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You have to show them ID, I think, but otherwise you don't have to talk to them much - even if you think you have nothing to hide. They're not there to chat with you. You've must have seen those guys on Cops who talk so much that they practically convict themselves.Especially with actual cops. One of the lawyers I work for often says all you should say is, "I've called my lawyer, he's on the way."
The weird thing is that when he's talking to Kimball, he doesn't appear normal. He fidgets, makes weirdly abrupt movements (like when he sweeps that plate or whatever it is off his desk), talks in non sequiturs, and so forth. He seems too co-operative and seems to answer more than Kimball had asked him.He also has a desperate need to appear normal, like he's a man who has nothing to hide.
Oooh! I actually know why (sort of) Dafoe behaves so uncannily in this.Both Bale and Dafoe are creepy in this. What I don't get: why is Bateman even talking to this guy? He's a private investigator, not law enforcement. He has no legal standing as far as I know. Even with actual cops, it's better to say little until your lawyer is present.
You have to show them ID, I think, but otherwise you don't have to talk to them much - even if you think you have nothing to hide. They're not there to chat with you. You've must have seen those guys on Cops who talk so much that they practically convict themselves.
Same sentiment to songwriters. They are the real poets of that space.It jut hit me that, as writers, we're crediting the actors(or worse, the characters in the films) for these great lines when all they did was read them. Here's a nod to the real genius behind the words, the screen writers.![]()
The weird thing is that when he's talking to Kimball, he doesn't appear normal. He fidgets, makes weirdly abrupt movements (like when he sweeps that plate or whatever it is off his desk), talks in non sequiturs, and so forth. He seems too co-operative and seems to answer more than Kimball had asked him.
Sighhis peers are so shallow and self-absorb
Wanting to do something isn't the same as being able to, but his peers are so shallow and self-absorb they never notice the odd things he does. With Kimball, he does seem to relax as the interview goes on, until he improv his lies like the play he claims he went to. (It's been a while since I watched the movie or listened to the audio book).When he thinks he's caught though, he's just a bundle of nerves.
Yes, I've heard about that. Sounds like something Kubrick would have done. He wouldn't tell actors which take he would use. Well, the had so many takes that I doubt anybody would remember them all. I was under the impression that directors would use the final take, but that's not always the case, apparently.Oooh! I actually know why (sort of) Dafoe behaves so uncannily in this.
So apparently they filmed 3 takes of this scene. One in which Detective Kimball is convinced Bateman is guilty, one in which he only suspects, and one in which he doesn't suspect Bateman.
They took footage from all three takes and spliced them together so that the viewer would have absolutely no clue what the detective was thinking.
A clever idea imho
"Pride goeth before a fall.""No, you clearly don't know who you're talking to, so let me clue you in. I am not in danger, Skyler. I am the danger."
-- Heisenberg