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While the rest of us try to find the Christmas spirit, @Areala-chan simply embodies it. Like a festive little elf, she spreads joy to the left and smut to the right.Against my expectations, yes - you're right! How the hell did you find this?!
I probably watched this live, despite my protests. This was during my first marriage and my ex was a huge muppets fan. I loathe John Denver in any form. I don't think I can blame this, but we did break up in 1980. Just saying.I've had this album for basically as long as I've been alive. In 1979, this was an hour-long Christmas special broadcast on television here in the US, and my parents loved the music so much that my mom bought the record, and I now have my own copy of it, both on vinyl and on CD. It's one of the few Christmas albums I can listen to without feeling homicidal (I work in retail, so the day after Thanksgiving starts the non-stop Christmas music blitz in our store).
Anyone interested in seeing the full special can watch it here. It's really cute, the Muppet covers of the various standards are a lot of fun, and there are a few other songs that John Denver sings solo, or with minimal accompaniment, that are just as beautiful and enjoyable as Noel: Christmas Eve, 1913.
I assume they’re saying “tin” of Copenhagen since it comes in a little can with a metal lid.---------------------------------------------------------
Anyone know why the hell Redneck Christmas involves "10 o' Copenhagen" (the Danish capital)?
I assume they’re saying “tin” of Copenhagen since it comes in a little can with a metal lid.
https://gtc.freshcope.com/copenhage...eOOCXe70w6pQZwRau3TooWGuMU1frarh9TcpaaQ6VgH79
Fuck yeah, I love bands making pirate music in different genres and Alestorm are great!In 2009, the self-styled True Scottish Pirate Metal band Alestorm covered it on their album Black Sails at Midnight, and it's still a routine part of their live setlist.
I kinda love this, but it also showcases a tendency of the time I kinda don't. A lot of very technically skilled players ended up playing solos that almost sounded more like "how many notes can I play?" than an attempt to make great music. It's part of why I love Miles Davis, because he was decidedly not that.The Miles Davis Sextet playing "Oleo" on their live album Jazz at the Plaza. It's an absolute heavyweight lineup: Bill Evans, Paul Chambers, Jimmy Cobb, John Coltrane, Cannonball Adderly and Miles Davis. "Oleo" is a contrafact, a reused harmonic structure with a new melody; it's one of many contrafacts based on "I Got Rhythm" by Gershwin. This record, and possibly this song, features in my piece Plugged In.
First time I heard this was actually a surprisingly good Danish translation by a musical comedy group here. Took me many years to discover it was a "real" song and not just something they made up for that one show.Since we've covered the Redneck 12 Days of Christmas, this was inevitable.
Since we've covered the Redneck 12 Days of Christmas, this was inevitable.
I'm back to the same feeling as last they were posted - kind of intimidated. I'm not sure if it's just that my long illness-caused isolation has given me a bit of social anxiety, and they keep staring into the camera, or if I have a fear of slightly posh-looking American women smiling at me.When a lovely Christmas video suddenly gives you sapphic fantasies, finally proving that you are, indeed, a perv.
See, the fastest of those solo's is Adderly's, and I think it's brilliant. The syncopation is very advanced, and he blends in nods to older jazz styles, like trills, which had fallen out of favor. He's playing all the notes for sure, but they're all interesting notes.I kinda love this, but it also showcases a tendency of the time I kinda don't. A lot of very technically skilled players ended up playing solos that almost sounded more like "how many notes can I play?" than an attempt to make great music. It's part of why I love Miles Davis, because he was decidedly not that.
See I totally agree. It's very advanced, he does a lot of interesting things, it is brilliant. It's just that while I find it very technically impressive and theoretically interesting, I also find it a bit musically inert.See, the fastest of those solo's is Adderly's, and I think it's brilliant. The syncopation is very advanced, and he blends in nods to older jazz styles, like trills, which had fallen out of favor. He's playing all the notes for sure, but they're all interesting notes.