats the roofs, rat-tat,
Races down the gutters.

I imagine it falling into the Hudson River
Around the scows and barges. I imagine it
Splashing the yellow slickers of road crews.

I pretend that I am farms and towns stretched out
The breadth of New Jersey and Pennsylvania
Flat on my back looking up at a gray sky.

The grays shift, it must be windy up there,
I feel the rain batter me, how good it is, cleansing
The air, pocking my skin--

Good, good, like sex after childbirth
When the body is keen
For pleasure again.

 

[razoreater]

Leonard Cohen


Suzanne

Suzanne takes you down to her place near the river
You can hear the boats go by
You can spend the night beside her
And you know that she's half crazy
But that's why you want to be there
And she feeds you tea and oranges
That come all the way from China
And just when you mean to tell her
That you have no love to give her
Then she gets you on her wavelength
And she lets the river answer
That you've always been her lover
And you want to travel with her
And you want to travel blind
And you know that she will trust you
For you've touched her perfect body with your mind.
And Jesus was a sailor
When he walked upon the water
And he spent a long time watching
From his lonely wooden tower
And when he knew for certain
Only drowning men could see him
He said "All men will be sailors then
Until the sea shall free them"
But he himself was broken
Long before the sky would open
Forsaken, almost human
He sank beneath your wisdom like a stone
And you want to travel with him
And you want to travel blind
And you think maybe you'll trust him
For he's touched your perfect body with his mind.

Now Suzanne takes your hand
And she leads you to the river
She is wearing rags and feathers
From Salvation Army counters
And the sun pours down like honey
On our lady of the harbour
And she shows you where to look
Among the garbage and the flowers
There are heroes in the seaweed
There are children in the morning
They are leaning out for love
And they will lean that way forever
While Suzanne holds the mirror
And you want to travel with her
And you want to travel blind
And you know that you can trust her
For she's touched your perfect body with her mind.

 

[Angeline]

Gee, Suzanne is one of two songs I can play (badly) on guitar. What a lyric though (even when I'm croaking it out). Technically it should be in the lyric thread, but far be it from me to argue the legitimacy of anything Cohen writes as poetry.


Ange


PS--Hi and welcome to the forum, lol.

 

[Angeline]

Ok, this isn't a poem...

but I'm ready to shout down anyone who says it's not poetic. I just started rereading Their Eyes Were Watching God, a novella by Zora Neal Hurston. It's one of my favorite books, but I hadn't read it in years, and the following just blew me away. This is what I aspire to write like...

**********

It was a spring afternoon in West Florida. Janie had spent most of the day under a blossoming pear tree in the back-yard. She had been spending every moment that she could steal from her chores under that tree for the last three days. That was to say, ever since the first tiny bloom had opened. It had called her to come and gaze on a mystery. From barren brown stems to glistening leaf-buds; from the leaf-buds to snowy virginity of bloom. It stirred her tremendously. How? Why? It was like a flute song forgotten in another existence and remembered again. What? How? Why? This singing that she heard had nothing to do with her ears. The rose of the world was breathing out smell. It followed her through all her waking moments and carressed her in her sleep. It connected itself with other vaguely felt matters that had struck her outside observation and buried themselves in her flesh. Now they emerged and quested about her consciousness.

She was stretched on her back beneath the pear tree soaking in the alto chant of visiting bees, the gold of the sun and the panting breath of the breeze when the inaudible voice of it all came to her. She saw the dust-bearing bee sink into the sanctum of a bloom; the thousand sister-calyxes arch to meet the love embrace and the estatic shiver of the tree from root to tiniest branch creaming in every blossom and frothing with delight. So this was a marriage! She had been summoned to behold a revelation. Then Janie felt a pain remorseless sweet that left her limp and languid.

*********

Oh, I could go on lol. If that isn't beautiful, poetic, and imho erotic prose, I don't know what is. Read the book.

 

[Angeline]

Think about it

Dulce Et Decorum Est
Wilfred Owen

Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of disappointed shells that dropped behind.

GAS! Gas! Quick, boys!-- An ecstasy of fumbling,
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling
And floundering like a man in fire or lime.--
Dim, through the misty panes and thick green light
As under a green sea, I saw him drowning.

In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.

If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,--
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.

 

[RazzRajen]

Rilke again

Childhood


It would be good to give much thought, before
you try to find words for something so lost,
for those long childhood afternoons you knew
that vanished so completely -and why?

We're still reminded-: sometimes by a rain,
but we can no longer say what it means;
life was never again so filled with meeting,
with reunion and with passing on

as back then, when nothing happened to us
except what happens to things and creatures:
we lived their world as something human,
and became filled to the brim with figures.

And became as lonely as a sheperd
and as overburdened by vast distances,
and summoned and stirred as from far away,
and slowly, like a long new thread,
introduced into that picture-sequence
where now having to go on bewilders us.


Translated by Edward Snow

 

[RazzRajen]

Dom Moraes

passed away recently. Here are a couple of his poems ~

Architecture

The architecture of an aunt
Made the child dream of cupolas,
Domes, other smoothly rondured shapes.
Geometries troubled his sleep.

The architecture of young women
Mildly obsessed the young man:
Its globosity, firmness, texture,
Lace cobwebs for adornment and support.

Miles from his aunt, the old child
Watched domes and cupolas defaced
In a hundred countries, as time passed.

A thousand kilometres of lace defiled,
And much gleaming and perfect architecture
Flaming in the fields with no visible support.


Dom Moraes (b. 1938)
Collected Poems 1957-1987

 

[RazzRajen]

Dom Moraes again

On the gujarat riots a few years ago:


Heavy the climbing wind,
burdened with coming rain.
At the road's edges are
black stands of conifer.
Above, anarchic rocks,
grotesque in disarray,
left by a continent
which slowly disappeared;
scoured and depleted by
a hundred million rains.
They stand in silhouette
above the windwarped pines,
more corpsed with memories than
ruins which castles leave.
Though they have stood much wear,
have endured more than grief
and survived more than war,
these rocks now bear no runes
more than those worked by wind,
great shifts of earth, and rains.
But these gnarled outcrops are
connections with what is.
The cold salacities
of night, day's fall and flare,
unending cycles, pass
at the same charted pace.
Forest on forest dies
at charted pace, beneath
the scarred rocks which maintain
a stillness not of death.
The constant wheel of stars
turns over them in time.
Glaciers, tidal waves,
sandstorms and human hands
have paused on them, then passed.
Ghosts follow other ghosts
up climbing stairs of wind,
across black stands of pine
to the last source of loss:
the rocks, the coming rain.

-- Dom Moraes in Indian Poets Respond to the Gujarat Riots, Rattapallax, Edited by Jeet Thayil

 

[Angeline]

Good Stuff

In the current issue of Exquisite Corpse

Ode To Paul Carroll
by John Z. Guzlowski

Ode to Paul Carroll,
dead these many years but still singing in Heaven
with the Irish angels and the Chinese saints
who drowned in their love of poetry

Remember me, Paul?

I wrote those weird poems that bad summer of '69

about Jesus burning
the prostitutes up
with His exploding eyes

and about being a mind
blistered astronaut
with nothing to say
to the sun except,
Honey, I'm yours

Remember?

You were the first poet
I knew

the one who told me
to believe all poets
are brothers and sisters
and poetry is all the poems ever written
and that if you're lucky enough
to still be writing poems
when you're fifty
then you'd know the true grace of poetry

Do you remember that guy
in the red plush beefeater's hat?

He said in class the revolution
would send old farts like you
to the camps with the other assholes proud of their money
and their dick pink ties
and all you said to him was

"Maybe you won't be able to get it up tonight
because you're tired or drunk-but
someday there will be weeks and weeks
when your penis
will just stay a penis
and then,
there you'll be"

We were young and nobody
knew what you were talking about, running
riddles past us like some
Irish Li Po from the back of the yards

I still don't get your Ode to Nijinsky, its blank staring page

And what's behind it?

The lesson that poetry and art
Disappear/vanish before
we can see their dance?

But surely that's not the lesson
you wanted to teach us

You always had faith in poetry and poets,
called them your pals, even the dead ones
like Wordsworth and Milton
Dickinson and Yeats,
pals sharing a ragged pencil nub and sneaking smokes
between visions of angels
and teacups and Picasso
bald and 80 among the true Chinese poets

Our brothers and our sisters

You'd tell us stories about poets drowning
in their love of poetry
and you'd lick your lips
And say, Yes, Yes, and Yes
As if some great meal
Had just been served

When you died I read in the Chicago papers
that your last days
weren't so lucky
your wife gone, you
drinking too much and searching for James Wright
in the yuppie bars around Division and Clark

When I read that I thought maybe
you were wrong
about how Yeats's Chinese grace
could keep a man alive
and a drunk sober

But reading your
last poems again last night
I saw you were right

So I went to the library and stole
a copy of Odes, your first poems

and read your Nijinsky poem again

 

[tungtied2u]

The Mask of Anarchy by Shelley

The Mask of Anarchy
Written on the occasion of the massacre carried out by the British Government
at Peterloo, Manchester 1819

As I lay asleep in Italy
There came a voice from over the Sea,
And with great power it forth led me
To walk in the visions of Poesy.

I met Murder on the way -
He had a mask like Castlereagh -
Very smooth he looked, yet grim;
Seven blood-hounds followed him:

All were fat; and well they might
Be in admirable plight,
For one by one, and two by two,
He tossed the human hearts to chew
Which from his wide cloak he drew.

Next came Fraud, and he had on,
Like Eldon, an ermined gown;
His big tears, for he wept well,
Turned to mill-stones as they fell.

And the little children, who
Round his feet played to and fro,
Thinking every tear a gem,
Had their brains knocked out by them.

Clothed with the Bible, as with light,
And the shadows of the night,
Like Sidmouth, next, Hypocrisy
On a crocodile rode by.

And many more Destructions played
In this ghastly masquerade,
All disguised, even to the eyes,
Like Bishops, lawyers, peers, or spies.

Last came Anarchy: he rode
On a white horse, splashed with blood;
He was pale even to the lips,
Like Death in the Apocalypse.

And he wore a kingly crown;
And in his grasp a sceptre shone;
On his brow this mark I saw -
'I AM GOD, AND KING, AND LAW!'

With a pace stately and fast,
Over English land he passed,
Trampling to a mire of blood
The adoring multitude.

And a mighty troop around,
With their trampling shook the ground,
Waving each a bloody sword,
For the service of their Lord.

And with glorious triumph, they
Rode through England proud and gay,
Drunk as with intoxication
Of the wine of desolation.

O'er fields and towns, from sea to sea,
Passed the Pageant swift and free,
Tearing up, and trampling down;
Till they came to London town.

And each dweller, panic-stricken,
Felt his heart with terror sicken
Hearing the tempestuous cry
Of the triumph of Anarchy.

For with pomp to meet him came,
Clothed in arms like blood and flame,
The hired murderers, who did sing
'Thou art God, and Law, and King.

'We have waited, weak and lone
For thy coming, Mighty One!
Our Purses are empty, our swords are cold,
Give us glory, and blood, and gold.'

Lawyers and priests, a motley crowd,
To the earth their pale brows bowed;
Like a bad prayer not over loud,
Whispering - 'Thou art Law and God.' -

Then all cried with one accord,
'Thou art King, and God and Lord;
Anarchy, to thee we bow,
Be thy name made holy now!'

And Anarchy, the skeleton,
Bowed and grinned to every one,
As well as if his education
Had cost ten millions to the nation.

For he knew the Palaces
Of our Kings were rightly his;
His the sceptre, crown and globe,
And the gold-inwoven robe.

So he sent his slaves before
To seize upon the Bank and Tower,
And was proceeding with intent
To meet his pensioned Parliament

When one fled past, a maniac maid,
And her name was Hope, she said:
But she looked more like Despair,
And she cried out in the air:

'My father Time is weak and gray
With waiting for a better day;
See how idiot-like he stands,
Fumbling with his palsied hands!

He has had child after child,
And the dust of death is piled
Over every one but me -
Misery, oh, Misery!'

Then she lay down in the street,
Right before the horses' feet,
Expecting, with a patient eye,
Murder, Fraud, and Anarchy.

When between her and her foes
A mist, a light, an image rose,
Small at first, and weak, and frail
Like the vapour of a vale:

Till as clouds grow on the blast,
Like tower-crowned giants striding fast,
And glare with lightnings as they fly,
And speak in thunder to the sky,

It grew - a Shape arrayed in mail
Brighter than the viper's scale,
And upborne on wings whose grain
Was as the light of sunny rain.

On its helm, seen far away,
A planet, like the Morning's, lay;
And those plumes its light rained through
Like a shower of crimson dew.

With step as soft as wind it passed
O'er the heads of men - so fast
That they knew the presence there,
And looked, - but all was empty air.

As flowers beneath May's footstep waken,
As stars from Night's loose hair are shaken,
As waves arise when loud winds call,
Thoughts sprung where'er that step did fall.

And the prostrate multitude
Looked - and ankle-deep in blood,
Hope, that maiden most serene,
Was walking with a quiet mien:

And Anarchy, the ghastly birth,
Lay dead earth upon the earth;
The Horse of Death tameless as wind
Fled, and with his hoofs did grind
To dust the murderers thronged behind.

A rushing light of clouds and splendour,
A sense awakening and yet tender
Was heard and felt - and at its close
These words of joy and fear arose

As if their own indignant Earth
Which gave the sons of England birth
Had felt their blood upon her brow,
And shuddering with a mother's throe

Had turned every drop of blood
By which her face had been bedewed
To an accent unwithstood, -
As if her heart had cried aloud:

'Men of England, heirs of Glory,
Heroes of unwritten story,
Nurslings of one mighty Mother,
Hopes of her, and one another;

'Rise like Lions after slumber
In unvanquishable number,
Shake your chains to earth like dew
Which in sleep had fallen on you -
Ye are many - they are few.

'What is Freedom? - ye can tell
That which slavery is, too well -
For its very name has grown
To an echo of your own.

'Tis to work and have such pay
As just keeps life from day to day
In your limbs, as in a cell
For the tyrants' use to dwell,

'So that ye for them are made
Loom, and plough, and sword, and spade,
With or without your own will bent
To their defence and nourishment.

'Tis to see your children weak
With their mothers pine and peak,
When the winter winds are bleak, -
They are dying whilst I speak.

'Tis to hunger for such diet
As the rich man in his riot
Casts to the fat dogs that lie
Surfeiting beneath his eye;

'Tis to let the Ghost of Gold
Take from Toil a thousandfold
More that e'er its substance could
In the tyrannies of old.

'Paper coin - that forgery
Of the title-deeds, which ye
Hold to something of the worth
Of the inheritance of Earth.

'Tis to be a slave in soul
And to hold no strong control
Over your own wills, but be
All that others make of ye.

'And at length when ye complain
With a murmur weak and vain
'Tis to see the Tyrant's crew
Ride over your wives and you -
Blood is on the grass like dew.

'Then it is to feel revenge
Fiercely thirsting to exchange
Blood for blood - and wrong for wrong -
Do not thus when ye are strong.

'Birds find rest, in narrow nest
When weary of their wingèd quest
Beasts find fare, in woody lair
When storm and snow are in the air.

'Asses, swine, have litter spread
And with fitting food are fed;
All things have a home but one -
Thou, Oh, Englishman, hast none!

'This is slavery - savage men
Or wild beasts within a den
Would endure not as ye do -
But such ills they never knew.

'What art thou Freedom? O! could slaves
Answer from their living graves
This demand - tyrants would flee
Like a dream's dim imagery:

'Thou art not, as impostors say,
A shadow soon to pass away,
A superstition, and a name
Echoing from the cave of Fame.

'For the labourer thou art bread,
And a comely table spread
From his daily labour come
In a neat and happy home.

'Thou art clothes, and fire, and food
For the trampled multitude -
No - in countries that are free
Such starvation cannot be
As in England now we see.

'To the rich thou art a check,
When his foot is on the neck
Of his victim, thou dost make
That he treads upon a snake.

'Thou art Justice - ne'er for gold
May thy righteous laws be sold
As laws are in England - thou
Shield'st alike the high and low.

'Thou art Wisdom - Freemen never
Dream that God will damn for ever
All who think those things untrue
Of which Priests make such ado.

'Thou art Peace - never by thee
Would blood and treasure wasted be
As tyrants wasted them, when all
Leagued to quench thy flame in Gaul.

'What if English toil and blood
Was poured forth, even as a flood?
It availed, Oh, Liberty,
To dim, but not extinguish thee.

'Thou art Love - the rich have kissed
Thy feet, and like him following Christ,
Give their substance to the free
And through the rough world follow thee,

'Or turn their wealth to arms, and make
War for thy belovèd sake
On wealth, and war, and fraud - whence they
Drew the power which is their prey.

'Science, Poetry, and Thought
Are thy lamps; they make the lot
Of the dwellers in a cot
So serene, they curse it not.

'Spirit, Patience, Gentleness,
All that can adorn and bless
Art thou - let deeds, not words, express
Thine exceeding loveliness.

'Let a great Assembly be
Of the fearless and the free
On some spot of English ground
Where the plains stretch wide around.

'Let the blue sky overhead,
The green earth on which ye tread,
All that must eternal be
Witness the solemnity.

'From the corners uttermost
Of the bounds of English coast;
From every hut, village, and town
Where those who live and suffer moan,

'From the workhouse and the prison
Where pale as corpses newly risen,
Women, children, young and old
Groan for pain, and weep for cold -

'From the haunts of daily life
Where is waged the daily strife
With common wants and common cares
Which sows the human heart with tares -

'Lastly from the palaces
Where the murmur of distress
Echoes, like the distant sound
Of a wind alive around

'Those prison halls of wealth and fashion,
Where some few feel such compassion
For those who groan, and toil, and wail
As must make their brethren pale -

'Ye who suffer woes untold,
Or to feel, or to behold
Your lost country bought and sold
With a price of blood and gold -

'Let a vast assembly be,
And with great solemnity
Declare with measured words that ye
Are, as God has made ye, free -

'Be your strong and simple words
Keen to wound as sharpened swords,
And wide as targes let them be,
With their shade to cover ye.

'Let the tyrants pour around
With a quick and startling sound,
Like the loosening of a sea,
Troops of armed emblazonry.

Let the charged artillery drive
Till the dead air seems alive
With the clash of clanging wheels,
And the tramp of horses' heels.

'Let the fixèd bayonet
Gleam with sharp desire to wet
Its bright point in English blood
Looking keen as one for food.

'Let the horsemen's scimitars
Wheel and flash, like sphereless stars
Thirsting to eclipse their burning
In a sea of death and mourning.

'Stand ye calm and resolute,
Like a forest close and mute,
With folded arms and looks which are
Weapons of unvanquished war,

'And let Panic, who outspeeds
The career of armèd steeds
Pass, a disregarded shade
Through your phalanx undismayed.

'Let the laws of your own land,
Good or ill, between ye stand
Hand to hand, and foot to foot,
Arbiters of the dispute,

'The old laws of England - they
Whose reverend heads with age are gray,
Children of a wiser day;
And whose solemn voice must be
Thine own echo - Liberty!

'On those who first should violate
Such sacred heralds in their state
Rest the blood that must ensue,
And it will not rest on you.

'And if then the tyrants dare
Let them ride among you there,
Slash, and stab, and maim, and hew, -
What they like, that let them do.

'With folded arms and steady eyes,
And little fear, and less surprise,
Look upon them as they slay
Till their rage has died away.

'Then they will return with shame
To the place from which they came,
And the blood thus shed will speak
In hot blushes on their cheek.

'Every woman in the land
Will point at them as they stand -
They will hardly dare to greet
Their acquaintance in the street.

'And the bold, true warriors
Who have hugged Danger in wars
Will turn to those who would be free,
Ashamed of such base company.

'And that slaughter to the Nation
Shall steam up like inspiration,
Eloquent, oracular;
A volcano heard afar.

'And these words shall then become
Like Oppression's thundered doom
Ringing through each heart and brain,
Heard again - again - again -

'Rise like Lions after slumber
In unvanquishable number -
Shake your chains to earth like dew
Which in sleep had fallen on you -
Ye are many - they are few.'

 

[Miss Oatlash]

Maybe not a poem, but a poetic thought...

My house has many rooms.
I occupy a few.
The rest go unvisited.

From "Queer As Folk" on ShowTime...

 

[Guest]

Old Time

by Jill Williams from the summer edition of Quills.

I miss the way old time was told
With hands to point the numbers out
And show me what my day’s about.
I miss he way the arms would fold
With curlicues well-dipped in gold.
A craftsman’s careful work no doubt.
I miss the way old time was told
With hands to point the numbers out.

These digitals seem oddly cold
Like hollow seeds that will not sprout
Or praying nuns who play the devout.
Electric hours, cheaply sold.
I miss the way old time was told.

 

[Angeline]

Naming the Stars
Joyce Sutphen

This present tragedy will eventually
turn into myth, and in the mist
of that later telling the bell tolling
now will be a symbol, or, at least,
a sign of something long since lost.

This will be another one of those
loose changes, the rearrangement of
hearts, just parts of old lives
patched together, gathered into
a dim constellation, small consolation.

Look, we will say, you can almost see
the outline there: her fingertips
touching his, the faint fusion
of two bodies breaking into light.

 

[Guest]

Naming the Stars
Joyce Sutphen

This present tragedy will eventually
turn into myth, and in the mist
of that later telling the bell tolling
now will be a symbol, or, at least,
a sign of something long since lost.

This will be another one of those
loose changes, the rearrangement of
hearts, just parts of old lives
patched together, gathered into
a dim constellation, small consolation.

Look, we will say, you can almost see
the outline there: her fingertips
touching his, the faint fusion
of two bodies breaking into light.

Another beauty Ange - you really can find the winners. Thanks.

 

[Angeline]

Another beauty Ange - you really can find the winners. Thanks.

I know. I love that poem. Found it here.

 

[Angeline]

I really like this one too--from the same site.

Small Comfort
Katha Pollitt

Coffee and cigarettes in a clean cafe,
forsythia lit like a damp match against
a thundery sky drunk on its own ozone,

the laundry cool and crisp and folded away
again in the lavender closet-too late to find
comfort enough in such small daily moments

of beauty, renewal, calm, too late to imagine
people would rather be happy than suffering
and inflicting suffering. We're near the end,

but O before the end, as the sparrows wing
each night to their secret nests in the elm's green dome
O let the last bus bring

love to lover, let the starveling
dog turn the corner and lope suddenly
miraculously, down its own street, home.

 

[Angeline]

And this feels nice and cool on a hot day like today here.

Relearning Winter
Mark Svenvold

Hello Winter, hello flanneled
blanket of clouds, clouds
fueled by more clouds, hello again.

Hello afternoons,
off to the west, that silver
of sunset, rust-colored
and gone too soon.

And night (I admit to a short memory)
you climb back in with chilly fingers
and clocks, and there is no refusal:
ice cracks the water main, the garden hose
stiffens, the bladed leaves of the rhododendron
shine in the fog of a huge moon.

And rain, street lacquer,
oily puddles and spinning rubber,
mist of angels on the head of a pin,
hello,

and snow, upside-down cake of clouds,
white, freon scent, you build
even as you empty the world of texture-
hello to this new relief,
this new solitude now upon us,
upon which we feed.

 

[tungtied2u]

Gil Scott-Heron

Gil Scott-Heron's Lyrics to
"Revolution Will Not Be Televised"

You will not be able to stay home, brother.

You will not be able to plug in, turn on and cop out.

You will not be able to lose yourself on skag and skip,

Skip out for beer during commercials,

Because the revolution will not be televised.



The revolution will not be televised.

The revolution will not be brought to you by Xerox

In 4 parts without commercial interruptions.

The revolution will not show you pictures of Nixon

blowing a bugle and leading a charge by John

Mitchell, General Abrams and Spiro Agnew to eat

hog maws confiscated from a Harlem sanctuary.

The revolution will not be televised.



The revolution will not be brought to you by the

Schaefer Award Theatre and will not star Natalie

Woods and Steve McQueen or Bullwinkle and Julia.

The revolution will not give your mouth sex appeal.

The revolution will not get rid of the nubs.

The revolution will not make you look five pounds

thinner, because the revolution will not be televised, Brother.



There will be no pictures of you and Willie May

pushing that shopping cart down the block on the dead run,

or trying to slide that color television into a stolen ambulance.

NBC will not be able predict the winner at 8:32

or report from 29 districts.

The revolution will not be televised.



There will be no pictures of pigs shooting down

brothers in the instant replay.

There will be no pictures of pigs shooting down

brothers in the instant replay.

There will be no pictures of Whitney Young being

run out of Harlem on a rail with a brand new process.

There will be no slow motion or still life of Roy

Wilkens strolling through Watts in a Red, Black and

Green liberation jumpsuit that he had been saving

For just the proper occasion.



Green Acres, The Beverly Hillbillies, and Hooterville

Junction will no longer be so damned relevant, and

women will not care if Dick finally gets down with

Jane on Search for Tomorrow because Black people

will be in the street looking for a brighter day.

The revolution will not be televised.



There will be no highlights on the eleven o'clock

news and no pictures of hairy armed women

liberationists and Jackie Onassis blowing her nose.

The theme song will not be written by Jim Webb,

Francis Scott Key, nor sung by Glen Campbell, Tom

Jones, Johnny Cash, Englebert Humperdink, or the Rare Earth.

The revolution will not be televised.



The revolution will not be right back after a message

about a white tornado, white lightning, or white people.

You will not have to worry about a dove in your

bedroom, a tiger in your tank, or the giant in your toilet bowl.

The revolution will not go better with Coke.

The revolution will not fight the germs that may cause bad breath.

The revolution will put you in the driver's seat.



The revolution will not be televised, will not be televised,

will not be televised, will not be televised.

The revolution will be no re-run brothers;

The revolution will be live.

 

[Angeline]

Crossroads
Joyce Suthpin

The second half of my life will be black
to the white rind of the old and fading moon.
The second half of my life will be water
over the cracked floor of these desert years.
I will land on my feet this time,
knowing at least two languages and who
my friends are. I will dress for the
occasion, and my hair shall be
whatever color I please.
Everyone will go on celebrating the old
birthday, counting the years as usual,
but I will count myself new from this
inception, this imprint of my own desire.

The second half of my life will be swift,
past leaning fenceposts, a gravel shoulder,
asphalt tickets, the beckon of open road.
The second half of my life will be wide-eyed,
fingers shifting through fine sands,
arms loose at my sides, wandering feet.
There will be new dreams every night,
and the drapes will never be closed.
I will toss my string of keys into a deep
well and old letters into the grate.

The second half of my life will be ice
breaking up on the river, rain
soaking the fields, a hand
held out, a fire,
and smoke going
upward, always up.

 

[Angeline]

Whoever You Are
Matthew Zapruder

As the wayward satellite believes its rescuers
will come with white and weightless hands,
and the rescuers turning and floating believe
in their tethers and all those uninspected latches,
as madness believes in the organizing principle,
and allows it to strap her down on the gurney,
and the tiny island believes the sound
of a harp will be carried on the wings of a gull,
as the olive believes it is filled with light,
and its oil will someday grace a god's tongue,
as my arms flail outwards and strike my forehead
in belief of a vestigial prayer process,
as I believe to allow them such a historical pleasure
is hardly harmless from time to time,
as the small transistor radio believes in the woman
who requests she be buried with only her knitting
far from her husband the master of stratagems,
as other weeping daughters once believed
their father had coated each grassblade with poison,
and woke one morning to some twigs on the lawn
in a pile to believe they were starling bones,
as the mountain believed it could stay hollow
long enough to return the tunnellers home,
and their wives tried to believe
that rumble through clear skies was thunder,
I believe that is not what you wanted at all,
for you are only a guardian of some obscure mechanism
geared to one particular moment
not conjectured in any saintly book of apocrypha
when slowly at last the trucks will pull
into a warehouse shot through with shadows,
and wherever I am I will see candles floating
on the ritual arms of two dark canals
and you will allow me to step I believe
into the cathedral of your wings