Asilverfox23
A Silver Fox
- Joined
- Sep 5, 2025
- Posts
- 367
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It's truly miserable. I didn't write for almost five years because of something like that, I only started back up in October. Combo of life giving me a nice few kicks and suddenly not having any ideas I considered worth the time/effort after finishing up a book. It's part of why I started writing here instead: lower stakes, plus a giant backlog of ideas I would never be able to publish under my name.The difficult part, for me, was the second half of last year. After producing story after story and loving every second of it, suddenly I ran out of steam. I still loved writing, but finishing stories took more and more effort.
It wasn't so much the effort it took that was difficult to handle, it was the worry about why I was struggling with something that had previously come so effortlessly. The worry that perhaps the spark was gone for good. The constant pushing of myself to get over the slump, only to find the mountain even more insurmountable.
It was an awful feeling.
Staying sober.I think it's fascinating how people struggling with different aspects of writing. Whether it's certain types of content, a particular portion of the overall process, etc., I think we all have at least one area that gives us the greatest challenge. Some people struggle with dialogue, others description, some with editing, word choice, structure, outlining, types of scenes, the whole gamut.
So, what's your biggest writing hurdle or hurdles?
For me, I have a couple:
1. Process-wise, it's outlining, hands down. I barely bother with anything more than the most rudimentary roadmap anymore. Almost every time I try to do a detailed outline, I get yanekd out of it by my instincts telling me to go in a different direction, or realizing the chain of events no longer work due to the way the finer details mix, or a character going rogue and doing something unexpected that upends the entire plot (IYKYK). Something slightly traumatizing about writing a 50-page outline over a month or so and then have the whole thing go off the rails by the second bulletpoints. Thank God it did, becasue the book turned out way, way better than if I had stuck to the plan. Now I tend to be more improvisional, letting the characters tell me what they want and the plot following the path of least resistance instead of trying to herd them down a path they clearly don't want to follow or battle headwinds.
2. Writing-wise, it's probably description. For my non-erotic stories, I tend to be of the school of thought that less description allows the reader to paint their own picture of the places and people. It allows allows for smoother pacing. Kind of more in the vein of Terry Pratchett than JRR Tolkein, like the difference between a blurry photograph vs. IMAX, you have them fill in more detail, which I feel makes the characters more grounded, as it's whatever comes naturally instead of them trying to conceptualize every last detail. But I'm finding erotica to be very detail-heavy, especially given my characters are anthropomorphic and thus getting a description of their unique animal anatomy is important. Doubly especially because I like to use less common anthros than the ones that tend to predominate this subgenre. Case in point, I currently have a tamandua on deck for the Valentine's Day, and I don't think I've ever seen erotica featuring one, even though they're so cute! So now my issue is trying to balance giving enough description so they can visualize the characters without going so in-depth that eventually their eyes glaze over and they skip it to get back to the actually interesting part. What I'm currently doing is over-writing the description in my rough draft, and then going back and figuring out which details are pertinent, figuring out how well the character is currently defined, and then pruning (or even sometimes adding) as needed.
How about you? What are your struggles? How do you compensate for it?
One thing I learned in typing class is to use the opposite shift key of the hand that is typing the capital letter. Left hand capital letter, right shift. Right hand capital, left shift. It balances out the motions and reduces strain on the hand that is the same as the shift key you are using, in your case, the right. You aren't trying to stretch your hand to make a capital T with your left, or capital Y with your right.There's a shift key on the lift side that I might try using, but it feels extremely unnatural so I would have to be consciously focusing on that which feels like a waste of 'CPU'.
Some time last night my first real story in a long time was published, and yesterday I wrote 1k words on another one that I hope to publish next week. Neither felt like a chore. So I think I've battled through it.Hopefully, you've gotten past that (I caught the "was"). If not, I think it's worth continue to write and push past it anyway, even if it's not very good. I wish I'd figured that out a while ago instead of giving up. Better to write crap than nothing. It keeps away the atrophy, if nothing else. Then, when you finally do have something you're excited about, it's not daunting because you haven't written in years.
Is it staring at a blank page, or just starting?Currently the opening paragraph. Never had this problem before, but lately I just can't get those opening words right.
I know what you mean. I've been trying to rewrite some non-erotic stories of mine to maybe see about publishing them somewhere else. But they're from several years ago, when 2k words felt like a long, complete story to me. I have to rework them, slow the narrative down, add more detail, build the tension.No. It's a rewrite of an existing story, over 2 years old. It's hard to rewrite what's ingrained in my head already, and trying to change the tone and implied changes to the story. Hard to explain. In the mean time I'm putting words down just trying to get the feel of what I want, then I'll hone it down and put it together, until then the struggle goes on. It'll be worth it in the long run.
For me, the most difficult part of writing a story is dialogue. I can describe the scene in visceral detail - the smells, the visual, the emotions, the texture and color in great detail, but when it comes to dialogue, it doesn't match the intensity.
With poetry, I really don't have to work with dialogue, so I don't experience the disparity.
YMMV
https://literotica.com/s/a-woman-obsessedFor me, the most difficult part of writing a story is dialogue. I can describe the scene in visceral detail - the smells, the visual, the emotions, the texture and color in great detail, but when it comes to dialogue, it doesn't match the intensity.
With poetry, I really don't have to work with dialogue, so I don't experience the disparity.
YMMV
Yeah it's a mother. The thing that's bothering me the most is the opening line. I wanted to keep the rabbit hole line first, I like it, but with the prologue and what happens to the MC there needs to be addressed first I think. So it's maybe gonna be the last line in the first paragraph, but I'm still resistingI know what you mean. I've been trying to rewrite some non-erotic stories of mine to maybe see about publishing them somewhere else. But they're from several years ago, when 2k words felt like a long, complete story to me. I have to rework them, slow the narrative down, add more detail, build the tension.
But it's just really hard to do that with stories that in my mind are listed as "done". I've thought about starting from scratch, but there's some good writing in there that I don't want to lose.