G
Guest
Guest
As a Mexican woman who knew and felt like Frida Kahlo was a part of mi familia, and visited the Casa Azul some 30+ years ago and was the only person there, I was very disatisfied with the movie and Hayek (whom I like very much). I wish Julie Taymor (loved her "Titus") had done the whole thing in puppetry and graphics.
Kahlo, like Callas or Nijinsky, was a life force but the facts and drama of her life that can be filmed are not her, or her life. She was an extraodinary woman and artist who lived in physical and emotional pain the majority of her life and yet had a joy for life unlike very few persons I've read or heard about. The film did not capture this, no one can, but it's in her words and her work.
The film should have been made in Spanish and all the Mexicans played by Spanish-as-a-first-language speakers. I like Molina and the girl who played Modotti (another extraordinary mujer) but they sucked in the film.
Yes, the music was very fine. Run, don't walk, to get Lila Downs' CDs. I have all of three, she's Mexico to me, as was Kahlo, and a brilliant singer and musician.
Perdita
Kahlo, like Callas or Nijinsky, was a life force but the facts and drama of her life that can be filmed are not her, or her life. She was an extraodinary woman and artist who lived in physical and emotional pain the majority of her life and yet had a joy for life unlike very few persons I've read or heard about. The film did not capture this, no one can, but it's in her words and her work.
The film should have been made in Spanish and all the Mexicans played by Spanish-as-a-first-language speakers. I like Molina and the girl who played Modotti (another extraordinary mujer) but they sucked in the film.
Yes, the music was very fine. Run, don't walk, to get Lila Downs' CDs. I have all of three, she's Mexico to me, as was Kahlo, and a brilliant singer and musician.
Perdita