I am Music

Christian Gottlieb Scheidler (1752-1815): Sonata in D

Rococo frolics towards mature classicism, these sonata in three movements captures gracefully both styles in one transitional mood.
I don’t know much about this composer or for what instruments this sonata was originally composed (I must yet do my research), and I am not a big fun of the flat back mandolin (preferring the Neapolitan curbed one), but here we have imo what a guitar-mandolin duet should be all about.
A live performance by Marissa Carroll and Joel Wouds of sheer musicality, balanced according to what the music dictates in terms of lead and accompaniment and delivered with such graceful and knowledgeable playing that makes one almost fall in love.

:)

Enjoy!
 
ALATSATIANI

"The girl from Alatsata", (Greek village in Asia Minor).
I don’t have much time to translate the lyrics, but still the music is beautiful and the rhythm very unusual and challenging to dance to (2+3+2+2 = 9/8) per measure.
 

Not too far a stretch in my mind from that to this.

I had a college roommate who played classical guitar. She was quite good, and it was a joy to study while she practiced in the next room.

We went to see Segovia at Alice Tully Hall (at Lincoln Center) in 1977. He was this tiny little old man and when he played it was magical, transcendent. :)
 
Not too far a stretch in my mind from that to this.

I had a college roommate who played classical guitar. She was quite good, and it was a joy to study while she practiced in the next room.

We went to see Segovia at Alice Tully Hall (at Lincoln Center) in 1977. He was this tiny little old man and when he played it was magical, transcendent. :)
Yes, two guitar virtuosos. I love Segovia. The piece he is playing here is the lute transcription of a movement from the G minor sonata for unaccompanied violin. I have a particular favorite performance on violin by Nathan Milstein, who manages to wed incendiary passion to a beautifully clear and intelligible reading of the fugue with its multiple voices. The section performed above by Seqovia begins at 4:00.
 
Yes, two guitar virtuosos. I love Segovia. The piece he is playing here is the lute transcription of a movement from the G minor sonata for unaccompanied violin. I have a particular favorite performance on violin by Nathan Milstein, who manages to wed incendiary passion to a beautifully clear and intelligible reading of the fugue with its multiple voices. The section performed above by Seqovia begins at 4:00.

Lovely. I know the music well (but not Milstein) from listening to classical music with my dad. That's all I heard--classical, opera, operettas--until my sister and I overwhelmed the house with rock and roll lol.

To my ear it sounds infused with Jewishness or maybe it's Eastern European-ness...
 
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