Morality of Writing Fan Fiction Based on Literotica Stories

But yours do? You clearly disagree with the site rule on using other author's work. I suggest you find a site more aligned with your principles.
Apparently, others share my morals, as no sequel has ever been rejected following my guidelines. Keep your suggestions to yourself; I’ll stay long after you’re gone. Pun intended.
 

Salieri's motif starts at 1:07 and remains the central theme in this uplifting, ingenious fugal structure. Had Mozart employed your "morals" instead of drawing from Salieri's work, no one would have remembered Salieri.

Poor Salieri. He gets a bad rap. He was no Mozart, but he was a good composer who enjoyed success and fame in his day. The theory that he poisoned and killed Mozart is very likely not true and unfairly stains his reputation.

I wasn't aware of the accusation that Mozart had lifted themes of Salieri for The Magic Flute, so I looked them up. According to the Wikipedia page for The Magic Flute, 2 musical passages in Mozart's opera echo portions of Salieri's work. The Papageno-Papagena duet echoes the Cucuzza cavatina in Salieri's Prima la musica e poi le parole, and Papageno's "whistle" theme echoes a theme in Salieri's concerto in B-flat major.

I listened to them, and I hear the similarity, but I don't think it rises to copyright infringement. There are similarities in structure and feel, but the melody isn't quite the same, and the works in which the themes are placed are completely different. In copyright parlance, it's borrowing an idea from another artist rather than taking the artist's proprietary expression of the idea. That's how I hear it, anyway. These things are subject to debate and dispute.

I'd compare it to the lawsuit brought by the Holst Foundation against Hans Zimmer for allegedly ripping off the "Mars" theme in his battle score for the movie Gladiator. I remember when I watched Gladiator thinking that that portion of the score sounded a lot like Mars from The Planets, but not quite enough to be copyright infringement.

We have to remember also that copyright protection and principles were in their infancy back in the late 1700s. The expectations would have been completely different from what they are now.

My takeaway is that Mozart did nothing wrong. He borrowed musical ideas of a contemporary, but the expression of those ideas was his own, and that's what counted. The musical works were completely different, in different keys, with different melodies. It's not close to the same thing as writing a sequel to somebody else's story.
 
Wooly thinking. The latter does not prove the former. BTW how many sequels have you published here?


But will you ever contribute anything?
Yeah, I kind of find it odd that a new arrival(@Plathfan) with no stories, no followers, not following anyone, who's only presence seems to be less than 300 posts on this forum, is garnering so much attention.
 
My takeaway is that Mozart did nothing wrong. He borrowed musical ideas of a contemporary, but the expression of those ideas was his own, and that's what counted. The musical works were completely different, in different keys, with different melodies. It's not close to the same thing as writing a sequel to somebody else's story.
It's exactly the same thing as writing a sequel! I know, because I’ve tried (and given up). You know it too, only you didn’t call it a sequel or give credit.
 
It's exactly the same thing as writing a sequel! I know, because I’ve tried (and given up). You know it too, only you didn’t call it a sequel or give credit.
It's not the same thing at all. I've been inspired by others works, taken ideas and concept and made them my own, but I've never once taken someone else's story, used their characters, their settings and pretended to be able to expand on their world.

I'm working on an epic fantasy novel with elves and dwarves and orcs and trolls. It's inspired by ton of other writers, but It's not in Middle Earth. It's not an extension of anything Tolkien did. It's my own story with my own characters.

Similarly, I have a vampire story on the back burner for next year's Halloween contest. It uses a well known genre, but I'm not using the characters or settings or even the story Bram Stoker wrote. I don't have the hubris to do fan fiction. I'm not bold enough to think I can pick up something someone else wrote and do their characters justice. I've been asked to write a transgender story in the Harry Potter world. Not going to do it. Those characters, that world belong to Rowling.

I'd suggest that you come across as an academic. You seem to know some theory and definitely have some opinions, but don't show any evidence of ever actually doing anything with that knowledge. You don't have any basis for your opinions other than your opinions. To me that's narcissistic. Maybe that's were your angst comes from. If you want to be more than a gnat on a summer afternoon, or an fly buzzing a slice of watermelon at a picnic, an annoyance, put something out there to support you opinions. Actually publish a story. Show us you're right.
 
It's exactly the same thing as writing a sequel! I know, because I’ve tried (and given up). You know it too, only you didn’t call it a sequel or give credit.

No, it's not, because a sequel takes specific items of copyrightable expression from the source material -- character names, personalities, setting details, plot points, etc. These are things that are protected by copyright law.

Broad musical ideas, or musical motifs or themes to a certain level of abstraction, are considered mere unprotected "ideas" under copyright law. One is free to take them without credit or fear of copyright infringement. I think that's what Zimmer did with Holst's Mars, and what Mozart did with Salieri.

If you write a sequel to a Literotica author's story "Billy Bob's Adventures with Mom," and your sequel features the characters Billy Bob and Mom with the same names and personalities and backstories, and is set in the same mid-2oth century house in the San Fernando Valley with all the same rooms and decor, and your story refers specifically to events that happened in the previous stories, then you are not simply borrowing motifs or ideas; you are taking the unique original expression of the source author's ideas. That's copyright infringement.

I've never written a sequel to another Literotica author's story. I've never used names, personalities, settings, specific text, or plot points of another Literotica author's story for my own. I've borrowed broad ideas (e.g., the mailgirl concept and mom on son's lap on a seat) from preexisting Literotica stories, but all the specifics were my own. The only exception was my fanfiction story based in the LOTR universe, but that didn't involve a Lit author.
 
I think that giving credit to the original author is the key point in all of this. If you become inspired by someone's work and you credit the original author, then all those who read or listen to your work will be intrigued to look up the original author as well. Their original work will be found by more people. It will touch more souls and minds.

In that sense, I disagree with Tilan's view of the famous 1984 movie. Salieri is not an A-list composer of classical music, so to speak. Those who study music will know who he was, but a common person? I don't think so.
Beethoven, Mozart, Verdi, Brahms, yeah most people know these famous composers, but other composers might not fare so well. So that movie, if it did anything, it brought attention to Salieri. I would guess that many people would feel curious to learn more and to see if he was really jealous of Mozart and if he harbored ill thoughts towards him. Some will maybe try to listen to some of his work. Some will like it or feel inspired by it.
I believe I remember reading some criticism of the movie, and the outrage because Salieri was portrayed in such a way. It's quite possible that some people who saw the movie thought that that was a faithful portrayal of the man and that he was indeed a petty and malicious person. I don't think Salieri would be much bothered by what those fools who base their historical knowledge on movies think about him. ;)
 
I don't think Salieri would be much bothered by what those fools who base their historical knowledge on movies think about him. ;)

Speaking for myself, if I were Salieri's spirit sitting on a cloud and was aware of what the living on Earth were saying about me, I'd be pissed. I would regard myself as having been defamed. And, presumably, I'd have an eternity to stew about it, so that would piss me off more.

This is assuming, of course, that I was innocent; otherwise I'd be burning in hell and have other more pressing things to think about.
 
Yeah, I kind of find it odd that a new arrival(@Plathfan) with no stories, no followers, not following anyone, who's only presence seems to be less than 300 posts on this forum, is garnering so much attention.
It's just Tilan's newest incarnation. The account will get banned eventually, they'll lay low for a while and pop up with a new account in a few months. This is like the 6th account of theirs that I've seen.
 
It's just Tilan's newest incarnation. The account will get banned eventually, they'll lay low for a while and pop up with a new account in a few months. This is like the 6th account of theirs that I've seen.

It's kind of like Sauron. He can't assume his original visible form anymore, but the same malignant spirit remains, gnawing at old grievances and doing whatever mischief it can. Orcs suddenly reappear when he emerges from hiding.
 
It's kind of like Sauron. He can't assume his original visible form anymore, but the same malignant spirit remains, gnawing at old grievances and doing whatever mischief it can. Orcs suddenly reappear when he emerges from hiding.
He seems more like Gollum. Whinging, whining, lurking in the dark and hating everything.
 
He seems more like Gollum. Whinging, whining, lurking in the dark and hating everything.
And he is loving every second of you talking about him. ;)

Also, as much as I've been at odds with him on more than one occasion, he is who he is and he does his "performance art" openly, which is more that can be said about some other, "more respected" AH denizens. Not you, obviously, but there are some. Just sayin.
 
No, it's not, because a sequel takes specific items of copyrightable expression from the source material -- character names, personalities, setting details, plot points, etc. These are things that are protected by copyright law.
You keep mentioning copyright law, even though it’s already been made clear that it can’t be enforced here and thus has no relevance. Let’s focus on morality, as the OP intended.
character names, personalities, setting details, plot points, etc.
Character names, setting details, and plot points can easily be changed. The law may assign them importance, but to anyone who has ever written, these are mere superficial technicalities. Personalities, however, are inevitably shaped by the personality of their creator. The characters you create will always be derivatives of your own. You can never truly bring to life the original.

You can keep quibbling about "borrowing ideas" and the law, but nothing changes the fact that you can never replicate the narration, the distinct delivery. Therefore, a sequel created by someone else is inherently an original work.

The narcissist, true to form, will always attribute malicious intent to others: a wish to steal from them or grab attention that isn't theirs. It’s classic projection. They can’t comprehend that some people might genuinely admire a piece and want to honor its creator.

But they needn’t worry; no one will honor theirs.
 
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The narcissist, true to form, will always attribute malicious intent to others: a wish to steal from them or grab attention that isn't theirs. It’s classic projection. They can’t comprehend that some people might genuinely admire a piece and want to honor its creator.
I'm just going to quote this and leave it here to stew for a bit...
 
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