Pure
Fiel a Verdad
- Joined
- Dec 20, 2001
- Posts
- 15,135
Hi sunny,
I was able to re-view DL this eve ('cruel intentions', tomorrow), and you've picked some of the key and memorable words of the two leads. Thanks, it's handy to see exact words.
Probably there's a difference between Meurteuil and Valmont not quite captured in the quotation about her love of cruelty; his, of betrayal. For certainly he is exceptionally cruel to Tourvel, apparently virtually causing her to become mortally ill.
{{Added: It's this cruelty which perhaps didn't receive enough mention in the original formulations of self absorbed sex; and didn't receive nearly enough emphasis in characterization [from memory] of Valmont (played by Malkovich), the libertine. In relations to an old discussion with Phoenix, I'd have to revise and say, that the harder, most unscrupulous libertines like Valmont, DO, on occasion maximize cruelty, for specific reasons. He maximally hurts Mme de Tourvel.
It remains true, however, that that is not his goal in every encounter with every woman. Indeed, there's an intriguing suggestion that it's his new found love that panicked him into his very sadistic way of getting rid of her.}}
I agree the 'do them before they do you' is common in people; the avid unscrupulous pursuit of gratification and power/triumph over the other; their abasement. On grounds they'd do it to you; yes, that's fairly frequent. However it seems to fit Meurteuil better than Valmont. Perhaps reflecting the danger of her situation.
Certainly the unscrupulous libertinism of Valmont isn't just protective; Tourvel wasn't about to dump him, I don't think. His motto is also 'Do others for amusement if they can be done, and for thrill, if they present difficulties; and keep moving.' If you recall, he initially turns down the assignment of Cecile's seduction on grounds it would be too easy: 'a dozen men would be fit for the task' (roughly).
As to the limits of his transgression, note the scene where Mme de Merteuil talks to Cecile after her 'ruin':
[roughly, from memory]
"Did he force you?"
"No, not exactly." Cecile continues, "I didn't know what to say."
" What about 'no'?[ironic]"
"I said it, many times, but I kept on doing quite different things."
In short she's in no position to cry 'rape.' (Firstly, because she gave his the key to her room.)
In a word, then the libertines didn't invent selfishness or avid pursuit of sex. Most all of us have the first, and, at times, the second. Some have a lot of both. But the two took something 'normal,' very much further. This isn't different from many a deviant; a normal tendency is taken to an extreme.
What's the qualitiative difference (if any)? the recurring question. It seems to involve some things already mentioned: coolness, cunning; often choosing a challenge; and most prominently, based on just seeing the film, letting it all hang out for the other, at least by the end; relishing their dismay.
The simple sexhound concentrates on the available, the easy; don't try all that much to heighten expectations and feelings; and, quite noticeably, is often content just to move on. There's the old scene of the guy quietly zipping up, and disappearing into the predawn.
It's the difference from the midnight thief of bicycles and the executors of the Great Train Robbery in Britain a few decades back.
By the way, I want to thank lara for reminding us that it's a mistake to feel sorry for the 'prey' as victim in all cases. Some set out to be devoured by the sexualy voracious; to be cruelly used by the selfabsorbed erotist. Any moral crusade to wipe out this legal predator seems entirely misplaced.
To pet, roscoe, lara, netzach, bridgeburner, sunny, phoenix and others... You rock!
I was able to re-view DL this eve ('cruel intentions', tomorrow), and you've picked some of the key and memorable words of the two leads. Thanks, it's handy to see exact words.
Probably there's a difference between Meurteuil and Valmont not quite captured in the quotation about her love of cruelty; his, of betrayal. For certainly he is exceptionally cruel to Tourvel, apparently virtually causing her to become mortally ill.
{{Added: It's this cruelty which perhaps didn't receive enough mention in the original formulations of self absorbed sex; and didn't receive nearly enough emphasis in characterization [from memory] of Valmont (played by Malkovich), the libertine. In relations to an old discussion with Phoenix, I'd have to revise and say, that the harder, most unscrupulous libertines like Valmont, DO, on occasion maximize cruelty, for specific reasons. He maximally hurts Mme de Tourvel.
It remains true, however, that that is not his goal in every encounter with every woman. Indeed, there's an intriguing suggestion that it's his new found love that panicked him into his very sadistic way of getting rid of her.}}
I agree the 'do them before they do you' is common in people; the avid unscrupulous pursuit of gratification and power/triumph over the other; their abasement. On grounds they'd do it to you; yes, that's fairly frequent. However it seems to fit Meurteuil better than Valmont. Perhaps reflecting the danger of her situation.
Certainly the unscrupulous libertinism of Valmont isn't just protective; Tourvel wasn't about to dump him, I don't think. His motto is also 'Do others for amusement if they can be done, and for thrill, if they present difficulties; and keep moving.' If you recall, he initially turns down the assignment of Cecile's seduction on grounds it would be too easy: 'a dozen men would be fit for the task' (roughly).
As to the limits of his transgression, note the scene where Mme de Merteuil talks to Cecile after her 'ruin':
[roughly, from memory]
"Did he force you?"
"No, not exactly." Cecile continues, "I didn't know what to say."
" What about 'no'?[ironic]"
"I said it, many times, but I kept on doing quite different things."
In short she's in no position to cry 'rape.' (Firstly, because she gave his the key to her room.)
In a word, then the libertines didn't invent selfishness or avid pursuit of sex. Most all of us have the first, and, at times, the second. Some have a lot of both. But the two took something 'normal,' very much further. This isn't different from many a deviant; a normal tendency is taken to an extreme.
What's the qualitiative difference (if any)? the recurring question. It seems to involve some things already mentioned: coolness, cunning; often choosing a challenge; and most prominently, based on just seeing the film, letting it all hang out for the other, at least by the end; relishing their dismay.
The simple sexhound concentrates on the available, the easy; don't try all that much to heighten expectations and feelings; and, quite noticeably, is often content just to move on. There's the old scene of the guy quietly zipping up, and disappearing into the predawn.
It's the difference from the midnight thief of bicycles and the executors of the Great Train Robbery in Britain a few decades back.
By the way, I want to thank lara for reminding us that it's a mistake to feel sorry for the 'prey' as victim in all cases. Some set out to be devoured by the sexualy voracious; to be cruelly used by the selfabsorbed erotist. Any moral crusade to wipe out this legal predator seems entirely misplaced.
To pet, roscoe, lara, netzach, bridgeburner, sunny, phoenix and others... You rock!
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