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I particularly liked this poem, which seems to me to feature more of the characteristics of traditional haiku than just the 5-7-5 syllable structure. There is a clear seasonal reference (kigo) and, effectively the equivalent of a cut word (kireji) at the end of line two (this might be made more emphatic by adding a dash to the end of the line. The imagery is natural (e.g. no metaphor) and although there is the hint of rhyme with leaves/breeze, that isn't so obvious as to be especially distracting.autumn's fallen leaves
red and gold swirl in the breeze
movement without life
Many thanksI particularly liked this poem, which seems to me to feature more of the characteristics of traditional haiku than just the 5-7-5 syllable structure. There is a clear seasonal reference (kigo) and, effectively the equivalent of a cut word (kireji) at the end of line two (this might be made more emphatic by adding a dash to the end of the line. The imagery is natural (e.g. no metaphor) and although there is the hint of rhyme with leaves/breeze, that isn't so obvious as to be especially distracting.
All in all, I think a pretty good example of the form.
Haha, ahem, Angeline am I accused of quota writing?42, I really like your two poems Caterwauling and In Your Mouth. They feel like two parts of the same poem to me, and I wondered if they were one piece that you split up...and if so why.
I apologize for this not being a more helpful comment lol. I think I need more coffee, perhaps in an IV.![]()
Well Sperm (I can’t believe I’m talking to Sperm, there’s a poem for sure in that). I suggest writing in forms. To break your block headlock.AHAHAHAHAHAHA SNAPPED HAHAHAHA but still, knowing you, you are serious about that question… what is the difference between a vibe and a feeling? How do you portray that in a poem?
Is a vibe superficial, fleeting, something you go through like Tomcats at night, out tail standing? One things for sure, I know to keep an eye on you buddy. Your poems are never what they superficially seem…
If anything, my writers block is that quota 52, I can’t get it out of my head.
Haha, ahem, Angeline am I accused of quota writing?They were both written hot on the heels, one after another.
They are a quiet little reflection: What is the difference between a vibe and a feeling? In your mouth utilizes repetition as some feelings are enjoyably repetitious. Caterwauling, I asked myself what is a vibe? Is there image in sound? Of course. Now how do I capture that?
The suggestion of combining them as one, is a good one for a 26 rewrite. Lol, both poems ask for more.
AHAHAHAHAHAHA SNAPPED HAHAHAHA but still, knowing you, you are serious about that question… what is the difference between a vibe and a feeling? How do you portray that in a poem?
Is a vibe superficial, fleeting, something you go through like Tomcats at night, out tail standing? One things for sure, I know to keep an eye on you buddy. Your poems are never what they superficially seem…
If anything, my writers block is that quota 52, I can’t get it out of my head.
Each to their own walk through life. I make no excuse for being a man.What is the story behind it?
When is a found poem not a found poem? Opinion resides in the mind of the poet, the poet’s readers. Is a rearrangement of Shakespeare’s lines a found poem? Or a love affair? Limbs rearranged. Many would find it the height of ignorance.
And yet I do wonder why not. Not a question, or not to question is the height of ignorance. A man walks in, perhaps never having experienced Shakespeare’s brilliance. Awe inspired his quotes garbled. He walks away carrying a collection of lines. Unaware or uncaring? That Thespian’s like I will see, ham fisted ignorance.
Personally, a Blackout poem? Taken from Shakespeare. Yes. An ensemble of rearranged high kicking lines… don’t know if I’d like to know the back story. It could be painful. Or not.
It's very well done, well put together. It's a Cento, a kind of found poem composed of lines from a literary work to both serve as homage and create something new.Each to their own walk through life. I make no excuse for being a fighting man.
I am a first time reader of Shakespeare. I take your point regarding rearranged lines, vs what might be considered a prototypical Found poem. And find the distinction between a Blackout poem and a Found poem interesting.
The collection of lines resulted from a very slow read, taking pause to consider lines like ‘…banners flout the sky…” Much is written about Shakespeare’s Macbeth. However, perhaps not from the perspective of its stunning action sequences. The lines collected were lines that I found stunning. I realize there is a great depth more to Shakespeare than that which I have superficially lined.
It’s not a crime to be enamored of a good fight. Shakespeare’s Macbeth is every inch a fighting man’s story. In war, fighting men are pawns of higher powers. Including their own fallibilities.
Annotations coming.It's very well done, well put together. It's a Cento, a kind of found poem composed of lines from a literary work to both serve as homage and create something new.
Yes it's obviously Shakespeare and, as one reads, obviously Macbeth but all Centos should have the work from which they're drawn cited. It's the poet's way of saying "I know I didn't write these lines myself." If you really want to go crazy you can add a footnote that annotates, by act. scene and speaker, the source of each line. But as an experiment in writing a Cento, just noting the author and work should be fine.
I really like how you combined the lines to create the sights and sounds of battle.![]()
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Lit life coachIn 2025 loved the Like emoji. Love to write in this kinky community, rote 41 poems, still don’t look like cookie dough or leave Stimpy ass imprints in seats. Some of my 41 poems weren’t weren’t suck full. Still not a cock sucker. Or a feedback whore.