AmyRoberts
Experienced
- Joined
- Dec 21, 2016
- Posts
- 324
Each of the three women involved in the event reacted differently:
Emelia had been crying in fear and panic, but as soon as her husband had beaten her attacker nearly to unconsciousness, she ran to Jose and threw her arms around his torso.
Emily had never before been manhandled like what Mitchell Masterson had been doing to her. The way he'd grabbed her and shoved her back against the buckboard's wood and steel like a calf pinned in the branding chute, followed by the shot from Morgan's pistol, had left her frozen even after he'd let her go.
It was Gretchen, though, who was able to keep her wits about her as the whole affair unfolded. She'd fought to get free of the man holding her, finally doing so when he released her to go after Morgan. She ran around the front of the wagon, climbing over the reach brace and under the reins to get to her daughter. She beat at Masterson's arm as he continued to hold onto Emily's dress in a tightly clenching fist. She punched at his chest, then at his face, screaming at him to let her daughter go.
Gretchen's fury ceased, though, with Mitchell pulled his weapon from his hip. She moved in between him and Emily, fearful he might shoot one or both of them. But then to both her relief for Emily and her fear for Morgan, Mitchell turned his attention and his gun on the cowboy who'd come to rescue them.
Without even realizing what she was doing, Gretchen spun, rushed a few feet to where Morgan's horse was tied to a railing, and ripped his rifle from its scabbard.
She aimed the weapon at Mitchell, pulled back the hammer, and was seriously about to pull the trigger, striking the brute down, when her daughter cried out in terror, "Momma!"
Gretchen made eye contact with Emily, and seeing the fear in her eyes, instead lifted the barrel of the rifle and pulled the trigger. The unexpected explosion of gunpowder turned all eyes her direction, including those of Mitchell Masterson, who found the rifle once again lowered until it was pointing right at his chest, the wielder of it kicking a fresh round into its firing chamber.
"You hurt my daughter, Mitchell Masterson," Gretchen growled with the deepest of hatreds while in between them, Emily was ever so slowly moving away from the ranching heir and closer to her own mother. Gretchen lowered her right eye and raised the gun a bit until she was looking through the sight right at his face. "I'll put a round right through that pretty face of yours such that even your papa won't be able to recognize you."
Tense seconds passed, and after Masterson slowly lifted his arms out to his side, he set the pistol he'd threatened Morgan with on the still open tail board of the wagon. As if he expected anyone to believe him, Mitchell said, "I never meant no harm. We wasn't going to hurt anyone."
Suddenly, a new male voice cut in from nearby, demanding in a low, firm tone, "Put the rifle down, Missus Jacobs."
Gretchen recognized the voice as that of Marshall Wendell. She didn't lower the weapon though, not until Wendell had literally stepped up in between her and the man she was pointing it at. He said softer, "Put it down, Gretchen."
She lowered it, only then realizing that her hands were shaking. The Marshall turned to Mitchell, asking what was happening while also retrieving the man's pistol from the buckboard. He stuck it in his own belt as Mitchell rattled off some bullshit story about the Jacob Ranch hands misunderstanding a simple conversation between him and his boys and the Jacob women.
Gretchen looked to Morgan with concern: she doubted very much that he would be interested in making the Marshall's acquaintance, even though she still didn't know his backstory. As the Lawman and the ranching heir talked back and forth, Gretchen waved a hand at Morgan, urging him to quietly slip away from the scene.
Would he go?
When she looked back to the Marshall, it was pretty obvious to her that he didn't buy Mitchell's story. But Mitchell was still a Masterson. He looked back to Gretchen, asking, "Is this what happened, Missus Jacob?"
With a harsh tone, she responded, "Does it matter, Wendell? If I tell you that Mitchell Masterson's men were going to rape Emelia ... were gonna prob'ly rape me and my daughter ... would you do anything about it?"
The Marshall didn't respond, instead just maintaining a noncommittal stare at the woman he would have liked to help but simply couldn't. He looked around for the Mexican woman he'd seen Gretchen and Emily with earlier and found them still holding each other out in the middle of the street.
The Masterson hands were still on the ground, one of them out cold and the other writhing about, being tended to by someone loyal to Henry Masterson. Wendell looked to Mitchell and demanded, "Gimme all the money you have in your pockets."
The young Masterson looked at him with surprise, asking, "What? Why?"
"Give me all your money!" Wendell demanded again, even reaching out to begin forcibly searching the many pockets in the man's jacket, vest, and slacks. Mitchell gave in, not certain just what was happening, and ultimately was told, "Now get on your damn horse and get out of town before I shoot you in the face myself."
Mitchell gave Gretchen, then Emily one last look, but the Marshall gave him a shove in the chest, and as Mitchell hurried for his horse -- leaving his beat up men to fend for themselves -- Wendell said, "Git! And if I see you near either of these women again any time soon, I'll be taking more from you than a little spending money."
After the young Masterson had kicked his horse into a sudden gallop and headed for the outskirts of Harland's Grove, Wendell walked up to Gretchen, took the rifle from her hands, leaned it up against the buckboard, took one of her still shaking hands again, and forcibly filled it with the coins and paper money he'd confiscated from Mitchell.
"I'm sorry, Gretchen," he said with a sincere tone. "I'm sorry that I can't do anything more for you. You know what I'm facing with Masterson."
"You're a coward," she growled, throwing the money at his chest. She grabbed Emily's hand and almost dragged her to the buckboard, ordering her up into it as grabbed Morgan's rifle and she said, "We're going home. I've had enough of this town for a while."
Her daughter slapped the reins on the ass of the horse, and she, the Mexican couple who hurried to get aboard, and their supplies headed away. As they rode off, Wendell watched, then picked up the money scattered in the dirt around him. He waved over the owner of the Mercantile, who had been watching the action. "Put this on the Widow Jacob's bill."
Wendell handed over the money, all except for one coin. He needed a drink, and he didn't see any reason why Mitchell Masterson shouldn't pay for it.
(OOC: I'm letting you add what happened to Morgan and his horse.)
Emelia had been crying in fear and panic, but as soon as her husband had beaten her attacker nearly to unconsciousness, she ran to Jose and threw her arms around his torso.
Emily had never before been manhandled like what Mitchell Masterson had been doing to her. The way he'd grabbed her and shoved her back against the buckboard's wood and steel like a calf pinned in the branding chute, followed by the shot from Morgan's pistol, had left her frozen even after he'd let her go.
It was Gretchen, though, who was able to keep her wits about her as the whole affair unfolded. She'd fought to get free of the man holding her, finally doing so when he released her to go after Morgan. She ran around the front of the wagon, climbing over the reach brace and under the reins to get to her daughter. She beat at Masterson's arm as he continued to hold onto Emily's dress in a tightly clenching fist. She punched at his chest, then at his face, screaming at him to let her daughter go.
Gretchen's fury ceased, though, with Mitchell pulled his weapon from his hip. She moved in between him and Emily, fearful he might shoot one or both of them. But then to both her relief for Emily and her fear for Morgan, Mitchell turned his attention and his gun on the cowboy who'd come to rescue them.
Without even realizing what she was doing, Gretchen spun, rushed a few feet to where Morgan's horse was tied to a railing, and ripped his rifle from its scabbard.
She aimed the weapon at Mitchell, pulled back the hammer, and was seriously about to pull the trigger, striking the brute down, when her daughter cried out in terror, "Momma!"
Gretchen made eye contact with Emily, and seeing the fear in her eyes, instead lifted the barrel of the rifle and pulled the trigger. The unexpected explosion of gunpowder turned all eyes her direction, including those of Mitchell Masterson, who found the rifle once again lowered until it was pointing right at his chest, the wielder of it kicking a fresh round into its firing chamber.
"You hurt my daughter, Mitchell Masterson," Gretchen growled with the deepest of hatreds while in between them, Emily was ever so slowly moving away from the ranching heir and closer to her own mother. Gretchen lowered her right eye and raised the gun a bit until she was looking through the sight right at his face. "I'll put a round right through that pretty face of yours such that even your papa won't be able to recognize you."
Tense seconds passed, and after Masterson slowly lifted his arms out to his side, he set the pistol he'd threatened Morgan with on the still open tail board of the wagon. As if he expected anyone to believe him, Mitchell said, "I never meant no harm. We wasn't going to hurt anyone."
Suddenly, a new male voice cut in from nearby, demanding in a low, firm tone, "Put the rifle down, Missus Jacobs."
Gretchen recognized the voice as that of Marshall Wendell. She didn't lower the weapon though, not until Wendell had literally stepped up in between her and the man she was pointing it at. He said softer, "Put it down, Gretchen."
She lowered it, only then realizing that her hands were shaking. The Marshall turned to Mitchell, asking what was happening while also retrieving the man's pistol from the buckboard. He stuck it in his own belt as Mitchell rattled off some bullshit story about the Jacob Ranch hands misunderstanding a simple conversation between him and his boys and the Jacob women.
Gretchen looked to Morgan with concern: she doubted very much that he would be interested in making the Marshall's acquaintance, even though she still didn't know his backstory. As the Lawman and the ranching heir talked back and forth, Gretchen waved a hand at Morgan, urging him to quietly slip away from the scene.
Would he go?
When she looked back to the Marshall, it was pretty obvious to her that he didn't buy Mitchell's story. But Mitchell was still a Masterson. He looked back to Gretchen, asking, "Is this what happened, Missus Jacob?"
With a harsh tone, she responded, "Does it matter, Wendell? If I tell you that Mitchell Masterson's men were going to rape Emelia ... were gonna prob'ly rape me and my daughter ... would you do anything about it?"
The Marshall didn't respond, instead just maintaining a noncommittal stare at the woman he would have liked to help but simply couldn't. He looked around for the Mexican woman he'd seen Gretchen and Emily with earlier and found them still holding each other out in the middle of the street.
The Masterson hands were still on the ground, one of them out cold and the other writhing about, being tended to by someone loyal to Henry Masterson. Wendell looked to Mitchell and demanded, "Gimme all the money you have in your pockets."
The young Masterson looked at him with surprise, asking, "What? Why?"
"Give me all your money!" Wendell demanded again, even reaching out to begin forcibly searching the many pockets in the man's jacket, vest, and slacks. Mitchell gave in, not certain just what was happening, and ultimately was told, "Now get on your damn horse and get out of town before I shoot you in the face myself."
Mitchell gave Gretchen, then Emily one last look, but the Marshall gave him a shove in the chest, and as Mitchell hurried for his horse -- leaving his beat up men to fend for themselves -- Wendell said, "Git! And if I see you near either of these women again any time soon, I'll be taking more from you than a little spending money."
After the young Masterson had kicked his horse into a sudden gallop and headed for the outskirts of Harland's Grove, Wendell walked up to Gretchen, took the rifle from her hands, leaned it up against the buckboard, took one of her still shaking hands again, and forcibly filled it with the coins and paper money he'd confiscated from Mitchell.
"I'm sorry, Gretchen," he said with a sincere tone. "I'm sorry that I can't do anything more for you. You know what I'm facing with Masterson."
"You're a coward," she growled, throwing the money at his chest. She grabbed Emily's hand and almost dragged her to the buckboard, ordering her up into it as grabbed Morgan's rifle and she said, "We're going home. I've had enough of this town for a while."
Her daughter slapped the reins on the ass of the horse, and she, the Mexican couple who hurried to get aboard, and their supplies headed away. As they rode off, Wendell watched, then picked up the money scattered in the dirt around him. He waved over the owner of the Mercantile, who had been watching the action. "Put this on the Widow Jacob's bill."
Wendell handed over the money, all except for one coin. He needed a drink, and he didn't see any reason why Mitchell Masterson shouldn't pay for it.
(OOC: I'm letting you add what happened to Morgan and his horse.)