Trixareforkids
Silly Rabbit
- Joined
- May 7, 2014
- Posts
- 5,789
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Can something be nothing?
as in "You're nothing, Man!,
when Len breaks down in Bedford-Sty
late at night on his way to Queens
where he lives alone with Mr. Jim Beam.
It's a good thing he chose not to wear
his Salvatore Ferragamos,
although no one ever sees his feet
under his desk on the 45th floor
in a cubicle far from a window
better than his ex-college friend has,
Brad who has an ex-trophy wife
and two screaming kids on Saturdays
he forgets about Monday through Friday
on a ferry in the Puget Sound
that feels like the River Styx to him
as he's plopped near a grey stone monolith
where Brad descends to a basement desk
on which he doodles pentagram
hexes for his ex and some guy named Bruce.
So there you have it: Brad and Len,
shoes at five hundred, suits a grand,
solipsistic sons of man,
as close to nothing as two somethings get.
Can something be nothing?
as in "You're nothing, Man!,
when Len breaks down in Bedford-Sty
late at night on his way to Queens
where he lives alone with Mr. Jim Beam.
It's a good thing he chose not to wear
his Salvatore Ferragamos,
although no one ever sees his feet
under his desk on the 45th floor
in a cubicle far from a window
better than his ex-college friend has,
Brad who has an ex-trophy wife
and two screaming kids on Saturdays
he forgets about Monday through Friday
on a ferry in the Puget Sound
that feels like the River Styx to him
as he's plopped near a grey stone monolith
where Brad descends to a basement desk
on which he doodles pentagram
hexes for his ex and some guy named Bruce.
So there you have it: Brad and Len,
shoes at five hundred, suits a grand,
solipsistic sons of man,
as close to nothing as two somethings get.
Thoughtful piece. I cannot see the point of the second verse, and suspect I'm missing something?
Solipsistic suggests awareness of one own mind is the only certainty, but the poem suggests these particular minds have lost even that. Was that deliberate?
I will think on.
Can something be nothing?
as in "You're nothing, Man!,
when Len breaks down in Bedford-Sty
late at night on his way to Queens
where he lives alone with Mr. Jim Beam.
It's a good thing he chose not to wear
his Salvatore Ferragamos,
although no one ever sees his feet
under his desk on the 45th floor
in a cubicle far from a window
better than his ex-college friend has,
Brad who has an ex-trophy wife
and two screaming kids on Saturdays
he forgets about Monday through Friday
on a ferry in the Puget Sound
that feels like the River Styx to him
as he's plopped near a grey stone monolith
where Brad descends to a basement desk
on which he doodles pentagram
hexes for his ex and some guy named Bruce.
So there you have it: Brad and Len,
shoes at five hundred, suits a grand,
solipsistic sons of man,
as close to nothing as two somethings get.
As if we were fish out of water
swimming upstream to spawn
in rivers where once the current was softer,
we came of age, red in the face,
squirming like tadpoles at Mr. Wright's
Latin in sex education class
before we taught ourselves alone
practicing what coitus meant.
As a young man I pranced like a king
of Israel seducing Bathsheba,
and then I'd release my goats in the desert
until they returned each weekend
in the oily slick of rain on dark streets.
At last with the wisdom of Solomon,
I atone. I renounce my claim
while I draw you near in the marriage bed,
for neither the body nor the soul,
split in two, can live long alone.
"That is not what I meant, at all."
Alfred J. Prufrock
With all of my words try as I might
to figure out why the universe spins,
it seems like I type only characters
like ampersands & that thing ~ that curves.
I might as well write of life in my Big Tent.
Oh, look! There's Mrs. Sippy
in the first row where my clown fingers throw
a pail of apostrophes' confetti.
But my digit midgets played a trick,
so poor Mrs. Sippy's totally wet
who scilicet, namely, & to wit,
just gave me the middle finger.
Moving on to ring number 2
my clown fingers type, type, type,
clap, clap, clap for, and pet, pet, pet
the doggerel on my lap-
top when suddenly the flying trapeze
in ring number 3 metamorphoses
into a spinning ferris wheel
that hovers over a merry go round
where some of my midget digits spin,
as the others do on the ferris wheel,
until no longer able to play
I don't know how to say what I mean
to all the Qwerty's speaking in tongues
and the Big Guy who maybe doesn't have one
nor a finger lifted to Adam in Rome
on a ceiling I'm told is one of his homes.
But, hey! The circus is in town
the organ plays in the pipes of our brains
-toot, toot, tootely (// <€£)
(¥\ }{ [ ] ) tootely, toot,
where even the deaf and dumb of us may,
stretching our fingers, sit down to play.
"That is not what I meant, at all."
Alfred J. Prufrock
With all of my words try as I might
to figure out why the universe spins,
it seems like I type only characters
like ampersands & that thing ~ that curves.
I might as well write of life in my Big Tent.
Oh, look! There's Mrs. Sippy
in the first row where my clown fingers throw
a pail of apostrophes' confetti.
But my digit midgets played a trick,
so poor Mrs. Sippy's totally wet
who scilicet, namely, & to wit,
just gave me the middle finger.
Moving on to ring number 2
my clown fingers type, type, type,
clap, clap, clap for, and pet, pet, pet
the doggerel on my lap-
top when suddenly the flying trapeze
in ring number 3 metamorphoses
into a spinning ferris wheel
that hovers over a merry go round
where some of my midget digits spin,
as the others do on the ferris wheel,
until no longer able to play
I don't know how to say what I mean
to all the Qwerty's speaking in tongues
and the Big Guy who maybe doesn't have one
nor a finger lifted to Adam in Rome
on a ceiling I'm told is one of his homes.
But, hey! The circus is in town
the organ plays in the pipes of our brains
-toot, toot, tootely (// <€£)
(¥\ }{ [ ] ) tootely, toot,
where even the deaf and dumb of us may,
stretching our fingers, sit down to play.
You painted with words a people
who pawned their keepsakes each Christmas
for marble puries and jumping rope.
Miss Mary
Mack, Mack, Mack,
all dressed in
black, black, black,
tasting mint juleps
on the veranda
with my mammy
black, black, black.
I saw in your colored palette
nicotine stains in between fingers,
strangling a mop in a bucket
in the men's room at a subway stop.
I even saw elegant brownstones
reflected on newly waxed Hudsons
when "the Negro was in vogue"
as well as ham hock and hush puppy stains
on dresses of women in pews
who pray to God for that man of theirs,
singing his leg iron blues.
Possibly Langston Hughes, who painted with words.
Possibly Langston Hughes, who painted with words.
I thought of Langston Hughes and looked him up, but perhaps gm can enlighten us.
I am really enjoying the way each stanza takes us through the different stages of attitudes to sex vs. love, with wry playfulness. The gentleness of the last stanza is a terrific, though quiet, ending and crown to the poem. I love the whole, but particularly that last one is so moving.
At first I thought I would make no changes at all. But then... that middle stanza and those goats... perhaps a slight tweak:
...
and then I'd release my goats in the desert
wait(ing) for their return each weekend
in the oily slick of rain on dark streets.
Just a thought.