twelveoone
ground zero
- Joined
- Mar 13, 2004
- Posts
- 5,882
what 'ev,I don't do reviews, darling, I do recommendations.
could have been read as either
review one
others need woik
recommend woik
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what 'ev,I don't do reviews, darling, I do recommendations.
..Harry - the poem is based on story a friend told me about how he became interested in politics. Sometimes all it takes is going home on a different road.
now about this, suppose you put a short bio at the top, the reader gets into the story he thinks the poem is about...then surprise...ahaThanks to Demure, Harry, and 1201 for comments on Shortcut Home, and especially for pointing out my sloppy mistakes in the final stanza.
Harry - the poem is based on story a friend told me about how he became interested in politics. Sometimes all it takes is going home on a different road.
When will I see her again? By Feverman
hoping for the sight of her returning, (d)
I am undone, half whole, searching, wanting. (d)
This chill is to the bone. I’m so empty. (e)
I try to warm my heart with what we had... (f)
her love, her joy, days and nights of plenty (e)
but, clouds of doubt are creeping in my head (f)
What am I missing, Desejo?
recheck the rules for rhyme
mod's - this and feverman's response belong in the comments section
ans,
returning, wanting - are not even considered rhyme
empty, plenty - well interesting, if emp and plen would rhyme this would be with ty at the end, would be feminine rhyme, however they don't and you are now ending on an unstressed syllable.
had.../head. interesting
not my bailiwick, i'm a free verse guy, but Desejo was right to question.
my question why in the hell are you doing these?
Well, I suppose I did these [things] much like many of the other dubious decisions I made along the way in my life's journey... sharing the memory of an intense period of longing for someone I missed desperately at a point in time seemed like a good idea when I jotted down my thoughts in what I thought was reasonable sonnet format. Damn, I guess this means I won't be spending the big poetry prize money on Christmas gifts for my honey.
I've seen any number of formats called sonnet. Some use no rhyme whatsoever. Some of these I have even seen in the New Yorker. Typically all sonnets have five strong beats per line (pentameter, more or less iambic) and twelve to fourteen lines. Beyond that is much variance.Well, I suppose I did these [things] much like many of the other dubious decisions I made along the way in my life's journey... sharing the memory of an intense period of longing for someone I missed desperately at a point in time seemed like a good idea when I jotted down my thoughts in what I thought was reasonable sonnet format. Damn, I guess this means I won't be spending the big poetry prize money on Christmas gifts for my honey.
You can always call it a Sonnet (Modified). If you must name a formula, that is.Well, I suppose I did these [things] much like many of the other dubious decisions I made along the way in my life's journey... sharing the memory of an intense period of longing for someone I missed desperately at a point in time seemed like a good idea when I jotted down my thoughts in what I thought was reasonable sonnet format. Damn, I guess this means I won't be spending the big poetry prize money on Christmas gifts for my honey.
stealing from dylan first two lines? jokingI don’t claim to be a poet
And all-y’all should know it
Could anybody see
The pain that was me
The hurt that I felt
Needing her like that?
stealing from dylan first two lines? joking
look feverman, 3 of the best people said it was good, goddamn it, keep fucking writing
That this right here ain’t no-kinda sonnet
and it was, see above, hinged on defination
let's not get too carried awayBy, "this right here ain't no-kinda sonnet," I meant, this little rhyming response, not the original submission. In any case, thanks for the kind words, the 5 vote and the encouragement. Okay, I'm off, inspired now to write the perfect sonnet for you fine folks. I'm feeling like John Anderson when he sang the words to the song, "I'm Just an Old Chuck of Coal," ..."Well, I'm just an old chunk of coal, now Lord, but I'm gonna be a diamond some day."
let's not get too carried away
but do get involved, if you have a question ask. it generally gets sorted out. i liked demure's response.
i'm telling you feverman read the comments on the poems, you get a wealth of information.
leave a few, you start doing that, you find out what works best for you in writing.
now fess up, that wasn't the first poem you ever wrote, was it?
..I appreciate the feedback on my poem, the interaction and the discovery of this new (to me), interesting section of the Forum.
didn't think so, too good. Edna St. Vincent Millay and George Dillon collaborated on a translation of Baudelaire in the 30's that is quite unique, they tossed the pentametre, and tried duplicating the french line in english.No, not my first poem by any means... not my first sonnet... I wrote a number of sonnets and other poems years ago. Edna St. Vincent Millay was my favorite poet, and I modeled my sonnets after her style (back when). "When Will I See Her Again?" was, however, the first sonnet (or any attempt at "real" poetry) I've made in many years. I suppose I've written 50 or 60 poems total, not counting little humorous things like the rhyming comment I left above.
.
was it hard time?i did my time
..Now. See what you think! Maybe I'm full of shit, just this once.
I love the irony both of these sonnets. The first one has an unusual rhyme scheme toward the end.
Below is the more typical rhyme scheme I tried to use. I loved this sonnet so much I committed it to memory years ago.
Loving you less than life, a little less
Than bitter-sweet upon a broken wall
Or brush-wood smoke in autumn, I confess
I cannot swear I love you not at all.
For there is that about you in this light –
A yellow darkness, sinister of rain –
Which sturdily recalls my stubborn sight
To dwell on you, and dwell on you again.
And I am made aware of many a week
I shall consume, remembering in what way
Your brown hair grows about your brow and cheek,
And what divine absurdities you say:
Till all the world, and I, and surely you,
Will know I love you, whether or not I do.