Does anybody else find themselves writing the ending of a story before finishing the middle?

I got about 6000 words into the story I'm currently working on and suddenly I'm feeling compelled to write the ending. I'd had a general idea for how I wanted to end the story, but now it looks like I'm going to be filling in the middle after I get the rest done.
It doesn't matter what order you piece the story together but I try to stay chronological. If you write the ending, then go back to the middle and do something like introduce a character, you have to dash to the end to make sure he's in the right place for the end to happen properly.
 
Not really writing the end, no. But I have gotten in the habit of outlining how I would like the story to end, then I create a series of "floating waypoints" that I will use to guide the story along. Then as I get closer to what I think the ending will be, I have something to shoot for.

I never set a "hard ending" for any of my stories because I have found, over the years, that my stories take on a life of their own. The ending I get may not be the one I originally planned on. So if I were to set the ending up before I wrote the rest, I would be constraining myself to follow a more rigid path, so to speak.

If that all makes sense. :)
 
Not really writing the end, no. But I have gotten in the habit of outlining how I would like the story to end, then I create a series of "floating waypoints" that I will use to guide the story along. Then as I get closer to what I think the ending will be, I have something to shoot for.

I never set a "hard ending" for any of my stories because I have found, over the years, that my stories take on a life of their own. The ending I get may not be the one I originally planned on. So if I were to set the ending up before I wrote the rest, I would be constraining myself to follow a more rigid path, so to speak.

If that all makes sense. :)
It does make sense. And a lot of the stories I have written have often taken a different direction (maybe it could be said as taken a life of their own) than my original thought. I don't think floating waypoints would have helped me. The ending of the story I was working on when I posted this just kind of spontaneously coalesced based upon what was happening organically in the rest of the story. The middle was set, all I had to do was finish writing it, but the ending demanded to be finished first.
 
Yes, I do this a fair amount. Sometimes I find that a great ending serves as a 'magnet' for me writing the rest of the story. Gives me clarity and momentum to reach that epic finale.
 
It does make sense. And a lot of the stories I have written have often taken a different direction (maybe it could be said as taken a life of their own) than my original thought. I don't think floating waypoints would have helped me. The ending of the story I was working on when I posted this just kind of spontaneously coalesced based upon what was happening organically in the rest of the story. The middle was set, all I had to do was finish writing it, but the ending demanded to be finished first.

I will only say that it has never worked out for me when I have tried that. I have spoken about this before, but my characters tend to take over my stories and lead them in directions I was not always planning. So I have learned to role with that. I have even gotten to points where I have no clue where my characters are taking me until we get there.

For a person with a background in technical writing, where there is no grey area (you cannot put much mystery into telling people how to work on a Cisco Switch), it feels alien sometimes to have your product lead you where you need to go.
 
This is very common in writing. Directors don't shoot movies in order. Singers don't record songs in the order they release on an album. Lots of artists work backward
 
I work through a story in my head, playing the various scenes along the way, until I get to the end. Then I write down the outline of the ending and start working at the beginning to move towards the ending. Knowing the ending allows me to indulge in a little foreshadowing and creates a list of beats I need to hit. I will frequently be driven to write a scene out of order and I go ahead and do that and make edits as required when the rest of the narrative catches up to it.
 
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