twelveoone
ground zero
- Joined
- Mar 13, 2004
- Posts
- 5,882
it's the piano, I reversed the colours of the keys, gets alot of attention.oh, who could ever ignore you?
Follow along with the video below to see how to install our site as a web app on your home screen.
Note: This feature may not be available in some browsers.
it's the piano, I reversed the colours of the keys, gets alot of attention.oh, who could ever ignore you?
your piano has keys???it's the piano, I reversed the colours of the keys, gets alot of attention.
your piano has keys???
colour me surprised
no my keys has a piano.
if i may,
as i'm no poet,
just write.
give your lyric voice wing here;
without regard to anything first
but the resonance in your ear.
we're all magpies
with varied degrees of certainty...
but none moreso
than you must have for your work.
just write.
there's no penalty to be waged...
no real garland to be won.
and if ever an incubation spot were to be,
just write.
write here.
I don't think she came back, seen her elsewhere.Hottchic, this may be the wisest advice you ever will receive here.
Heed it well, and welcome.
Who am I? Been here before. Who will discover?
Hi, drown!Who am I?
Hi, drown!
Hottchic, this may be the wisest advice you ever will receive here.
Heed it well, and welcome.
Who am I? Been here before. Who will discover?
Hottchic, this may be the wisest advice you ever will receive here.
Heed it well, and welcome.
Who am I? Been here before. Who will discover?
I don't think she came back, seen her elsewhere.
L8 is also cliche, which is not a sin, but a cliche is actually a dead metaphor. A dead metaphor is an image which has become the poetic meaning and the poetry is lost.
The real problem is choosing one which is a poor fit. The caution cliche might work if the reader had a better idea of the choices you face on Wednesday. Caution can only exist in the face of risk (note clever insertion of metaphor). When one uses an image which only appears with its opposite, both must be visible.
Strange thoughts
Feelings unclear
Confusion in my days
I have some peace
but fears remain
There are lessons I must learn
Hey hottchic. I like that you're hanging in there. Writing poetry is a great outlet and creative act. Your poem is too generic for me to appreciate though. Words like "Feelings" and "peace" and "fears" are too general and vague to hook me as a reader. If you were more specific and said what feelings, like: "I kicked the door." (I'm angry), "I traced my fingers through my tears" (I'm sad), "My heart beating double-time" (I'm scared"), your poem would work much better. Those are all actual things that can happen, that everyone has experieced and can relate to, and most important: that are active. The passive voice is not your friend in a poem.
If you can connect something like "feelings" to specific feelings you've had, or even just one feeling you can identify, your poem will communicate more actively to readers. And if you can do that with most of the words in your poem, methodically, one by one, if you have to, you will improve as a poet.
It also helps a lot to read others' poems and see what appeals to you. Who are your favorite poets and why do you like the poems you like? That will get you thinking about poetry in a way that's conducive to writing more specifically.
But mainly keep writing.
If my attempts at poems have anything at all it is probably that I am trying to be honest, whether I am successful or not I don't know, but actually you could argue that I admit part of the problem in the my attempt at a poem.
"Feelings unclear"
and then later I indicate that I need to work on it,
"There are lessons I must learn"
Interestly in my erotic stories I do not seem to have such a problem of describing the emotions of my characters maybe it says something about me that I find it easier to express the emotions of a fictional character than my own.
To a certain extent I am in two minds about attempting to write poems.
On the one hand I often think that I seem to be capable of writing erotic stories that are well recieved, so why should I go to so much trouble to try to wtite poetry, yet part of me wants to express myself in that way.
Anyway here goes nothing, an attempt to rehash what I wrote originally:
Why am I here? What's the point? Who am I?
I am in the dark, drained, how long will this last?
It's like my head is filled with mush, like on dope or something.
My life is better I can be what I am, and that's enough.
But the shadows of half disclosed fears are still there.
How much must I endure in order to learn what I need to?
If my attempts at poems have anything at all it is probably that I am trying to be honest, whether I am successful or not I don't know, but actually you could argue that I admit part of the problem in the my attempt at a poem.
"Feelings unclear"
and then later I indicate that I need to work on it,
"There are lessons I must learn"
Interestly in my erotic stories I do not seem to have such a problem of describing the emotions of my characters maybe it says something about me that I find it easier to express the emotions of a fictional character than my own.
To a certain extent I am in two minds about attempting to write poems.
On the one hand I often think that I seem to be capable of writing erotic stories that are well recieved, so why should I go to so much trouble to try to wtite poetry, yet part of me wants to express myself in that way.
Anyway here goes nothing, an attempt to rehash what I wrote originally:
Why am I here? What's the point? Who am I?
I am in the dark, drained, how long will this last?
It's like my head is filled with mush, like on dope or something.
My life is better I can be what I am, and that's enough.
But the shadows of half disclosed fears are still there.
How much must I endure in order to learn what I need to?
I think chopping out a lot of the 'I's would help this flow better i.e in the second line for instance you can lose the 'I am' altogether. Will look at it again tomorrow it's silly o'clock here and I'm too tired to concentrate!