LadyFunkenstein
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- Joined
- Jun 29, 2005
- Posts
- 33,342
But is the movie any good??? Anyone seen it??? Zumi??? Funk?
I have not seen it as I already said. So maybe it's great or maybe it sucks. I have no idea/
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But is the movie any good??? Anyone seen it??? Zumi??? Funk?
Lol, that's awesome, Rob! XD Did you make that? We should play that sometime. Make it a drinking game and we'll do shots.![]()
It's not just a movie, it's a propaganda film designed to fortify a narrative of history that didn't exist. Same with "The Butler."
I CANT BREATH: The Tawana Brawley Story is up for 2016.
Except for the fact that Eric Garner's death was caught on video, and the cops still think they did nothing wrong. Nuuuuuuuuthink!
Except for the fact that Eric Garner's death was caught on video, and the cops still think they did nothing wrong. Nuuuuuuuuthink!
Just sneak in the back door like Zumi does.
Ushers still sneak their friends in for free?
Nothing Hollywood does gets a pass from me Lady. I can't put into words the contempt I have for the industry in general when it comes to their historical veracity.
Nothing Hollywood does gets a pass from me Lady. I can't put into words the contempt I have for the industry in general when it comes to their historical veracity.
Funny, because you have a different opinion about The Sniper
or is that not a Hollywood movie?
THURSDAY, JAN 22, 2015 11:00 AM EST
The dubious upside of Selma’s Oscar snub: Hollywood can’t continue to ignore its own race issues
Ava DuVernay, Russell Simmons and Reginald Hudlin weigh in on race and Hollywood
ERIN KEANE
Director Ava DuVernay says she knew back in December that she wouldn’t be the first African American woman nominated for an Academy Award for Best Director for “Selma,” which is up for the Best Picture award. In a story published yesterday, Entertainment Weekly reports the director chalked it up to simple Academy math, and it turns out she might be right. The Academy is overwhelmingly white (94 percent) and male (77 percent). While we might want to think of artistic awards as strictly merit-based, race and gender may very well have worked against DuVernay—several Academy voters indicated to EW that DuVernay’s unequivocal response to criticisms of her portrayal of President Lyndon Johnson as reluctant on civil rights “came off as strident and defensive.” In a majority culture that can paint outspoken African American artists with the “angry black woman” brush, and that only just awarded a woman the best director statue in 2009 (Kathryn Bigelow for “The Hurt Locker”), a lack of representation allows one side to dominate the conversation and dismisses what they don’t want to hear.
The conversation would be different if an African American woman helming a Best Picture nominee wasn’t already such a rare occurrence. In a new interview with Variety, venerable hip-hop (and now film and TV with his Def Pictures) producer Russell Simmons criticized Hollywood’s “deafening” lack of racial integration: “The segregation in Hollywood is incredible.” He also blasted well-meaning Hollywood liberals who see themselves as more progressive than they are when it comes to understanding African-American culture and how that cultural blindness can stifle minority talent from rising to the tops of their fields.
Nothing Hollywood does gets a pass from me Lady. I can't put into words the contempt I have for the industry in general when it comes to their historical veracity.
American Sniper and Selma share similarities:
"The Left" hates American Sniper without even seeing it because deep down they simply hate the military in general and hate all soldiers.
"The Right" hates Selma without even seeing it because deep down they simply hate the civil rights movement in general and hate all black people.
I say, these are fucking movies, leave your biases at the door and watch them or don't. It's entertainment, not a court reenactment.