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she understood
without words
without looks
the swollen muscle inside her chest
pressed
against constriction of slick rib
the thinnest breath
crept
from nostrils while she
willed the submarine thrums to
stop
behind the door
she understood
the importance of silence
like the repetition of without
and the rhyme in the second stanza especially
she understood
without words
without looks
the swollen muscle inside her chest
pressed
against constriction of slick rib
the thinnest breath
crept
from nostrils while she
willed the submarine thrums to
stop
behind the door
she understood
the importance of silence
she understood
without words
without looks
the swollen muscle inside her chest
pressed
against constriction of slick rib
the thinnest breath
crept
from nostrils while she
willed the submarine thrums to
stop
behind the door
she understood
the importance of silence
Not to get too off topic in Chip's poetry thread, but to follow up. It's surprising where the best poems turn up. Of the poems written or spoken, within my eye or earshot the past five or so years, I think this one is the best: http://www.literotica.com/stories/showstory.php?id=320794
When you admire a living poet you can just email them, maybe get to know them a bit, maybe they'll even ask you to share your work...that's much too reflexive, community is much more valuable and harder to come by with a zillion people looking for publication.
probablythanks for reading and taking the time to comment, pab
do you think i could get away with changing 'constriction' to 'constrict'?
swollen muscle inside her chest
pressed
against constrict of slick rib
thanks, vrose, for your thinking... i will look at that again. i was hoping to suggest the trying hard to stop the noisy pulse, to make a sort of tightness there, a holding of the moment. glad the sense of breathlessness was evoked.I love the near rhyme of pressed/crept and the fact those two words are enjambed identically. Something about the placement of the line in red bothers me but I couldn't tell you why; I think it might be that it is singled out. There is something breathless about this poem that is very appealing.
thanks, friday i know exactly what you mean, which is why i'm asking about it. on-screen i prefer constrict of slick rib but saying it's another thing. it has to be spoken very carefully, and i'm not sure it should be that hard to speak it. :sigh:I adore this, Chip: it feels like an epic novel compresssed into so few words. I would keep "constriction"--"constrict" feels strangely tongue-twistery in the context, though I've no idea why. x
ok, you lost me at the sharp turn...If you ask me it looks like a chipbuddy-senna jawa collaboration
rollin' through the boneyard
laughin' all the way
ah, thanks corndog, I was under the impression the only thing people could learn from me were bad habits
applies 90% IMAGINATION TO chipbuddy-senna jawa collaboration
all you have to do is know 15 different languages and not be fluent in any of 'em epeciarry engrish
poetry comes natural
matsukaze mon amour
so... i could probably use constrict in your opinion? which enjambment? sorry, i seem to be having a natural hair-colour momentprobably
it bounces against
importance
nicely
to I would question as enjambment
maybe it was me not following the thread -I thought this was the poemok, you lost me at the sharp turn...
so... i could probably use constrict in your opinion? which enjambment? sorry, i seem to be having a natural hair-colour moment
ok, you lost me at the sharp turn...
so... i could probably use constrict in your opinion? which enjambment? sorry, i seem to be having a natural hair-colour moment
thanks for reading and taking the time to comment, pab
do you think i could get away with changing 'constriction' to 'constrict'?
swollen muscle inside her chest
pressed
against constrict of slick rib
harumph!!
well, i suppose i could - it doesn't feel right to me, though. that may well be my undoing, as i am frequently too fond of using more words than necessary. it's something i work on all the time there's something about the word 'constrict' or 'constriction' that sounds enclosing, tight, uncomfortable. i can't help but like the sound of the run-on of soft 'i's in the phrase.You could just say pressed against slick rib...
Or make the rib the subject of the statement, so it's the rib doing the pressing. That might imply constriction.
well, i suppose i could - it doesn't feel right to me, though. that may well be my undoing, as i am frequently too fond of using more words than necessary. it's something i work on all the time there's something about the word 'constrict' or 'constriction' that sounds enclosing, tight, uncomfortable. i can't help but like the sound of the run-on of soft 'i's in the phrase.
ice cubes melt
in lazy amber
ice drips
on your tongue
as i melt
back to wall
thighs trembling
cheeks on fire
It's the heart "the muscle" that is pressing. I would just lose "against" which is perhaps redundant. x
well thankyou, tooCan I add an "mmm" to that as well. I did "mmm" this poem when I read it and forgot to "mmm" appreciatively to you. (Thanks CharleyH for reminding mmmmme!"
aha, whichever take your fancy, both even. writing it, i appreciated its ambiguitymight one 'mmmm' too but also enquire which cheeks?
thanks for reading and taking the time to comment, pab
do you think i could get away with changing 'constriction' to 'constrict'?
swollen muscle inside her chest
pressed
against constrict of slick rib
the jury's out on that oneDoes enjambment make prose poetry, poetry?
Stéphane Mallarmé seems to think so.
yeah, i tried that idea but though i liked its architectural quality, the cage of ribs, and the sound link with muscle, it was hard work reading it aloud for me... my lips and tongue were having to jump through hoops! thankyou for the suggestion though, mr foolconstruct?