twelveoone
ground zero
- Joined
- Mar 13, 2004
- Posts
- 5,882
tryimg for more for the mimicry of the effect of
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twelveoone said:Orignal
When I sometimes write I have a visual image of what it should look like on a page. In the original comments, (of which, I am proud and humbled by) two people noted the duality of this. The image I had was of a Japanese print with writing on it. I could not convey that, and I am not sure I am able to do it here, despite the use of Japanese images, terms.
Aware is a Japanese term, as is "ghost in the forest".
I apologise in advance, if I will not be able to respond to any suggestions on this, but any comments, suggestions, I will be thankful for, for this slighly redone version
Aware
I was not aware
I would go through life and find no reason
I try forgetting
so there will be nothing
but consuming emptiness
Still, contemplation of those breaking moments
that became who I am
a ghost, glued with a chameleon’s skin
Unforgetting; unshedding
this cloak of failures
assigned to me
Will you see me
in the cold rain in the forest
as a vague and ugly ghost
a monsterous form assumed
reprehensible, half crawling
with a basketfull of souls
traversing clouded downward slope
grasping for limbs, footholds
slipping on strewn November leaves
to an occluded stream?
Where as an old woman would,
with clawed hands in hard water
I try to wash away the smear
of shame and father’s failures
the stain of stolen hope
That you, my child, may be equal
and able to enjoy
the unclouded sun,
the smile of blossoms,
the murmurs of springs
Now
in the pity of passings
with no reason
I am alone
aware
PatCarrington said:...that slightly slanted perspective you want?
No you are reading right, maybe, I should have used more codes. Since this in part was prompted by someone saying something real stupid to my daughter, maybe I should have put in the momentary thought of taking off that some one's head (alas, my sword was at home), instead of the focus of the quick changing role of comforting my daughter. Which was the most important thing to do. Part of growing up is also the realization of a child that some adults are jerks. Part of growing up as a father, is comfort of a child is more important than anything else.Tathagata said:Did no one else pick up on this...in reference to a Japanese poem??
or am I reading things that aren't there again?
twelveoone said:I see I wrote this too abstract
Thanks - Tath.
funny. do you think he was refering to myTathagata said:No no
I meant Pat using the word " slanted'
yeah I know..I should have just kept my mouth shut
PatCarrington said:either do something more with "glazed" or find a better word
These are close to cliche:
carries his steps like stones to the grave.
silence and stillness
out of context, i agree they look cliche.
in the context of the poem, however, i do not agree.
the word steps is the key for me in the first line, referring back to both the boots and to the choice he may, the decision to open the bomb bay.
twelveoone said:BTW, Pat one of the few poems that reaches for greatness, in that respect, let's revisit "stones" I cannot find how stones refers to anything here, in this respect it fairly screams cliche. Consider for a moment "load" not that much better out of context, but it will refer back to bomb load. It will serve the dual purpose of slowing down, what I perceive as a too fast ending.
flyguy69 said:Sometimes this is all I want
Sometimes this is all I want:
To fall in line down E.Cross street <--- cap. "Street"
stepping over the black man with blue hands,
his coat soaked in fallen sidewalk rain.
Just walk up to the counter
order my coffee with mindless anonymity.
But I can’t.
Can’t sugar, sip or sit still
until ambulance lights somehow
beat the siren. Beat in a race? or into submission? I like this image very much, but want to know more. hmm good point, I meant the doppler effect, the I swear I saw the lights first. hmm
And I can’t
love you fuck you without ever missing
you, now wouldn’t that be nice
like every day’s a goddamn holiday.
Tarantino and De Sade <-- Is there a specific reference, here? A movie or a behavior in particular? It leaves me hanging. see the green verse below, those were the images I had in mind. Maybe I should bring them up here?
have not beaten me numb
I still feel it all.
I still want to feel it all.
Every goddamn bullet
ass fuck
finger prick
porcelain crack on skull.
I still got the will to open my own
goddamn mouth
demanding to taste it all,
bitter-sharp and real.
Savor every splinter
that becomes a jagged triangle of glass
slowly pulled from the sole of my foot.
The flesh holds on. To what?
I am left a bit confused (a normal state for me!) because you seem to start with the fact that you wish you could not feel all these things, to step over the ugliness and remain unaffected, but end up saying that you want to feel it all. I think a transition would help, something that tells me why you reject the numbness, or why you cannot ignore the pain. Or, leave one as the desire and the other as a need.
i also liked the inclusion of the picture frame in the original because it makes the glass splinters a memory rather than simply a source of pain.
Some very strong images thoughout, anna.
PatCarrington said:1201 -
i do understand your point. i have considered it, and will do so again. the poem has already been shipped out to a few places. we'll see what kind of reaction it gets.
a man carries his steps like stones to the grave
the word "stone" was used to add weight to the 'steps' (decisions made) of course, and also as an image of rubble, the loose aftermath of bombing (the unalterable consequences of decisions).
no poem can ever surely be finished, i think. there is no reason why i can't try to improve it, as you suggest.
and i wish to apologize for not giving my analysis here for you poem "aware". i am traveling and have little time now. i read it a few times and think it is marvelous. i will try to get to it when i am settled again in a couple of weeks
patrick
some considerations: This comes across as angry cutting fragments (good). It may help to work in a little more reptition of "I still (and/or) want", perhaps some line changes.annaswirls said:Here is what I am working on now (in blue) and below is the version I originally sent. It means a lot to me to get this poem right. Any suggestions would be appreciated. Thanks in advance.
Sometimes this is all I want
Sometimes this is all I want:
To fall in line down E.Cross street
stepping over the black man with blue hands,
his coat soaked in fallen sidewalk rain.
Just walk up to the counter
order my coffee with mindless anonymity.
But I can’t.
Can’t sugar, sip or sit still
until ambulance lights somehow
beat the siren.
And I can’t
love you fuck you without ever missing
you, now wouldn’t that be nice
like every day’s a goddamn holiday.
Tarantino and De Sade
have not beaten me numb
I still feel it all.
I still want to feel it all.
Every goddamn bullet
ass fuck
finger prick
porcelain crack on skull.
I still got the will to open my own
goddamn mouth
demanding to taste it all,
bitter-sharp and real.
Savor every splinter
that becomes a jagged triangle of glass
slowly pulled from the sole of my foot.
The flesh holds on.
twelveoone said:re; black man with blue hands, why are his hands blue? Give me a reason.
To fall in line down E.Cross street
stepping over the black man with blue hands,
his coat soaked in fallen sidewalk rain.
You may want to extend and then subvert the cliche as this:
To fall in line down E.Cross street
stepping over the black man with blue coat
beaten with sidewalk rain
I see what you are doing with fall in, fallen, I'm just not happy with it in front of rain
To fall in line down E.Cross street
stepping over fallen black man
with blue coat beaten with sidewalk rain
just some thoughts
You stepped over him to do a poetry reading? There is a damn good poem in that!annaswirls said:I stepped right over him. I was not brave enough to reach down and shake him or check a pulse. I stepped over him and into the door to do a poetry reading.
wound up writing.
flyguy69 said:You stepped over him to do a poetry reading? There is a damn good poem in that!
Oh, good morning, Jennifer!
annaswirls said:Orignal
Aware
I was not aware
I would go through life and find no reason <-since the word I is capatilized, it is hard to tell if these are two separate sentences or part of the same without punctuation (which I do not think is generally needed here)to guide.
Is it: I was not aware that I would go through life and find no reason. or
I was not aware.
Finding no reason as I went through life.
I try forgetting
so there will be nothing
but consuming emptiness <- I understand why you need this, but I do not like that it comes out and says this. Your emptiness is clear in the chameleons skin. If you think it is necessary to reinforce this image, consider creating a new one. What came to my mind was hunger but not for food, and insatiable as if nothing were eaten at all
Still, contemplation of (those) breaking moments
that became who I am
a ghost, glued with a chameleon’s skin
Unforgetting; unshedding
this cloak of failures
assigned to me <- intense. my favorite lines right here. so powerful, one of the reasons I want the ones above to be so as well. but who knows it might be too much then
Will you see me
in the cold rain in the forest
as a vague and ugly ghost
a monsterous form assumed
reprehensible, half crawling
with a basketfull of souls?
I felt like I needed a break here. A breath. A new basket
traversing clouded downward slope
grasping for limbs, footholds
slipping on strewn November leaves
to an occluded stream?
I felt like I needed a break here too
Where as an old woman would,
with clawed hands in hard water
I try to wash away the smear
of shame and father’s failures
(and) the stain of stolen hope
That you, my child, may be equal
and able to enjoy
the unclouded sun,
the smile of blossoms,
the murmurs of springs
Now
in the pity of passings
with no reason
I am alone
aware
You know that I enjoyed this poem in its original, and you know I still do. The images you use to represent much deeper things are impressive. I just feel that they would be easier to digest fully if they were separated in some way. I felt a little punch drunk upon reading it.
all the best, friend,
Jennifer
twelveoone said:Begins to see, thinks out loud
Deliberate ambiguities
aware - Eng. Def. to Japanese (how to lead to, pardon the pun, an awareness of the Japanese def.)
"no reason" i.e. no^ reason or "no reason"; I was thinking of Kursosawa's "Ran"
"consuming emptiness" what is eating what, this is a real problem, where I put?
"Still", "alone" I need to decide.
Failed line
"Will you see me" original was "did..." I need something that does not assign either present or past., but both.
middle section uses graphic images, Start and end, deliberatly vague, not the best thing for American audience, but what I want.
I can stucture this so that something is coming out of mist and disappearing back, instead of deliberate framing effect, (which seems to have failed)
This line is problem, where do I put?
"a ghost, glued with a chameleon’s skin"
Other lines may need to be trimmed
Thank you anna, I am beginning to see. Could not do on my own.