Unmasked Poet
Really Really Experienced
- Joined
- Nov 15, 2001
- Posts
- 429
One mans heaven...
The intrepid Pleasureu is back, and we’ve got trouble in river city folks, big trouble. Seems a wayward soul finds himself in heaven. His “lost” is our gain. (forgive the pun)
Still I found something and I can’t wait to show you. I urge you to run for a fire extinguisher because by the time were done. All of us will end up mired in hell. Read and don’t worry just use that fire extinguisher when you have to.
Lost In Heaven
by pleasureu ©
As now I sail the golden dream
See Angel standing there,
A vision clothed in perfect white
Soft sunlight, in her hair.
Memory does spark within
Of time, not long ago
Of passion sweet, and love divine
Within the afterglow
How did I love thee, lady fair.
How did I drink thy wine
As pussy lips did blossom forth
To bring such joy to mine.
So honey sweet, yet silky smooth
My tongue received your prize
AsI my love, intently gazed
Deep down into your eyes.
Your swollen clit, was tender then
Pink and filled with flush
As I caressed her gently
No need my love to rush
But that was back in mist of time
Behind the summers door
Did love you then, my precious one,
Yet now,I love you more
If this were the “Holding Poems up to the light” thread I would walk you through this poem, but really you don’t need my help. Everything is laid out for us like a buffet at an all you can eat restaurant. At first glance the colors are pretty and you’re hungry even your stomach rumbles as you approach the food. Then as you get closer you realize that it is in only fast food with extra sugar added.
Pleasureu’s Lost in heaven has too much sugar! Far too many overused images and lines. There is nothing new or profound because we have all seen it before, I’m sure most of you have written it before. Taste the first stanza:
As now I sail the golden dream
See Angel standing there,
A vision clothed in perfect white
Soft sunlight, in her hair.
There is something good here; he has gotten control of the rhyme scheme. But the imagery is so tired not even his angel could muster the strength to take flight. As a poet learns to write, they learn to avoid cliché. There is nothing wrong with the feeling yet we must find words that rise above the million other poems that have used them before.
“Golden dream”,”an angel in white”,and “sunlight in her hair.” Are banal to the point where they have no impact. I’m sure someone who doesn’t read poetry will credit the author for his genius. But for those of us who read “other peoples poetry” we realize this is the first steps of a writer evolving (we hope) and we can forgive them a little because we recognize they know not what they do. The poem doesn’t get any better we bounce from one hackneyed stanza to another, each with more sugar added to help it go down.
The borrowing of old English” and mixing it with the highly romantic words “Pussy” and “Clit” just doesn’t work. The poem has borrowed almost every other overused metaphor why not steal two more and keep the dialog in the poem consistent. The tight rhyme and decent use of meter cannot save this poem from bursting. (Ready those fire extinguishers) for rather than song, this one goes up into flames. I had wanted to highlight the commonplace phrases but then I would have had to repost the whole poem. Everyone on the count of three ready….set…..go…
In the charred remains there could be a rewrite, if the author doesn’t mind getting his fingers or his ego burned.
U.P.
The intrepid Pleasureu is back, and we’ve got trouble in river city folks, big trouble. Seems a wayward soul finds himself in heaven. His “lost” is our gain. (forgive the pun)
Still I found something and I can’t wait to show you. I urge you to run for a fire extinguisher because by the time were done. All of us will end up mired in hell. Read and don’t worry just use that fire extinguisher when you have to.
Lost In Heaven
by pleasureu ©
As now I sail the golden dream
See Angel standing there,
A vision clothed in perfect white
Soft sunlight, in her hair.
Memory does spark within
Of time, not long ago
Of passion sweet, and love divine
Within the afterglow
How did I love thee, lady fair.
How did I drink thy wine
As pussy lips did blossom forth
To bring such joy to mine.
So honey sweet, yet silky smooth
My tongue received your prize
AsI my love, intently gazed
Deep down into your eyes.
Your swollen clit, was tender then
Pink and filled with flush
As I caressed her gently
No need my love to rush
But that was back in mist of time
Behind the summers door
Did love you then, my precious one,
Yet now,I love you more
If this were the “Holding Poems up to the light” thread I would walk you through this poem, but really you don’t need my help. Everything is laid out for us like a buffet at an all you can eat restaurant. At first glance the colors are pretty and you’re hungry even your stomach rumbles as you approach the food. Then as you get closer you realize that it is in only fast food with extra sugar added.
Pleasureu’s Lost in heaven has too much sugar! Far too many overused images and lines. There is nothing new or profound because we have all seen it before, I’m sure most of you have written it before. Taste the first stanza:
As now I sail the golden dream
See Angel standing there,
A vision clothed in perfect white
Soft sunlight, in her hair.
There is something good here; he has gotten control of the rhyme scheme. But the imagery is so tired not even his angel could muster the strength to take flight. As a poet learns to write, they learn to avoid cliché. There is nothing wrong with the feeling yet we must find words that rise above the million other poems that have used them before.
“Golden dream”,”an angel in white”,and “sunlight in her hair.” Are banal to the point where they have no impact. I’m sure someone who doesn’t read poetry will credit the author for his genius. But for those of us who read “other peoples poetry” we realize this is the first steps of a writer evolving (we hope) and we can forgive them a little because we recognize they know not what they do. The poem doesn’t get any better we bounce from one hackneyed stanza to another, each with more sugar added to help it go down.
The borrowing of old English” and mixing it with the highly romantic words “Pussy” and “Clit” just doesn’t work. The poem has borrowed almost every other overused metaphor why not steal two more and keep the dialog in the poem consistent. The tight rhyme and decent use of meter cannot save this poem from bursting. (Ready those fire extinguishers) for rather than song, this one goes up into flames. I had wanted to highlight the commonplace phrases but then I would have had to repost the whole poem. Everyone on the count of three ready….set…..go…
In the charred remains there could be a rewrite, if the author doesn’t mind getting his fingers or his ego burned.
U.P.
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