greenmountaineer
Literotica Guru
- Joined
- Nov 28, 2008
- Posts
- 2,442
k, just subbed and you and you and you
Have read it 3 times; still digesting it, which in my world is a complement.
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k, just subbed and you and you and you
do with it what you will, annie if anything i write inspires you to play, i'm not complaining.
thankyou, gmHave read it 3 times; still digesting it, which in my world is a complement.
I'm curious about the phrasing, butty. Why the archaic-sounding "unto the dirt," "mine own pungent flesh," "dead she cannot be," etc.? Are you going for an epic tone?
Personal preference: for poems on profound emotions like grief, I prefer phrasing that sounds like something someone might actually say. The gravity of the images in such poems ought to be sufficient-- overweighting them with dramatic language risks turning them comical.
But that's just me.
how could i cast her bones unto the dirt?
she, whose limbs graced mine own pungent flesh
hot and rancid in the ride...
she
whose touch soothed my heart and stopped my lips
sang my hair and teeth and eyes
cradled my whimsy
succoured my wail
lifted my feet higher when time weighed down my step...
breathed my joy and sweat and hunger...
she
who lays there still and cold as if were dead
but dead she cannot be
i will her breathe!
open those eyes to see me once again
but no
she lays there
such pretense to rip a mind in two
i will not have it!
no!
sweet, breathe, or must i breathe my own hot breath into your lungs?
force your breasts to rise and fall, atremble in my arms?
too cruel to sport me so
too cruel...
this is no toy, no puppet thing
no! no! leave us be a spell for she will wake
first draft
I'm curious about the phrasing, butty. Why the archaic-sounding "unto the dirt," "mine own pungent flesh," "dead she cannot be," etc.? Are you going for an epic tone?
Personal preference: for poems on profound emotions like grief, I prefer phrasing that sounds like something someone might actually say. The gravity of the images in such poems ought to be sufficient-- overweighting them with dramatic language risks turning them comical.
But that's just me.
i don't even know if this stands as poetry, tbh ... more a delivery of dialogue from a scene ... and yeah, i was seeing something stagey with tights and backdrops and cloaks and stuff.
it just arrived as it did. maybe i'll mess about with it, maybe i won't bother.
i think i had a stressful couple of days
Do you find Shakespearean tragedies comical too?
so not a comedy of tragic proportions? tyIt is wonderfully tragic.
prithee step comely, now, buxom maid, lest the foul wind dos't shake his gloom'd branches and... oops, i'd best get up to dateDo you find Shakespearean tragedies comical too?
nah, mate, you got it all wrong - though i see why you might. i should have 'splained: this is from a male pov. it's him with the doublet and hose and funny shoes, down on one knee, flapping her unresponsive arms about, (lol) in denial about the cold maiden's untimely demise (prolly killed herself to get away from him!)Ha! I'm picturing you with the back of one hand pressed to your forehead, your chin thrust toward the horizon, your nightgown billowing in a fan-blown breeze!
Actually, I kind of like that last bit....
Sorry about the stress. Hope it abates, soon.
philistine
Why am I not surprised? America has days for everything ......... it's a wonder it hasn't got My dog piddles up your lampost day/visting the genealogist day/eat eggs for breakfast today day
each piece will use whatever feels right for it tyI like your deathbed poem, the untos et al. Your use of archaic language is effortless, for the most part. No need to cease dressing up your words if the shoe fits.
i loves me some diversity!A diversity of opinions on the use of archaic phrasing in contemporary poetry! Ultimately, of course, the only one that matters is your own.
Editorial decisions may be driven by your desired audience: do you hope to take it beyond this forum?
I was not confused about the narrator, btw-- my mind was on the author!
omg. david ten nant just had me weeping on and off for an hour. he is so so good at sorrow, and anger, grief, joy stuff....
A diversity of opinions on the use of archaic phrasing in contemporary poetry! Ultimately, of course, the only one that matters is your own.
Editorial decisions may be driven by your desired audience: do you hope to take it beyond this forum?
I was not confused about the narrator, btw-- my mind was on the author!
I don't know that there's much beyond this worldly stage. Of course, there are regional magazines, narrower collegiate publications...
each piece will use whatever feels right for it ty
i loves me some diversity!
for me, it feels right for the write ... whatever the beast is.
no, i doubt anything will happen with it at all - it was unwritten, and then got written, in one hit, just as it would be said ... in that sort of timeline... typing out a dramatic 'moment'... just a bit of live writing.
ha!