Follow along with the video below to see how to install our site as a web app on your home screen.
Note: This feature may not be available in some browsers.
Isolement
Je ne tourne jamais la tête,
regarde en arrière
pendant que tu me baises,
parce que la sensation de ta bite,
ta longue bite exquise,
montre-moi cette extase que je veux.
Ton visage n'a pas d'importance.
Isolement
Je ne tourne jamais la tête,
regarde en arrière
pendant que tu me baises,
parce que la sensation de ta bite,
ta longue bite exquise,
montre-moi cette extase que je veux.
Ton visage n'a pas d'importance.
Ton visage n'a pas d'importanceIsolement
Je ne tourne jamais la tête,
regarde en arrière
pendant que tu me baises,
parce que la sensation de ta bite,
ta longue bite exquise,
montre-moi cette extase que je veux.
Ton visage n'a pas d'importance.
Why Poetrythe scent of sex and whiskey
overcomes the fact we don't seem to talk the same words
leaves us alone in the same moment
as we speak the same tongues
an exploration of culture and fine cuisine
where communication is in handfuls of flesh
the gasp of laboured breath and the exquisite slide
maybe accents make you ten percent hotter
who fucking know, who fucking cares
when taken in isolation
the feeling of your depths is exquise'
you never turned your head to look back
my fingers locked into your hair
your last moans tell a story words never could
Why Poetry
Should I embarass you, Australian,
by imagining your hands twisted into my hair
while your perfect cock fills me over
and over again, as if those fingers were belonging to
that deity, Chris Hemsworth? Perhaps
there I fail to play fair with the implied
fantasy we all buy into--
a cloud-like world where the sex seems perfect,
and anonymous, where we all come
ecstatically, and no one has to pick up
the used condoms or wash the discarded whiskey glasses
in the difficult morning
when we're all trying to dress for work.
None of this is your fault, and I do wish I could
take you deeply into my cunt
as if that would make things better. But
everything here simply is words. That my words
might rouse you, or your words rouse me,
speaks more to our common humanity than anything.
I hope that your poems can move me, even a little bit,
gives you somehow more satisfaction
than my pussy, even slick with your wet language, ever could.
CompromiseAs if I’d be so easily embarrassed
by the thought of a man
that’s my physical superior
for all I know you use him regularly to play away
at a harder release when whoever you may lay with
begins their thrusting
or that my fingers in you hair would embarrass me rather than seem natural
would you prefer I write of
your bloodied lip as in my haste to tear your blouse
my fingers slip
or of tangled underwear, tripping into the wall
maybe air trapped and as I pullout it releases
or a cramp in the hamstring
writhing on the floor in agony
Reality is there
and after, covered in sweat
and cum and the stench of humanity
none of it matters because
well because that’s the nature of poetry
it doesn’t care about missing the details
it lets you fill them in as deep and hard as you need
Compromise
Australian, I could bless you
for the sexual violence of your poetry
(I mean really, "bloodied lip?"), but
your poems clarify the personal movie
that runs in my head while I fuck.
Do I want to be used? Yes. Do
I want you to take me while
I writhe under your control? Yes.
But then I sit up and realize
this is all fantasy, sexual fantasy, and
I still have position papers
to write, and Zoom conferences
for which I have to primp and dress.
And in these, for you, though I've worn a skirt,
I've left my knickers off.
ObsessionWho
knew
March
would
get
this
hot?
I'd tell
you two
to get
a room
but I
just want
to watch.
Obsession
When I invite him in
to my apartment, I am not thinking--
not always--I want him inside of me,
though that is what often
happens. But when we almost always fuck,
and when he leaves I feel empty
as if it was my fault I wanted sex
instead of us talking about some book
we've both read or, I don't know, legislation
I would hope that he'd support.
What's most awful
about this is how I dim the lights
when we take off our clothes, but leave
the blinds open for the man across the street.