PennLady
Literotica Guru
- Joined
- Mar 26, 2009
- Posts
- 9,413
This is a big bugaboo I have with the approach of a good many critiquers on this subforum, I'm afraid (not picking you out on this, PL. You're one of the best and most sensitive critiquers here--just off the beam on this, I think)--and it's a danger I see in the "everyman" critiquing of the works of others. When you critique something, do you start with examining what the author appeared to be trying to achieve within the category he/she was writing and with the targeted audience in mind? Or do you approach a critique from the aspect of what appeals to you in general and/or that you assume will appeal to others in general (maximizing them votes and favorable comments)? If the former, you are approaching it as a trained critiquer.
You make good points, and I admit that I skimmed rather than read this story. I know I've mentioned Roger Ebert before -- I love to read his stuff -- and one thing that stuck with me from what he's said about reviewing/critiquing is that it's not "what" the thing is about, it's "how it is about it."
I actually do try to keep in mind what an author is going for as opposed to what I want and I think most times I do a decent job on it. I've certainly edited stuff that I don't care to read, but it's not about that -- it's about what the author is trying to do and I try to help them get there.
The particular point about trying to keep the characters undefined so that people can project was brought up by the author in a previous post and I was responding to that more than critiquing the story. As I said, that issue was brought up in regards to another story and I know it's a small sample, but opinion seemed to run against such a method. There may be a large portion of readers who enjoy that, but they don't seem to say much.