H
hmmnmm
Guest
It isn't a bad mess. Or an uncomfortable entanglement.
an earlier pearl that caught my attention was the distinction between Informative Writing and Non-informative. I'd never really thought about it that way. Never.
If I'm off about this, feel free to lend correction as it applies.
The way I'm seeing it, is as a line. Okay? Or a stick. You know.
on one end you'd have Informative. On the other end is Non-informative. On the Informative side would be the facts. Telling simple facts. On the other end might be suggestions. Or no facts. Objective versus subjective. At the utmost Informative end might be Dictionary or Encyclopedia or Textbook. At the utmost Non-informative/suggestion end would be... Poetry? And between those two ends...? News journalism might be closer to the Informative end? Fiction story sort of in the middle but favoring the Informative end?
So, if someone is all settled at their computer or in their sofa and they click on or open a story or book and they've put their reception settings to 'Mostly Informative' but they find they are getting 'Mostly Poetic/Suggestive' and whether a story is inside all the jumble of suggestions or no story, it might really frustrate or even extremely upset the one who really just wants the facts dressed up with a few colors and that move along.
So the writer really should (I do hate 'shoulds' and Dos and don'ts, but just for simple understanding sake for now) have an idea the area of the line they want to focus on? At least in each stanza/line/paragraph? And if you aren't careful and you want to try to mix them up (in one stanza/line/paragraph), you can end up with a little mess? Or? suppose you've been way deep over on the suggestion end and you realize you really need to get out and dry off with some nice clear facts.
So much fun to sit and think about this. Too bad the actual Doing is a bigger challenge.
an earlier pearl that caught my attention was the distinction between Informative Writing and Non-informative. I'd never really thought about it that way. Never.
If I'm off about this, feel free to lend correction as it applies.
The way I'm seeing it, is as a line. Okay? Or a stick. You know.
on one end you'd have Informative. On the other end is Non-informative. On the Informative side would be the facts. Telling simple facts. On the other end might be suggestions. Or no facts. Objective versus subjective. At the utmost Informative end might be Dictionary or Encyclopedia or Textbook. At the utmost Non-informative/suggestion end would be... Poetry? And between those two ends...? News journalism might be closer to the Informative end? Fiction story sort of in the middle but favoring the Informative end?
So, if someone is all settled at their computer or in their sofa and they click on or open a story or book and they've put their reception settings to 'Mostly Informative' but they find they are getting 'Mostly Poetic/Suggestive' and whether a story is inside all the jumble of suggestions or no story, it might really frustrate or even extremely upset the one who really just wants the facts dressed up with a few colors and that move along.
So the writer really should (I do hate 'shoulds' and Dos and don'ts, but just for simple understanding sake for now) have an idea the area of the line they want to focus on? At least in each stanza/line/paragraph? And if you aren't careful and you want to try to mix them up (in one stanza/line/paragraph), you can end up with a little mess? Or? suppose you've been way deep over on the suggestion end and you realize you really need to get out and dry off with some nice clear facts.
So much fun to sit and think about this. Too bad the actual Doing is a bigger challenge.