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For some reason, the hot married woman scenario always appealed to me. Girlfriends in a long term relationship also fit the bill.To date all my hot wife material has been from the POV of the wife, I'm currently working on one told from the POV of a man who has a session with a woman who claims to be a married milf in her ad, but he thinks she's putting that out there as a role play fantasy for guys who think the fantasy of a married woman is hot. Course she is married, but he never knows for sure, that's revealed after he leaves. Meh results so far.
I just wrote a new erotic poem, and submitted it to Lit today
It's going to be posted tomorrowSo it should be up in, oh, about six weeks.
It's going to be posted tomorrow
I’ll watch for this!Just started a Lesbian Romance. Guitarist in a band (side character from the Third Date) meets a flamenco dancer on a day off in Madrid. Neither really speaks the other's language.
Writing dialogue is going to be fun!
Not trying to be a smart-ass, but maybe a quick read of The One Thing might help to get focused. I'm guilty of everything you've written above.Let's see, leaving aside that i'm in the middle of a writing drought so these are in various incomplete stages:
A guy whose college experiences sent him far away from the college, until a long-ago acquaintance finds him and asks what happened. 4500 words, last updated 2020
A guy who arrives at his girlfriend's house, only to find she's gone away with friends for the weekend and her mom is hotter than he'd noticed. 3500 words, last updated 2022
A guy who comes into possession of an artifact that causes sexual things to happen to and around him. 3500 words, probably going to approach 6000, last updated 2023, and a massive expansion of an old desert-island story.
A guy who decides to go into a club for - alternate sexual definitions. He meets up with someone who blows his idea of what he is. I'm probably two-thirds through this at 3200 words as of 2008, but have to take a red pencil from the start forward and then I can probably see where the ending is going to be.
An older guy laid off from a good job, whose wife doesn't want him vegetating at home and pull old favors to get him a job with one of her college chums. Said chum has her own ideas of how to use him. I got to 1800 words in 2023 and hit one of those points where the story can go in one of three or four directions and I don't know which feels right.
Invisible Neighbor 2 - I've had actual requests to do the sequel to this story; I've plotted out three different ways it can go and I don't like any of them very much.
A very sketchy first two paragraphs for the Mickey Spillane competition.
And twenty or thirty opening segments that might some day become actual stories.
In the absence of making serious progress on any of these, I've been putting some of my already-completed stories from the last 35 years up on Literotica. (Don't be too impressed, it only averages out to a tad over three stories a year.)
I've had stories where I see the opening scene and the ending scene, and things flow from point A to point B eventually. That doesn't always work for me, but I'd certainly suggest that you try it.Not trying to be a smart-ass, but maybe a quick read of The One Thing might help to get focused. I'm guilty of everything you've written above.
On your comment above 'to take a red pencil. . . .to see where the ending is going'; I'm at 12K+ words on a story that is looking for an ending. So instead of figuring that out, my mind is telling me, hey just transition into part 02 of this, and maybe some ending will appear. So I'm wondering if it makes sense to start with the ending, and then create the chapters to get there?
Sounds so simple?I've had stories where I see the opening scene and the ending scene, and things flow from point A to point B eventually. That doesn't always work for me, but I'd certainly suggest that you try it.
This is how I write. A scene comes into my head and I write it down. It could be a paragraph, it could be 1,000 words. It might link up with something I've already thought of or it might just linger indefinitely in my Stubs file. If it fits into an existing story then I have to work out where it fits (I use spreadsheets) and how to navigate to it from the work that's already written. Sometimes I have an ending in mind but not often. Usually the ending emerges at some point and that's where I wrap things up.Not trying to be a smart-ass, but maybe a quick read of The One Thing might help to get focused. I'm guilty of everything you've written above.
On your comment above 'to take a red pencil. . . .to see where the ending is going'; I'm at 12K+ words on a story that is looking for an ending. So instead of figuring that out, my mind is telling me, hey just transition into part 02 of this, and maybe some ending will appear. So I'm wondering if it makes sense to start with the ending, and then create the chapters to get there?