SmilingLez
Word Arranger
- Joined
- Jul 8, 2025
- Posts
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The inspiration for my next free verse
Destiny sneezed beneath the crimson heavens.
Personally, I prefer the first version. The "micro-fiction" prose. It's short enough and ambiguous enough for me that I still get an "arty" feel from it, but I still get the full richness that comes with ideas that span a few complete sentences. In my mind, the formatting of the second version gets in the way. My internal voice reads it in a much more stilted way with the line breaks and new paragraphs in addition to the periods.A thread in the Authors Hangout inspired me to write a micro-fiction story. As I have done before, I converted that story to free verse. Which, to you, hits stronger?
---- Micro-fiction ----
I see you in those dark corners, hunched over your keyboard at midnight. Terrified of the browser history. The search terms. The words you've committed to a screen.
You've got this whole other life locked away like it might infect everyone around you. Your family. Your friends. Your partner. Gawd forbid they knew what you actually think about. What makes your pulse quicken.
So you write it all down in the shadows, clinical and careful, compartmentalized like a disease you're managing. And the saddest part? You think you're protecting them. You think your silence is love.
But really you're just terrified they'll leave. That they'll see the real you and decide you're not worth staying for. So you keep writing. Keep hiding. Keep telling yourself it's fine, it's fine, it's fine.
All while the thing you created sits there, brilliant and true and completely untouchable. Because admitting it exists means admitting you exist. And that's the real cowardice, isn't it? Not what you write.
That you won't let anyone know you're brave enough to write it at all.
---- Free verse ----
I see you.
Dark corner.
Midnight.
Hunched over your keyboard.
Afraid of the browser history.
The search terms.
The words you left on the screen.
You have another life.
Locked away.
Hidden.
As if it might spread.
To your family.
Your friends.
Your partner.
Gawd forbid they knew what you really think about.
What makes your pulse quicken.
So you write.
In the shadows.
Careful.
Clinical.
Compartmentalized.
You manage it like a disease.
And the saddest part?
You think you're protecting them.
You call it love.
But really,
you're afraid.
Afraid they'll leave.
Afraid they'll see you.
The real you.
And decide you're not worth staying for.
So you write.
You hide.
You tell yourself it's fine.
It's fine.
It's fine.
Meanwhile, the thing you created sits there.
Brilliant.
True.
Untouchable.
Because admitting it exists means admitting you exist.
And that's the real cowardice.
Isn't it?
Not what you write.
That you won't let anyone know you were brave enough to write it at all.
I like the second version better for its crispness, it grabs the reader more directly, more powerfully.Just tinkering with words
Words sit like a small lantern in fog.
They don't ask for anything.
No sentiment. No intention.
Just light cutting through what we refuse to see.
Clarity doesn't need permission.
It doesn't wait for you to be ready.
The words are already there, untouched, existing on their own terms.
A quiet reminder that some things speak louder when they stop trying to be heard.
Or
Words sit like lanterns in fog.
No sentiment. No intention.
Light cuts through what we refuse to see.
Clarity doesn't ask permission.
Words exist. Untouched. Already there.
Some things speak louder when they stop trying.
I prefer the second version too. I like the way Lez writes and there are lines in V.1 that are very good, but they're repetitions. The second version is concise compared to the first. Maybe if one were writing a story there'd be reasons to repeat, but in a short poem it rarely helps imo.I like the second version better for its crispness, it grabs the reader more directly, more powerfully.
That's exactly it. I've been brushing up on micro fiction then turning it into free verse and sometimes taking free verse that I've written and turning it into micro fictionI prefer the second version too. I like the way Lez writes and there are lines in V.1 that are very good, but they're repetitions. The second version is concise compared to the first. Maybe if one were writing a story there'd be reasons to repeat, but in a short poem it rarely helps imo.
This was the weaker micro-fiction story that I wrote firstMy latest micro fiction to free verse
Naughty Girl
I was the naughty girl.
Not because I broke the rules.
Because I noticed them.
Everyone sat around the table,
smiling at one another.
“Great story.”
“Love the way you write.”
“Ratings don't matter.”
“We're all just here for fun.”
I looked at the numbers beside their names.
I looked at the arguments.
I looked at the people
who said they didn't care about attention
while counting every view.
I looked at the ones
who claimed they hated drama
while creating it.
Nobody liked what I saw.
So I started saying it.
Quietly at first.
Then clearly.
The room changed.
Smiles disappeared.
Conversations stopped.
Someone told me
I was taking everything too seriously.
Someone else told me
I should leave if I didn't like it.
I smiled.
That was the funny part.
They thought I was the naughty girl
because I refused to behave.
They never understood.
I was behaving perfectly.
I was simply refusing to lie.
And in a room built on lies,
telling the truth
was the naughtiest thing I could do.
Frankly, I can’t make up my mind and wonder if the short punchy lines zipping down the page in the verse versions are creating an illusion of strength rather than the real thing. (I looked at a short story by Hemingway and another by Alice Adams, writing their words as they appear in the first paragraph verse-like as you might and got the same feeling.) What I think I’d like best would be a verse version but with longer lines, a sort of compromise:
Midnight and you in those dark corners
hunched over your keyboard
terrified of the browser history
etc.
[Just my opinion, still worth only 2 cents, even with inflation.]
I love this form!Pantoum