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Just for fun, in a 1000 word contest entry at *****, I had 26 named (Alex to Zara) participants in a group sex story.....I have a 750 word story (Denying Alex) with six named cast plus mentions of parents...
So in my first five-part, 100,000 words story ALL THE DEVILS ARE HERE there were several key players, many of whom had sex.This is intended to be another 'tell us about your work' type thread - no agenda, no particular help sought, just a lot of shooting the breeze about how we write.
Today's question is how many characters do you tend to have in your stories? If your immediate response was 'how every many the story needs', then do you often find your stories need large ensemble casts? What's the most characters you every put in a story (of how many words)? Have you ever written a story with exactly two characters in? (One for Toys/Masturbation). Really? Are you sure the barkeep didn't pour them a drink, or the hero's wondered what his mother would think if she could see him now? Of course, that's another discussion about what exactly constitutes a character.
A couple of possibly useful terms for types of character. (feel free to add your own or to wrangle my definitions)
A mentioned character - doesn't actually appear in the story, but is mentioned in passing. While it's possible for a mention to cast a long shadow, mainly they're just there for colour.
An influencer character - a character who actually helps shape or influence the plot in some way or acts at least slightly outside their expected roles - a barkeep pouring a drink cause the hero's down isn't an influencer, one who suggests that he talk to the lonely blonde in the corner is, even if that's his only line.
Sexual characters - those who take part in the the sex scenes of the story either with the MC or in their own trysts accidentally or intentionally witnessed by the MC.
Allies - those who help the main character(s) acheive the goal of the story.
Antagonists - those who prevent the main character(s) achieve the goal in the story.
Rivals - those who compete alongside the MC for the hand of their beloved.
Choice Characters - or maybe the MC needs to figure out who their one true love actually is as part of the story - it could be anyone?
B-Plot Characters - characters who are important enought in the story that they get their own encounters, growth and resolution arcs.
My own record for maximum named characters is 12 in the space of 8,500 words (including the male and female MCs) - This was in the context of 'business hospitality at a strip club' so I ended up with 3 men from the main firm, 3 men from the customer firm and 6 female strippers to accompany each of them. Within that word count, it's impossible to draw everyone in detail and inevitably a lot of words were used on the physical descriptions of the ladies. It worked okay and was necessary for that shape of story, but did persuade me that I needed to be really careful about how many people I let into my stories.
From the opposite end, I've done a fair few stories which have featured only or nearly only two characters, but other people creap in round the edges (a best friend who communicates only with text messages, another customer in the late night shift). I'm not sure that completely isolating characters is desirable (but maybe for certain stories it can be), but in writing this thread, I've found myself thinking 'that story only has two' only to remember a few seconds later that there were more people featured.
I'm with EB, but skimming a couple of my more complex stories, I was surprised at how many people I sometimes include. Taking a detective story I did for the Mickey Spillane / Mike Hammer event, The Tall Open Window, as an example:I keep my casts small. Usually two or three lead characters, one or two support characters.
As many as it takes.Today's question is how many characters do you tend to have in your stories?
You write gooder than meI think me be writer good, two.
Just saw someone put down that in their story they had 96,000 characters.My Hinn has more'n 60 named characters with explicit backstories (albeit to varying degrees), my Loved By HER has one, maybe two depending on how you count. Varies wildly depending on the way the tale unfolds, seems to me.
Similarly, the details of Hinn take up a ~20 page document, a couple spreadsheets, and a couple diagrams, whereas HER has nothing other than what was published. Didn't need it, and thus never spent the effort to create and maintain it.
Them's some mighty big wurds!Just saw someone put down that in their story they had 96,000 characters.
Turns out those 96,000 characters equated to 18,000 words.
D’Oh!
Without thinking about it too much, I guess it would have to be You Spin Me Round. In order of appearance:This is intended to be another 'tell us about your work' type thread - no agenda, no particular help sought, just a lot of shooting the breeze about how we write.
Today's question is how many characters do you tend to have in your stories?
I have a two stories where there is just one character, but where the FMC directly addresses the reader. These are:Without thinking about it too much, I guess it would have to be You Spin Me Round. In order of appearance:
That was more than enough people to keep track of.
- Emily - a shy and innocent 20 yo college student, our heroine
- David - a friend of Emily’s family, Emily is his lodger
- Rian - a friend of both David and Emily and a builder of contraptions
- Frank - a newbie
- John - a regular
- Jeff - an asshole and friend of John
- Josh - a regular and owner of the establishment
- Steve - a newbie
- Neil - a newbie (first introduced as just #8)
- Ed - a regular
- Jim - a regular
- Ray - a barkeep (only mentioned, never “on stage)
Em