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You don't say... I need to watch this.Day 19: A holiday/winter movie from the 1980's
This was one of my mother's favorites. We used to watch it together every year until she passed. It's got love, magic, family, redemption, men in tight trousers... all of the things.
I hate this movie and love this story with every fiber of my being.Day 20: A holiday/winter movie from the 1990's
I was in middle school and we'd just moved to a new state and I hadn't made many friends yet. One kid who I didn't really know very well, but who was in a lot of my classes said that a group was going to see this movie and asked if I wanted to come. Of course! So we all went, we all pissed ourselves laughing (figuratively), then went back to his place for pizza and played Sega all night. The guy who invited me to the movies? Today we're godparents to each other's children. Sometimes the movie is more about the experience of being with others. And it's a pretty funny film.
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Funny you should mention that....I hate this movie and love this story with every fiber of my being.
I was hoping someone would post this one! Yay!Day 20: A holiday/winter movie from the 1990's
It is a dark Christmas story, arguably Tim Burton's darkest. It is his love letter to German Expressionism, not only in the brooding dark pallets and chiaroscuro lighting to bring out the strong dance between light and dark, but also the central theme of duality in all of the main characters. And a major portion of this duality is contrasting the brutal story with the Christmas images. This isn't a move that takes place at Christmas, it was designed to be a Christmas movie.
And love is the central theme, dark, twisted love. All three main characters are damaged by childhoods. Bruce and Oswald's are more overt, but if you look at Selina's apartment before she becomes Catwoman, it is decorated for an eight-year-old girl, with way too much pink and many, many stuffed animals. Her mother is still nagging her about her life choices, and it still has an impact. And when she dies her first death, she grows up, taking control of her life and sexuality. But what is so strong about the portrayal is Catwoma is a woman who still remembers what she was, and cannot forgive herself for wanting the one person who understands her because it would jeopardize her vengeance. So you have three damaged children, grown now and trying to find love in any horrible way they can.
Burton balances all of this with some wonderful Christmas set pieces, including a perfect Christmas party where Bruce and Selina, the only two in the room without physical masks, finally removing their psychological masks during a dance. It is a brilliant scene, and a brilliant Christmas movie.
Batman Returns (1992)
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That's why you keep me around, Purple.I was hoping someone would post this one! Yay!
Oh good call!Day 20: A holiday/winter movie from the 1990's
It is a dark Christmas story, arguably Tim Burton's darkest. It is his love letter to German Expressionism, not only in the brooding dark pallets and chiaroscuro lighting to bring out the strong dance between light and dark, but also the central theme of duality in all of the main characters. And a major portion of this duality is contrasting the brutal story with the Christmas images. This isn't a move that takes place at Christmas, it was designed to be a Christmas movie.
And love is the central theme, dark, twisted love. All three main characters are damaged by childhoods. Bruce and Oswald's are more overt, but if you look at Selina's apartment before she becomes Catwoman, it is decorated for an eight-year-old girl, with way too much pink and many, many stuffed animals. Her mother is still nagging her about her life choices, and it still has an impact. And when she dies her first death, she grows up, taking control of her life and sexuality. But what is so strong about the portrayal is Catwoma is a woman who still remembers what she was, and cannot forgive herself for wanting the one person who understands her because it would jeopardize her vengeance. So you have three damaged children, grown now and trying to find love in any horrible way they can.
Burton balances all of this with some wonderful Christmas set pieces, including a perfect Christmas party where Bruce and Selina, the only two in the room without physical masks, finally removing their psychological masks during a dance. It is a brilliant scene, and a brilliant Christmas movie.
Batman Returns (1992)
View attachment 2449665