Sadistic characters
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Evil_Geoff said:
Well now, there's a good project for the next Littogether.... Hmmmm....
Should we start a casting call?
Resevoir dogs
Sanjiv Bhattacharya (aka Mr. Blonde) from Reservoir Dogs... yeah he's thye guy who does a dance when he's about to torture someone by cutting off their ear, then when he cuts off the ear he puts gasoline on it... oh boy that's a sadist
Sanjiv Bhattacharya (aka Mr. Blonde) from Reservoir Dogs... yeah he's thye guy who does a dance when he's about to torture someone by cutting off their ear, then when he cuts off the ear he puts gasoline on it... oh boy that's a sadist
leavessnailtrails
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Hey there,DVS said:
Yup, it is. If you're into disturbing stuff, you've gotta watch it.
leavessnailtrails
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Yum, yum, YUM!!!!!!RawHumor said:
rosco rathbone
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I think one of RObt DeNiro's main charms is a subtle psychological sadism. He always seems to be smirking at the idea that he has you on edge.
naughtygirl69s
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RawHumor said:
no, but that's a good one
naughtygirl69s
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rosco rathbone said:
oooh, you are so right....that reminds me of "devil's advocate"
rosco rathbone
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naughtygirl69s said:
It's what I do.
naughtygirl69s
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RJMasters said:
wait
I got mixed up
Pacino was in Devil's Advocate?
crap
I'm retarded
RJMasters
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I thought Jack Nicholson played a few suble yet sadistic roles. Like in "The Shining". Of course he does also have alot of movies that are what I call Humorious/sadistic and oldie but goodie...3 Witches of Eastwick. A more recent one, anger management...talk about your sadistic mind fuck.
Not your "Saw" type movies....but he pulls of the charater so well.
Not your "Saw" type movies....but he pulls of the charater so well.
Blushing Bottom
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...and I bet you do it so well.
rosco rathbone said:
naughtygirl69s
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DVS said:Al pretty much WAS thein that movie.
uhm, yeah, I realized that now, I was half-asleep earlier....well, that's my excuse anyway, that and I suck at remembering actors and such, I'm always getting mixed up
@}-}rebecca----
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ahhhh your all a bunch of amateurs ..........
Donald Sutherland in Blue Velvet ......sheesh
Donald Sutherland in Blue Velvet ......sheesh
dexwebster
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rosco rathbone said:
Interestingly enough, one of the scenes like this that I like best is from a film where his character really is too jaded to be sadistic: Ronin. The scene where they're discussing the set up of the heist and Sean Bean is laying out how he thinks things should go down; De Niro's character completely undermines and unnerves and humiliates him, and all with just a cup of hot coffee.
@}-}rebecca----
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raven2 said:
Just testing........BINGO You won
Da Prize Maybe the meanest, most repulsive, vilest villain in film history - the memorable deviant, fiendish, evil sadist Frank Booth (Dennis Hopper) wearing a black leather jacket enters the living room. The following scene - a disturbing, cruel, sadomasochistic, kinky scene, begins by Frank's primal display of annoyance, angrily cursing at her. Demanding and condescending to her, he establishes an abusive master/victim relationship over Dorothy as she accommodates his depraved preferences. The 'dark' scene is intercut with a frightened Jeffrey surreptitiously viewing the shadowy, broken images between the slats of the distasteful ordeal from his hiding place in the closet:
Dorothy: Hello baby.
Frank: (reprimanding) Shut up. It's Daddy you s--t-head. Where's my bourbon?
(She goes into the kitchen and gets Frank his drink, handing it to him.)
Can't you f--kin' remember anything? (Dorothy turns out the main light in the living room and lights one small candle.) Now it's dark. (Wearing her blue velvet robe, Dorothy sits on a chair in the middle of the living room. Frank sits down on the sofa.) Spread your legs. Wider. Show it to me. (She slowly opens her legs wider and adjusts her robe, while Frank stares at her crotch and drinks his bourbon.) Don't you f--kin' look at me!
Traumatized, Jeffrey watches Dorothy being tormented as Frank's sexual slave/whore. He repeatedly demands that she look away from him - denying her the sight of his 'dark' nature. [In a symbolic sense, Jeffrey - as a child - illicitly spies on the scene of seduction that his parents are having sexual intercourse - Dorothy ("Mommy") and Frank ("Daddy" or "Baby"), causing irreversible psychic damage.] The abusive scene is heightened when the black-dressed Frank reaches for a portable, plastic gas-inhaling mechanism and mask on his belt. [Sexual activity normally commences with heavy breathing.] While he places the insect-like mask over his mouth and nose, he snorts and inhales (helium?) gas to heighten his sexual excitement, exhibiting infantile-regressive, animalistic/reproductive, and compulsive-addictive behavior, debasing her as both a prostitute, mother figure, or copulatory partner in the natural world:
Frank: Mommy. (He moves toward her, kneeling in front of her.) Mommy. Mommy. Mommy.
Dorothy: Mommy loves you.
Frank: Baby wants to f--k. Get ready to f--k. You f--ker's f--ker. You f--ker. (He slugs her in the face.) Don't you f--kin' look at me!
After another gasp of gas, Frank begs and whines menacingly:
Baby wants blue velvet.
Dorothy stuffs part of her blue robe into his mouth to satisfy his obsession with textured fabrics. As he begins to feel her breasts, he sucks, chews, and bites the velvet cloth. Then he seizes her and throws her down to the floor, spewing vulgar words. Frank removes a pair of scissors, menacingly snipping with them in mid-air above her face and body:
Don't f--kin' look at me. Don't f--kin' look at me. Don't you look at me. Daddy's coming. (He stuffs the end of her blue robe belt into her mouth and the other end into his own mouth.) Daddy's coming home. Don't you f--kin' look at me. Daddy's coming home...
And then after forcefully touching her genitals, he mounts her and starts humping her with his unbuckled pants still on. He moves frenziedly faster and faster until climaxing in a brief and brutal f--k. After getting off of her, he slugs her again in the face, hideously threatening her again: "Don't you f--kin' look at me." He stands and blows out the candle which burns in Dorothy's wall lantern: "Now it's dark." Standing astride her on the floor before he leaves, he warns: "Stay alive baby. Do it for Van Gogh." [Frank has sexually blackmailed her, threatening her with further torture of her kidnapped husband, the owner of the severed - or castrated ear.] Then he marches out of the apartment, shutting the door behind him and leaving her crumpled on the floor.
...Sex, blood type, whether or not the ear came off a dead person. Also, it looks like the ear was cut off with scissors.
Last edited:
raven2
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@}-}rebecca---- said:Just testing........BINGO You won
Maybe the meanest, most repulsive, vilest villain in film history - the memorable deviant, fiendish, evil sadist Frank Booth (Dennis Hopper) wearing a black leather jacket enters the living room. The following scene - a disturbing, cruel, sadomasochistic, kinky scene, begins by Frank's primal display of annoyance, angrily cursing at her. Demanding and condescending to her, he establishes an abusive master/victim relationship over Dorothy as she accommodates his depraved preferences. The 'dark' scene is intercut with a frightened Jeffrey surreptitiously viewing the shadowy, broken images between the slats of the distasteful ordeal from his hiding place in the closet:
Dorothy: Hello baby.
Frank: (reprimanding) Shut up. It's Daddy you s--t-head. Where's my bourbon?
(She goes into the kitchen and gets Frank his drink, handing it to him.)
Can't you f--kin' remember anything? (Dorothy turns out the main light in the living room and lights one small candle.) Now it's dark. (Wearing her blue velvet robe, Dorothy sits on a chair in the middle of the living room. Frank sits down on the sofa.) Spread your legs. Wider. Show it to me. (She slowly opens her legs wider and adjusts her robe, while Frank stares at her crotch and drinks his bourbon.) Don't you f--kin' look at me!
Traumatized, Jeffrey watches Dorothy being tormented as Frank's sexual slave/whore. He repeatedly demands that she look away from him - denying her the sight of his 'dark' nature. [In a symbolic sense, Jeffrey - as a child - illicitly spies on the scene of seduction that his parents are having sexual intercourse - Dorothy ("Mommy") and Frank ("Daddy" or "Baby"), causing irreversible psychic damage.] The abusive scene is heightened when the black-dressed Frank reaches for a portable, plastic gas-inhaling mechanism and mask on his belt. [Sexual activity normally commences with heavy breathing.] While he places the insect-like mask over his mouth and nose, he snorts and inhales (helium?) gas to heighten his sexual excitement, exhibiting infantile-regressive, animalistic/reproductive, and compulsive-addictive behavior, debasing her as both a prostitute, mother figure, or copulatory partner in the natural world:
Frank: Mommy. (He moves toward her, kneeling in front of her.) Mommy. Mommy. Mommy.
Dorothy: Mommy loves you.
Frank: Baby wants to f--k. Get ready to f--k. You f--ker's f--ker. You f--ker. (He slugs her in the face.) Don't you f--kin' look at me!
After another gasp of gas, Frank begs and whines menacingly:
Baby wants blue velvet.
Dorothy stuffs part of her blue robe into his mouth to satisfy his obsession with textured fabrics. As he begins to feel her breasts, he sucks, chews, and bites the velvet cloth. Then he seizes her and throws her down to the floor, spewing vulgar words. Frank removes a pair of scissors, menacingly snipping with them in mid-air above her face and body:
Don't f--kin' look at me. Don't f--kin' look at me. Don't you look at me. Daddy's coming. (He stuffs the end of her blue robe belt into her mouth and the other end into his own mouth.) Daddy's coming home. Don't you f--kin' look at me. Daddy's coming home...
And then after forcefully touching her genitals, he mounts her and starts humping her with his unbuckled pants still on. He moves frenziedly faster and faster until climaxing in a brief and brutal f--k. After getting off of her, he slugs her again in the face, hideously threatening her again: "Don't you f--kin' look at me." He stands and blows out the candle which burns in Dorothy's wall lantern: "Now it's dark." Standing astride her on the floor before he leaves, he warns: "Stay alive baby. Do it for Van Gogh." [Frank has sexually blackmailed her, threatening her with further torture of her kidnapped husband, the owner of the severed - or castrated ear.] Then he marches out of the apartment, shutting the door behind him and leaving her crumpled on the floor.
...Sex, blood type, whether or not the ear came off a dead person. Also, it looks like the ear was cut off with scissors.
OOhh Great, What is Da Prize?
naughtygirl69s
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@}-}rebecca---- said:ahhhh your all a bunch of amateurs ..........
Donald Sutherland in Blue Velvet ......sheesh
ha, I saw that movie, in fact someone recommended it, because of the BDSM in it. I thought it was odd, and it wasn't really my type of movie....
