unpredictablebijou
Peril!
- Joined
- Apr 21, 2007
- Posts
- 5,507
abject failure # 7,462
I will NOT be submitting anything for the Monthly Poetry Challenge. Working with the titles "The Last Time I Loved You" and "The Last Time I Moved You" yielded nothing at all that would have been either erotic or fun in any way. However, it did generate this, which does not qualify for the challenge but which does have the working title, "The Last Time I Moved You."
***
Dogs go deep when they die, and it is my job to find them and put them at the proper depth for the rest of the transformation to take place. It is a terrible thing, finding a body that once belonged to someone you love. It is a terrible thing looking for one, and not finding it, and knowing that you must find it, however reluctant you are. There is a sad urgency, and I am the one who is sent to look, because I seem to have the special focus that sees the gold fur, hiding among the tall brown grass, shaded by shifting leaves. Whether I like it or not, it is one of my strange skills.
I knew you might choose to drop your heavy body before the summer ended. I know you had to lay it down, eventually, even though it could still fight coyotes, still stretch gleefully to kiss me through the car window, still be a towel for me when I cried. It was so heavy, I understand. Knowing, as four-leggeds do, its essential unimportance, you were not afraid when you limped off toward the creek; it was as if you wanted to find a polite corner to leave this last bit of waste, off in the deep woods, as a courtesy.
This is the Real of it and there is nothing so Real as this: the body finishes dying without You, after You have gone, in stages, and properly returning to mushrooms. It becomes earth, slowly. We cover that process in earth as a courtesy. We draw the curtain to give the flesh its privacy as the Small Eaters do their gentle, necessary work.
No, you were not breathing. It was the chemicals of your transformation, turning you to air and water and earth, dismantling you efficiently, from all directions, as it must be, as it should be. The Man and I took turns being near your discarded body and I found I was not bitter or sad, really, as I did that most essential work. It is the oldest task, the most fundamental: the digging of a space in the ground, the measuring of a hole to fit a body. I believe I retched out all my grief, bent there among the trees, and came out clean, without disgust or fear. I believe you watched us work, embarrassed that you'd put us to this trouble. I averted my face as we rolled your body in, so I would always see the side of you with fur, the side I knew.
It is not a metaphor: there is never enough dirt to fill the hole. I brought a wheelbarrow, and we lay thick logs along the space to mark where you had finally made your escape. You were there, the last time I moved you, but it was not you that I moved. Invisibly, you leaned on my leg as I watched the Man roll the logs into place. Invisibly, you touched your nose to my palm to ask why I was making that strange sad howl. Invisibly, you howled with me, but you didn't really understand my grief.
I will NOT be submitting anything for the Monthly Poetry Challenge. Working with the titles "The Last Time I Loved You" and "The Last Time I Moved You" yielded nothing at all that would have been either erotic or fun in any way. However, it did generate this, which does not qualify for the challenge but which does have the working title, "The Last Time I Moved You."
***
Dogs go deep when they die, and it is my job to find them and put them at the proper depth for the rest of the transformation to take place. It is a terrible thing, finding a body that once belonged to someone you love. It is a terrible thing looking for one, and not finding it, and knowing that you must find it, however reluctant you are. There is a sad urgency, and I am the one who is sent to look, because I seem to have the special focus that sees the gold fur, hiding among the tall brown grass, shaded by shifting leaves. Whether I like it or not, it is one of my strange skills.
I knew you might choose to drop your heavy body before the summer ended. I know you had to lay it down, eventually, even though it could still fight coyotes, still stretch gleefully to kiss me through the car window, still be a towel for me when I cried. It was so heavy, I understand. Knowing, as four-leggeds do, its essential unimportance, you were not afraid when you limped off toward the creek; it was as if you wanted to find a polite corner to leave this last bit of waste, off in the deep woods, as a courtesy.
This is the Real of it and there is nothing so Real as this: the body finishes dying without You, after You have gone, in stages, and properly returning to mushrooms. It becomes earth, slowly. We cover that process in earth as a courtesy. We draw the curtain to give the flesh its privacy as the Small Eaters do their gentle, necessary work.
No, you were not breathing. It was the chemicals of your transformation, turning you to air and water and earth, dismantling you efficiently, from all directions, as it must be, as it should be. The Man and I took turns being near your discarded body and I found I was not bitter or sad, really, as I did that most essential work. It is the oldest task, the most fundamental: the digging of a space in the ground, the measuring of a hole to fit a body. I believe I retched out all my grief, bent there among the trees, and came out clean, without disgust or fear. I believe you watched us work, embarrassed that you'd put us to this trouble. I averted my face as we rolled your body in, so I would always see the side of you with fur, the side I knew.
It is not a metaphor: there is never enough dirt to fill the hole. I brought a wheelbarrow, and we lay thick logs along the space to mark where you had finally made your escape. You were there, the last time I moved you, but it was not you that I moved. Invisibly, you leaned on my leg as I watched the Man roll the logs into place. Invisibly, you touched your nose to my palm to ask why I was making that strange sad howl. Invisibly, you howled with me, but you didn't really understand my grief.