anthrodisiac
Weirdo Archaeopteryx
- Joined
- Oct 12, 2025
- Posts
- 3,797
I think it's helpful to take a step back and remember that we aren't creating fully fleshed out, totally real, absolutely flesh-and-blood characters that are 100% true to a real-life person. We are, at all times, creating IMPRESSIONS of people. (This may appear to go against what I say to a lot of people, but when I'm saying those things, it's because I want them to create characters with more depth, and getting into the nuance of this particular point isn't useful.)
If we went and did an absolutely perfect faithful recreation of a person, it would bore the reader to tears. We're carefully cultivating and curating which aspects of a person we're showing them, which invariably means we're leaving out some parts that would make them totally accurate and lifelike. It means we might strip out a bit of something that makes them "super obviously female" because we decide the story doesn't need roadbumps around period pains or retouching your lipstick or dealing with that one bra that never quite fits right, but you can't adjust it because you're in a big meeting and it slowly drives you insane as you realize the meeting's going to go way, way over the 30 minutes they promised, and damn, you gotta pee so bad. Unless that's relevant to the story, we don't use it.
What we want to do is give readers the IMPRESSION that the character is male, or female, or human, or alien, or whatever. It harkens back to giving the reader the impression of dialogue, where you wouldn't do a totally faithful recreation of an actual conversation, because there are so many tangents and meanders and pauses and "wait, what?"s that it would strangle the story. You need to give the shape of a person, and ideally that shape has a lot of depth, and has lots of nuanced contours so the shape isn't just a square with a dick, but something approximating an actual person, but in the end, it's still an approximation, an impression. A (hopefully) very good approximation that comes to life in the reader's mind, but an approximation all the same.
If we went and did an absolutely perfect faithful recreation of a person, it would bore the reader to tears. We're carefully cultivating and curating which aspects of a person we're showing them, which invariably means we're leaving out some parts that would make them totally accurate and lifelike. It means we might strip out a bit of something that makes them "super obviously female" because we decide the story doesn't need roadbumps around period pains or retouching your lipstick or dealing with that one bra that never quite fits right, but you can't adjust it because you're in a big meeting and it slowly drives you insane as you realize the meeting's going to go way, way over the 30 minutes they promised, and damn, you gotta pee so bad. Unless that's relevant to the story, we don't use it.
What we want to do is give readers the IMPRESSION that the character is male, or female, or human, or alien, or whatever. It harkens back to giving the reader the impression of dialogue, where you wouldn't do a totally faithful recreation of an actual conversation, because there are so many tangents and meanders and pauses and "wait, what?"s that it would strangle the story. You need to give the shape of a person, and ideally that shape has a lot of depth, and has lots of nuanced contours so the shape isn't just a square with a dick, but something approximating an actual person, but in the end, it's still an approximation, an impression. A (hopefully) very good approximation that comes to life in the reader's mind, but an approximation all the same.
